O Homem dos Sonhos

Horror Comedy? Uhm, yeah, no. Sure, there's a handful of funny moments and some scary stuff but it's far from being a horror comedy. This is a very traditional "Nicolas Cage" drama, through and through. It has an air of humor and awkwardness throughout all of it due to his performance, but overall, there's a bigger picture behind it. Oddly enough, in a lot of ways it felt like a very late companion piece to Cage's performance in The Weather Man, a movie where his character also deals with consequences of fame while dealing with a crumbling family life. The biggest difference is that Dream Scenario leans farther into the consequences of fame that celebrities never asked for and that consumers fail to understand because of the media. This is a very sad and upsetting movie that I would say accurately captures that feeling of not having control of your life. It's definitely among the best films I've seen this year.

First, I recommend going into Dream Scenario knowing as little as possible about the movie. Avoid trailers, even synopses (maybe even this review). Discovering the premise is as enjoyable as the rest of the movie.

But even after being amused by this unique and creative premise, it didn't seem like there was anywhere else for this idea to go. But there's no reason to worry. The directions it takes are just as creative as the premise.

Even though it's very different, this gave me Eternal Sunshine vibes, especially with how original it feels. The humor is fairly dry, which I normally don't like. But it made me laugh a decent amount, usually loudly. And there are a few moments that hit hard.

Nick Cage. Oh Nick Cage. I watch all his movies. Most are bad, but Dream scenario is part of the resurgence (along with Massive Talent). And even though most people just want to see his hilarious freakouts, here he reminds us that he is one of the most talented actors out there. I haven't forgotten. I would love to see it more often.

(1 viewing, 12/22/2023)

DREAM SCENARIO is a very interesting movie that could generate a lot of post-viewing discussion. It asks some interesting questions about celebrity & "cancel culture." It did occur to me afterwards that the movie is completely ridiculous and posits a scenario that is beyond impossible, and thus, spending a lot of time talking about its implications seems a bit silly. But, I err on the side of it being a worthwhile intellectual exercise. To say nothing of being a terrific showcase for Nicolas Cage.

Cage is Paul Matthews, an aging, balding (and apparently always cold because he wears gigantic, ill-fitting coats throughout the film) tenured professor at a modest college. His students pay little attention to him (even though, to be honest, it seems like he's a more interesting professor than many I experienced myself). He leads a frustrating professional life. Early in the film, he has lunch with an very distant colleague who is preparing to publish a paper that touches on subjects that Matthews worked on decades ago. He feels these topics still somehow belong to him, and wants some credit for the paper. He mentions that he's working on a book on the topic...but it turns out he hasn't actually started writing the thing. It's an idea he has and apparently has had for many years. He's a guy who imagines doing great or interesting things, but it will never happen for him. We meet his loving wife (Julianne Nicholson, always under-rated) and his doting daughters. From the viewer's perspective, he's a bit of schlub. An uninspiring instructor, eaten up by his own failures, and sadly unable to see that his great family really means he's got it pretty darn good. Nice house. Nice kids. Nice wife.

But he's a bit clueless. And when he suddenly starts appearing in the dreams of millions of people around the world, he becomes a clueless celebrity (or at least, cultural phenomena). His classroom is full of people who want a selfie with him. He's on the news. He's written about. He's beloved. And he's done nothing to deserve the positive accolades. For some strange reason, he is a background character in the dreams of millions of strangers. He just hovers there, really doing nothing. But just the fact that he's at the center of this weird thing makes him popular. And when talent agents come calling, he sees his opportunity to get a book deal.

But then, things go abruptly wrong, and he goes from saint to demon overnight. None of it is his fault, but he's suddenly a pariah. And he handles it very, very badly...putting at risk everything good in his life.

It's all so unfair. Paul did NOTHING to make these dreams happen. The "character" he is in the dreams bears no resemblance to his true persona. He is right to rail against his vilification. Yet his own unpleasant character traits tee us up to NOT sympathize with him. Does he have it coming? Did his own flaws somehow taint his benign dream persona? Why doesn't the public understand that the dream Paul and the real Paul have nothing to do with each other?

It's all very interesting, and Cage makes it all matter thanks to the best performance he's given in some time. With this movie and the excellent, over-looked PIG...Cage demonstrates his true acting chops. Yes, he's delightful in THE UNBEARABLE WEIGHT OF MASSIVE TALENT, but even in well-received films like THE COLOR OUT OF SPACE, his performances are over-the-top and even unhinged.

Enjoyable...absolutely. But fine acting? No. He's always a bit broad in his performances, but DREAM SCENARIO harnesses his energy and spins Paul Matthews into a complex character we can understand and feel things about. The script is tight and energetic and clever and funny. The supporting cast (again, special kudos to Nicholson) is on the right wavelength. And the questions the film asks are very relevant in our time of social media, overnight sensations and overnight demonizations. It's a fun film on the surface, very much worth it for Cage's well-done work...but it also rewards some reflection and discussion. I heartily recommend it.

Nicolas Cage is an endlessly watchable actor. From 'Moonstruck' and 'Adaptation' to 'Pig,' he has given many startlingly powerful, nuanced performances, that are hard to forget. At the same time, Cage has given many overblown ones, in efforts like 'Vampire's Kiss' and 'Sympathy For The Devil,' which are even harder to forget. Whether understated or over-the-top, Cage is always entertaining, oftentimes making unremarkable films not just watchable, but memorable.

In Kristoffer Borgli's 'Dream Scenario,' Cage plays Paul Matthews, a professor of evolutionary biology at Osler University. A middle-aged, insipid fellow, Paul yearns for recognition. One day, he runs into an old flame, who tells him he has been appearing in her dreams, which she writes an article about. Suddenly hundreds of strangers report seeing Paul in their dreams, and he becomes a global sensation. However, Paul soon learns that fame is fickle, as his life becomes a waking nightmare.

'Dream Scenario' is a funny, interesting film examining multiple themes, though fails to explore all of them thoroughly. As Paul becomes famous, and later infamous, the film satirises the preposterousness of notoriety, how people nowadays become celebrities while doing practically nothing. Although not exactly an original point, Borgli's screenplay navigates this idea in a clever, comedic way. At the same time, the film shows the downsides of fame, skewering cancel culture; revealing how celebrity can transform from adoration to infamy in an instant.

However, as the film progresses, other ideas are introduced, which aren't covered in depth, and the final act underwhelms. Though Borgli's attempts to lampoon the phenomenon of "influencers" provides some laughs, it also distracts from the established narrative. Additionally, the film's supporting charters are rather underwritten, lacking development. Conversely, Paul is an intriguing character, whose massive ego is hidden beneath layers of self-consciousness and doubt. A timid, yet opinionated man, Paul is, to quote Kris Kristofferson, 'a walking contradiction,' and a compelling one at that.

Borgli and cinematographer Benjamin Loeb capture Paul's rise and fall with keen eyes. Shot on 16mm film stock, the visuals are beguiling, mirroring Paul's journey through the tumultuous cycles of fame, as well as contributing to the film's dreamlike atmosphere. They make excellent use of light and colour, as well as subtle distortions and low angles, immersing viewers in the surreal world of the narrative.

Additionally, Borgli's intuitive editing keeps thing cohesive, while also adding to the film's atmosphere. His use of quick cuts in otherwise calm scenes- creating a sense of unease- is reminiscent of the work of Yorgos Lanthimos. Similarly, the dream sequences- particularly in the latter half- are more than mere plot devices; they're visual poetry, weaving symbolism, surreal imagery and emotional subtext seamlessly into the narrative, thanks to Borgli's astute edits.

Furthermore, Owen Pallett's score enhances the film's atmosphere and emotional impact. Talking Heads' 'City of Dreams' is used to particularly strong effect, leaving few viewers with dry eyes as the credits roll. Kaysie Bergens and Natalie Bronfman's costume design effectively contributes to the characters' personalities, while production designer Zosia Mackenzie's canny work amplifies the surreal nature of Paul's experiences.

Cage, however, is all one can think about when the film is over. He delivers a marvellous performance, funny, sad and profoundly realistic. A heightened, deeply insecure man who just wants the world to read his book about ants- which he has yet to write- Cage's Paul is one of his finest cinematic creations, up there with his turn as Charlie and Donald Kaufman in 'Adaptation' and Ben Sanderson in 'Leaving Las Vegas.' Multifaceted, funny, memorable; it's classic Cage.

While his supporting cast all do fine work- Julianne Nicholson, Michael Cera, Tim Meadows and Dylan Gelula especially- they aren't given substantial material to work with. Nicholson is particularly good in the underwritten role of Paul's wife, demonstrating remarkable emotional depth. Cera is hilarious in the all too small part of Trent, the head of a viral marketing firm, while Meadows and Gelula both do stellar work as the Dean of Osler University and Trent's assistant Molly, respectively.

Kristoffer Borgli's 'Dream Scenario' is an entertaining film, though has its issues. While the conceit is novel, Borgli's examination of themes like cancel culture and fame- though funny- aren't particularly original. However, the cinematography is striking, the score stirring and the whole affair edited astutely. Nicolas Cage is absolutely fantastic, while his co-stars all do fine work in underwritten roles- Julianne Nicholson especially. Although 'Dream Scenario' might not be perfect, it's definitely not a nightmare, and more proof that Cage is an endlessly watchable actor.

It was kind of hard to get into at first since the characters seem to come off kind of pompous and smug, which makes it hard to like them. Nic Cage's character comes off pretty pathetic and awkward - but that's the whole point. There were moments that were funny, but mostly I felt kind of uneasy. I think the camera was too close to the actors faces at times - that's probably what made me feel uncomfortable. It felt like I was invading their personal space. All that being said, this movie has probably one of the best fart scenes of all time. I would re-watch this movie just to experience that scene again lol.

Dream Scenario is a pretty interesting look at what social media fame - or just fame in general - can do to a person and all the negative effects that come with it. It also highlights the toxicity of cancel culture. I guess moral of the story is: don't go chasing fame. Although, Paul didn't really engage in pursuing fame, it kind of came to him through something that was out of his control. The concept of ant intelligence and how ants might share a sort of hive mind definitely was a really interesting concept. I love how they tie that into the main story of how everyone is dreaming about the same person. The concept of influencers invading people's dreams to advertise products was an insane concept. Overall, this movie was pretty darn good. It had an interesting premise and took a creative approach when exploring its different concepts. I'd re-watch this movie and I can definitely recommend it if you want something different.