Explore as origens espanholas da história do personagem, que é um paciente com tuberculose de Almeria que está disposto a fazer qualquer coisa para se curar, até mesmo consumir o sangue das ... Ler tudoExplore as origens espanholas da história do personagem, que é um paciente com tuberculose de Almeria que está disposto a fazer qualquer coisa para se curar, até mesmo consumir o sangue das crianças que ele sequestra em um saco.Explore as origens espanholas da história do personagem, que é um paciente com tuberculose de Almeria que está disposto a fazer qualquer coisa para se curar, até mesmo consumir o sangue das crianças que ele sequestra em um saco.
- Direção
- Roteiristas
- Artistas
Lucas Blas
- Álex
- (as Lucas de Blas)
Carlos González Morollón
- Bernardo
- (as Carlos González)
Avaliações em destaque
The term "Boogeyman" has been widely appropriated to intimidate children into behaving well, fearing the threat of an unknown who will take them away if they don't oblige. Origins features the myth deriving from the Almería (Spain) region, and it's nice to see a local interpretation of the figure.
With children being abducted in regular time patterns, some of the plot points seem quite familiar. In fact, the movie tends to lean heavily on popular influences such as Stranger Things, IT, and Jeepers Creepers. This is a shame because El hombre del saco should have been bathed in Spanish folklore rather than American influences, so it's a bit of missed opportunity.
Origins is however a cut above many straight to VOD horror features, as there are some genuinely creepy scenes and visuals. The production values and effects are also done well enough to provide a creepy atmosphere.
Overall, Origins is a decent entry into the "Boogeyman universe". Plus if you're a Stranger Things fan, you'll probably enjoy this as well.
With children being abducted in regular time patterns, some of the plot points seem quite familiar. In fact, the movie tends to lean heavily on popular influences such as Stranger Things, IT, and Jeepers Creepers. This is a shame because El hombre del saco should have been bathed in Spanish folklore rather than American influences, so it's a bit of missed opportunity.
Origins is however a cut above many straight to VOD horror features, as there are some genuinely creepy scenes and visuals. The production values and effects are also done well enough to provide a creepy atmosphere.
Overall, Origins is a decent entry into the "Boogeyman universe". Plus if you're a Stranger Things fan, you'll probably enjoy this as well.
10leopfm
El hombre del saco. An Urban leyend, the boogieman from Spain. If you are a bad kid el hombre del saco will come for you. Gilt is a magnet for him. A group of brave kids face him. Obviously in a time before moviles, when kids rode bicicles and played in the streets. IT and strangers things also viewed the need for that.
The effects are really good and convincing. The acting also is good and i see real caracters renembering that more of the cast are teenagers.
I liked and smiled remembering the crazy idea my brother and I had once: look for the hombre del saco to kill him. Our parents though we were lost and had a really bad evening.
The effects are really good and convincing. The acting also is good and i see real caracters renembering that more of the cast are teenagers.
I liked and smiled remembering the crazy idea my brother and I had once: look for the hombre del saco to kill him. Our parents though we were lost and had a really bad evening.
Unfortunately, the movie falls short in a few areas. It tries hard to mimic famous American horror films and even borrows elements from 'Stranger Things,' but it doesn't quite hit the mark. The characters and situations in the movie often feel less genuine and more like attempts to imitate rather than innovate.
One noticeable issue is the excessive use of jump scares accompanied by loud sounds. While jump scares can be effective, their overuse here feels a bit cheap and can leave viewers more startled than genuinely scared.
Additionally, the lack of clear explanations for certain events and phenomena in the film can leave viewers feeling somewhat perplexed. A good horror movie usually strikes a balance between revealing some answers while leaving a few mysteries unsolved. In this case, the absence of explanations can make it challenging for the audience to fully engage with the story.
On a positive note, the film does boast commendable production values and cinematic effects. The visual and technical aspects are well-executed, showcasing the talent of the production team.
In summary, while the movie has its merits in terms of production quality, it struggles to deliver a truly unique and captivating horror experience. The heavy reliance on familiar tropes and the lack of genuine scares might disappoint those looking for a more original and immersive cinematic journey.
One noticeable issue is the excessive use of jump scares accompanied by loud sounds. While jump scares can be effective, their overuse here feels a bit cheap and can leave viewers more startled than genuinely scared.
Additionally, the lack of clear explanations for certain events and phenomena in the film can leave viewers feeling somewhat perplexed. A good horror movie usually strikes a balance between revealing some answers while leaving a few mysteries unsolved. In this case, the absence of explanations can make it challenging for the audience to fully engage with the story.
On a positive note, the film does boast commendable production values and cinematic effects. The visual and technical aspects are well-executed, showcasing the talent of the production team.
In summary, while the movie has its merits in terms of production quality, it struggles to deliver a truly unique and captivating horror experience. The heavy reliance on familiar tropes and the lack of genuine scares might disappoint those looking for a more original and immersive cinematic journey.
No pun intended - the movie is supposed to give us a new legacy ... a new ... well for lack of a better word (and the English title suggests as much anyway) ... boogeyman! Yes that is what it is called in Germany (and I reckon the same is true for the English/international release of the movie too).
The beginning is quite strong - even if we didn't know we are watching a horror movie, even if the movie did not already told us that it is a horror movie ... the setting, the way an "old man" is talking to a kid ... we know what we are going to get. And as the horror movie cliche goes ... we get that early shocker ... usually that is done and then you get some slower storytelling and all that ... here you get a second shocker thrown in for good measure ... whatever you make of it.
It is decent enough I reckon, the story flows fine too ... if you like horror ... well you could watch worse. Effects are ok too.
The beginning is quite strong - even if we didn't know we are watching a horror movie, even if the movie did not already told us that it is a horror movie ... the setting, the way an "old man" is talking to a kid ... we know what we are going to get. And as the horror movie cliche goes ... we get that early shocker ... usually that is done and then you get some slower storytelling and all that ... here you get a second shocker thrown in for good measure ... whatever you make of it.
It is decent enough I reckon, the story flows fine too ... if you like horror ... well you could watch worse. Effects are ok too.
As in some American movies, the initial premise is good and full of potential but it goes to waste so soon. However, 5 minutes in and you can predict the rest of the plot. It has chances to be original, but it misses them all.
The scares are visually entertaining but too abundant and loud. It misses the goal of maintaining you tense.
But the most hurtful aspect of the movie is the dedication to look, sound, and happen as in stranger things. I don't deny that a viewer who somehow missed that series can enjoy this movie. But for the rest of the mortals, it's unavoidable to think you are watching a cheap Indian copy of the series. It hurts to watch.
On a more positive note, some of the actors are fairly good, and the effects are good. The only thing that feels professional in this movie.
Spanish cinema has way more to offer than this.
The scares are visually entertaining but too abundant and loud. It misses the goal of maintaining you tense.
But the most hurtful aspect of the movie is the dedication to look, sound, and happen as in stranger things. I don't deny that a viewer who somehow missed that series can enjoy this movie. But for the rest of the mortals, it's unavoidable to think you are watching a cheap Indian copy of the series. It hurts to watch.
On a more positive note, some of the actors are fairly good, and the effects are good. The only thing that feels professional in this movie.
Spanish cinema has way more to offer than this.
Você sabia?
- CuriosidadesThe Bogeyman returns once every seven years since his death in 1910 (thus the first attack was in 1917). Kino was kidnapped in 1966 (he claims to be part of the harvest of '66); that is, the eighth attack. The film takes place in 2022 (the sixteenth attack), because Paula mentions how "last year" she had tied herself to the tree, and there is a newspaper clipping, dated 2021, covering that event.
- Cenas durante ou pós-créditosMid-credit scene with the police in the Boogeyman's hut.
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- How long is The Boogeyman: The Origin of the Myth?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Também conhecido como
- The Boogeyman: The Origin of the Myth
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 497.611
- Tempo de duração1 hora 31 minutos
- Cor
- Proporção
- 2.39 : 1
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