Girl You Know It's True
- 2023
- 2 h 4 min
AVALIAÇÃO DA IMDb
7,1/10
4 mil
SUA AVALIAÇÃO
Os dançarinos Pilatus e Morvan alcançaram a fama no final da década de 1980 e se tornaram estrelas com sucessos número 1 e ganharam o Grammy. A dupla nunca cantou uma palavra em suas músicas... Ler tudoOs dançarinos Pilatus e Morvan alcançaram a fama no final da década de 1980 e se tornaram estrelas com sucessos número 1 e ganharam o Grammy. A dupla nunca cantou uma palavra em suas músicas.Os dançarinos Pilatus e Morvan alcançaram a fama no final da década de 1980 e se tornaram estrelas com sucessos número 1 e ganharam o Grammy. A dupla nunca cantou uma palavra em suas músicas.
- Prêmios
- 5 vitórias e 4 indicações no total
Avaliações em destaque
To the writers, producers, and storytellers of Girl You Know It's True:
First, thank you.
I came into this film expecting to revisit the pop scandal of my youth-Milli Vanilli, the Grammy, the lip-syncing, the fall. That was the version of the story the world fed me back then. I loved the music. I believed, like many others, that we'd all been duped.
But what I watched was not a scandal.
It was a tragedy.
A human one.
And one that hit me harder than I ever expected.
What you gave us wasn't just the truth behind the band- You gave us Rob Pilatus, the person behind the image.
And as an adoptee, I recognized that boy immediately.
When Rob said,
"I knew why they adopted me. They had something to prove," it was like someone reached into my chest and gripped my heart.
That was not a throwaway line. That was a life sentence.
A truth that every adopted person I know understands too well.
And that brings me to what I need to say:
This film should have included a trigger warning.
You gave us suicide. You gave us addiction. You gave us exploitation.
But the part that broke me-and that will break countless adoptees who watch this-came without a whisper of caution:
The portrayal of Rob's adoption trauma.
You showed the way he was abandoned, shaped, discarded, and ultimately destroyed by a system and a society that never saw the child behind the performance. And of course, as so often happens in real life-the adoptee is the one who dies in the end. The one who carries the most pain. The one who is never allowed to fully heal.
We live in an era where even fictional stories are prefaced with content warnings.
But this? This was a real story.
And you told it well. So well that it triggered something ancient and agonizing in me.
What I want the world to understand is this:
You think adopted children are "better off." You think we're lucky.
You think we're saved.
But unless you've been through it, you'll never truly grasp what it feels like to be
removed from your roots
stripped of origin and story
used as proof of someone else's goodness
and then asked to smile for the camera and be grateful.
Rob was a brilliant, broken, beautiful soul who never got the closure he deserved.
He was a boy who wanted to be seen.
And he died trying.
So again, I say thank you.
Because you told his story.
You honored his pain.
And now, I will honor it too.
But let this be a reminder to Hollywood, to storytellers, to audiences:
Adoptees are not props.
We are not plot twists.
We are not here to be tragic and then disappear.
We are still here.
We are still carrying it.
And some of us-like Rob-don't survive it.
Let his story stay with you.
Because it will never leave me.
Sincerely, Catherine An adoptee A witness A survivor And now-one voice louder.
First, thank you.
I came into this film expecting to revisit the pop scandal of my youth-Milli Vanilli, the Grammy, the lip-syncing, the fall. That was the version of the story the world fed me back then. I loved the music. I believed, like many others, that we'd all been duped.
But what I watched was not a scandal.
It was a tragedy.
A human one.
And one that hit me harder than I ever expected.
What you gave us wasn't just the truth behind the band- You gave us Rob Pilatus, the person behind the image.
And as an adoptee, I recognized that boy immediately.
When Rob said,
"I knew why they adopted me. They had something to prove," it was like someone reached into my chest and gripped my heart.
That was not a throwaway line. That was a life sentence.
A truth that every adopted person I know understands too well.
And that brings me to what I need to say:
This film should have included a trigger warning.
You gave us suicide. You gave us addiction. You gave us exploitation.
But the part that broke me-and that will break countless adoptees who watch this-came without a whisper of caution:
The portrayal of Rob's adoption trauma.
You showed the way he was abandoned, shaped, discarded, and ultimately destroyed by a system and a society that never saw the child behind the performance. And of course, as so often happens in real life-the adoptee is the one who dies in the end. The one who carries the most pain. The one who is never allowed to fully heal.
We live in an era where even fictional stories are prefaced with content warnings.
But this? This was a real story.
And you told it well. So well that it triggered something ancient and agonizing in me.
What I want the world to understand is this:
You think adopted children are "better off." You think we're lucky.
You think we're saved.
But unless you've been through it, you'll never truly grasp what it feels like to be
removed from your roots
stripped of origin and story
used as proof of someone else's goodness
and then asked to smile for the camera and be grateful.
Rob was a brilliant, broken, beautiful soul who never got the closure he deserved.
He was a boy who wanted to be seen.
And he died trying.
So again, I say thank you.
Because you told his story.
You honored his pain.
And now, I will honor it too.
But let this be a reminder to Hollywood, to storytellers, to audiences:
Adoptees are not props.
We are not plot twists.
We are not here to be tragic and then disappear.
We are still here.
We are still carrying it.
And some of us-like Rob-don't survive it.
Let his story stay with you.
Because it will never leave me.
Sincerely, Catherine An adoptee A witness A survivor And now-one voice louder.
For a low-budget music biopic, this film makes a compelling watch in part because the story of Rob and Fab says a great deal about the artifice of the music industry and the fleeting nature of fame. It's absolutely and rightfully sympathetic to its main characters, who got swept into a fraud that got bigger and more elaborate than anyone expected. The performances are excellent, and the director makes some intriguing choices, especially toward the end of the film. Whether you are old enough to remember the scandal or know nothing, it's a film that should keep most viewers engaged. Also, the friendship between Rob and Fab, provides real heart to the story.
All the main actors also look eerily like the real people they are playing, so kudos to the casting director.
All the main actors also look eerily like the real people they are playing, so kudos to the casting director.
I have watched documentaries about the Milli Vanilli scandal previously so I thought I knew the story but film tells the story in a fresh, enlightening, engaging and emotional way. It reveals details that I didn't know about the actual performers and writers of the group's hits.
The period attention to detail in the sets, clothes and soundtrack takes those of us old enough right back to to 80s but this film should also be engaging to younger audiences who have never heard of Milli Vanilli. The themes around in the pursuit of fame, exploitation by the entertainment industry and lack of post fame support are just as relevant in today's world of reality TV shows, social media and talent contests. Well with watching. Note that some dialogue is in German and French with subtitles.
The period attention to detail in the sets, clothes and soundtrack takes those of us old enough right back to to 80s but this film should also be engaging to younger audiences who have never heard of Milli Vanilli. The themes around in the pursuit of fame, exploitation by the entertainment industry and lack of post fame support are just as relevant in today's world of reality TV shows, social media and talent contests. Well with watching. Note that some dialogue is in German and French with subtitles.
First of all let's appreciate the actors! Good cast, good work with them, it worked out well. Then again I was not expecting that it would be bad either, both men favor real life Rob and Fab.
The character who portrays Frank is also a good actor as well. I almost felt that I was right there as the events were taking place.
This movie centers around Milli Vanilli obviously, the story speaks about their chaotic ending in the music industry. Two young men who are blamed for lying about their music and who they were as artist. Yet, it was not just them who played a part in the entire scandal at the end of the day. This film also depicts how shady the music industry can really be!
With this tale, it dives deep with Rob, and why he even had a love for entertaining in the first place , same thing for Fab, both were dancers. Not knowing that later on they would be used as puppets for someone else's work.
Great film, would not mind watching it again. Rest in paradise Rob, you was and still are a great man.
The character who portrays Frank is also a good actor as well. I almost felt that I was right there as the events were taking place.
This movie centers around Milli Vanilli obviously, the story speaks about their chaotic ending in the music industry. Two young men who are blamed for lying about their music and who they were as artist. Yet, it was not just them who played a part in the entire scandal at the end of the day. This film also depicts how shady the music industry can really be!
With this tale, it dives deep with Rob, and why he even had a love for entertaining in the first place , same thing for Fab, both were dancers. Not knowing that later on they would be used as puppets for someone else's work.
Great film, would not mind watching it again. Rest in paradise Rob, you was and still are a great man.
Not bad! I hadn't expected that. I would even attest to the international standard of the production. A brisk production, an interesting story, of course, that's what it was, but with a few shortcomings in the acting. An entertaining biopic designed to entertain.
Of course Schweighöfer is, as always, a minus point at first, but that neutralises itself at some point. Either you get used to his eternally identical performance over the course of the film or he finds his way into the role quite well. He's always got a mischievous side to him and somehow can't be taken seriously.
As I said, the story is a self-runner. Exciting, tragic, sometimes simply unbelievable. A wonderful journey through time.
Of course Schweighöfer is, as always, a minus point at first, but that neutralises itself at some point. Either you get used to his eternally identical performance over the course of the film or he finds his way into the role quite well. He's always got a mischievous side to him and somehow can't be taken seriously.
As I said, the story is a self-runner. Exciting, tragic, sometimes simply unbelievable. A wonderful journey through time.
Você sabia?
- CuriosidadesThe movie is dedicated to the late Rob Pilatus, who died on April 2, 1998 in Frankfurt, Germany. He was 33.
- Erros de gravaçãoWhen Rob and Fab are given a cassette demo of the song "Blame It on the Rain", they are told that it was originally written for Whitney Houston. In real life, Diane Warren originally wrote the song for The Jets, but Arista Records president Clive Davis suggested to give it to Milli Vanilli instead.
- Cenas durante ou pós-créditosDuring the first closing credits, right after the photos of the real life people, the musical cast is seen singing "Girl You Know It's True" combined with the original music video.
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Milli Vanilli: Girl You Know It's True
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 3.658.675
- Tempo de duração
- 2 h 4 min(124 min)
- Cor
- Mixagem de som
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