A Vespa

Spanish director Guillem Morales delivers an intense thriller that pleasantly surprises with its interpretive strength. It is one of those rare feature films that exudes its theatrical origin from the beginning, but remains absolutely cinematic in every sense.

As we enter into the story proposed by screenwriter Morgan Lloyd Malcolm, who adapts her own play, obtaining a film that constantly surprises you with the force with which it explores past traumas and desperation so that as spectators we fall into a game of mental duels that bring out the best in its two performers. Both main characters feel trapped like the eloquent metaphors with which their director gives us clues in its powerful beginning.

Both Naomi Harris and Natalie Dormer enter into a duel of characters with intense monologues and all the expressive talent of two great actresses who absolutely take over the film and make you have great moments of resentment, sorrow and madness. All stimulated by the talent of the Spanish director who manages to make his debut in English with all the intelligence and wisdom of a director who knows how to handle suspense with absolute greatness. If we take into account his previous works, it is a sure bet for the film to be as efficient as it is, and to have a great director behind it.

The Spanish director's direction takes us on a journey full of tension and suspense, with the particularity of having some wild and attractive twists, with a disturbing and dramatic piece that contains a lot in its 96 minutes and that remains in the memory beyond its final credits.

A surprising and distressing ending with a masterful handling of atmosphere, tension and details make this a great film that is worth giving your time to and enjoying as one of those little gems that always come to surprise us with satisfaction.

I didn't expect much seeing the ridiculous IMDB rating but noticing some intelligent praise about this film from others. All of us who saw it really enjoyed it.

A woman is in the middle of an abusive relationship and feels trapped. She turns to her childhood friend whom she hasn't seen in many years, with whom she shared a jarring experience but admired her friend's seeming innate bravery and ability to do what this trapped woman could not. And that act is to get rid of her miserable, abusive husband. But there is a much deeper meaning to the wasps in this movie, which take on literal, comparable, metaphoric roles in this film in a very clever way.

The acting is seriously top notch as this film is all about whether the main characters can pull off their performances and boy do they ever. These two women are absolutely riveting. I saw a comment about a child actor who plays a very small role and it was actually perfectly played as a clueless neighbor and a funny scene at that.

What probably drove this film's rating downward is that it doesn't have an ending that would make many 'happy' and what they'd want to see. But it's quite clear from all that occurs that it's definitely the right one. It may not have the huge punch that some were expecting - but that's likely because they were looking in the completely wrong place. What would drive someone to their limits? That's what this film is about and I'm guessing some may relate personally.

This is a rare gem and is easily a major cut above average. Anyone who says it isn't is not being honest with you.

This film is based off a play. That's why it may be moving slow at times, it may feel brainy, and intellectual.

Behind it, there is a great analysis on psychological scarring, social abuse, and perpetuating said abuse, in cycles that for some individuals seem inescapable.

Very well acted. Natile Dorman is a chameleon on her choice of roles and show her amazing range. But the same should be said about Naomi Harris. Both dig deep and bring forth a balance range of acting chops that should get them some award considerations.

The film is so full of human and social commentaries that I can see it being shown in Universities and even Senior courses in some high-schools, to elicit conversations about the topics dwells in.

I hope it gets a bit more love in the ratings with the passing of time.

Follows Heather (Naomie Harris) and Carla (Natalie Dormer), after being childhood schoolfriends, meet after not having spoken in years. Heather has done well in life, while Carla has a gambler for a husband, 4 kids and struggles to make ends meet. Heather makes contact with Carla and has a surprising proposition to put to her that could change their lives forever.

Harris and Dormer are the two main actors in this taut thriller, and they do very well too. I've never actually seen Dormer act in anything (I never watched GOT) but she carried this role really well and was totally believeable as Carla. It's got lot's of tension, lots of unanswered questions along the way, lot's of misinterpretations by the viewer and a few twists to boot. All in all it has the ingredients of a good film and while the directing and cinemaphotography are not ground breaking or outstanding, they're both more than equal to the task. Unusually for me I sat and watched from start to finish without a break and never once felt bored. There was some interesting and thought provoking questions raised too, about revenge, guilt, forgiveness and shame, and it made me think of my childhood and how it affects my adult life. I absolutely loved the ending, even though it was totally unexpected. Overall a great thriller with fine performances and I give it a solid 7.

Usually, i recommend movies only if they are >6.5/10. Except for horror movies, a 6/10 horror movie is recommendable. THE WASP is on the verge of recommendation : It's a good movie, i kinda liked it but i cannot recommend it because there are better movies to watch. Too many movies, too little time. Of course, if you are a fan of this genre, you're gonna like it.

This is something like a drama movie with mystery/thriller elements. It felt like a stage play. At some point, it became an one location movie. Story was interesting, i was somewhat invested, and it got really dark after the first hour. There were some nice twists (nothing mindblowing though) and i should say that this is a movie which respect its viewers : Nothing felt out of place, it was cohesive and kinda made sense.

But i can't rate it higher because, even though it kinda made sense, still it was not that convincing. Especially the ending. I was not convinced about what happened in the ending. Too far fetched and unrealistic. Had it ended better, it would have been easily a 7/10 movie.

Both actresses did a very good job.

And the final scene was touching.