Quatro histórias interconectadas em Oakland 1987 vão te contar sobre o amor pela música, filmes, pessoas, lugares e memórias além do nosso universo conhecido.Quatro histórias interconectadas em Oakland 1987 vão te contar sobre o amor pela música, filmes, pessoas, lugares e memórias além do nosso universo conhecido.Quatro histórias interconectadas em Oakland 1987 vão te contar sobre o amor pela música, filmes, pessoas, lugares e memórias além do nosso universo conhecido.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
LeQuan Antonio Bennett
- Greg
- (as LeQuan Bennett)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I can see why the reviews on this movie are mixed. It is a bit disjointed and has some gaps in the story. As an East Bay native who got into the punk scene around when the first chapter is set, I know this is based on real life events. The punk rockers running the nazi skinheads away from their club/community space, 100% happened. Creepy cops harassing young POC women, that happened (undoubtedly still does). I got a cassette tape of Too $hort's 'Freaky Tales' when I was 12 years old, and when my mom heard half a verse in that song she destroyed that cassette. This is a fictional version of Bay Area realness. Nothing but love for the Bay.
"Freaky Tales" is one of those anthology films that feels like it's almost onto something - but never quite gets there. It's visually engaging and has a certain nostalgic flair, and I did find myself enjoying a few segments, but overall, most of the stories rely heavily on well-worn tropes without offering much that feels fresh.
The third tale, featuring Pedro Pascal, stands out as the one with the most potential. There's some emotional weight and intriguing character dynamics, but just as it starts to build momentum, it's over - underdeveloped and leaving more questions than satisfaction.
While "Freaky Tales" has energy and style, the majority of the narratives feel like sketches rather than fully realized stories. They're loud, flashy, sometimes fun, but ultimately forgettable. It's not a bad watch, but it's also not particularly memorable. A 6/10 feels fair: some fun to be had, but not enough depth to leave a lasting impression.
The third tale, featuring Pedro Pascal, stands out as the one with the most potential. There's some emotional weight and intriguing character dynamics, but just as it starts to build momentum, it's over - underdeveloped and leaving more questions than satisfaction.
While "Freaky Tales" has energy and style, the majority of the narratives feel like sketches rather than fully realized stories. They're loud, flashy, sometimes fun, but ultimately forgettable. It's not a bad watch, but it's also not particularly memorable. A 6/10 feels fair: some fun to be had, but not enough depth to leave a lasting impression.
If the threads connecting their segments are strong & inter-woven enough, anthologies CAN work... like "Freaky Tales" whose four segments (based in 1987's Oakland, California) see: punks Ji-young Woo & Jack Champion fight Dan Marotte's nazis; rappers Dominique Thorne & Normani catch a break (in an unnecessary segment); reluctant tough guy Pedro Pascal reaching his end (crossing a delightful Tom Hanks cameo and corrupt cop Ben Mendelsohn (terrific)); and baskeball star Jay Ellis going "Kill Bill". With its deliberately dated, cartoonish style co-writers / co-directors Ryan Fleck & Anna Boden's fun tribute to popular '80s cinema is a treat. Props to them & it.
It's probably one of those 'you're either gonna like/love it or hate it' situations. It's definitely not a movie to be taken seriously but i think that's pretty obvious before you're even ten minutes into it.
What I'M wondering is how they got some of the people in it to BE in it...i know one of them grew up in Piedmont(Oakland), but still...he's one of THE most popular actors from the last 45 or so years...i think he did it as a favor. A salute to, 'cool that you're doing a movie in Oakland'.
As far as story elements go, the movie is all over the place...but, overall, it was FUN. Of course, having lived in Berkeley for 20+ years helped me to enjoy it. And i liked seeing Angus Cloud again.
What I'M wondering is how they got some of the people in it to BE in it...i know one of them grew up in Piedmont(Oakland), but still...he's one of THE most popular actors from the last 45 or so years...i think he did it as a favor. A salute to, 'cool that you're doing a movie in Oakland'.
As far as story elements go, the movie is all over the place...but, overall, it was FUN. Of course, having lived in Berkeley for 20+ years helped me to enjoy it. And i liked seeing Angus Cloud again.
Presented in a 4:3 aspect ratio, this film in its presentation emulates an old videotape. Cut-off titles and all. Clearly shot on digital video, I still appreciated the Betamax (not VHS) artifacts. But it finds Inspiration from many direct to VHS (mostly horror) films from the 80's. The "tales" (as in Tales from the Crypt, etc.) in the title promises multiple story segments and this promise is kept. But rarely did period pieces overlap so perfectly with their segments. Worst case: 3 or more short films added together by a narrator. Not here however.
At the same time, it's impossible to view this and not see this as being inspired by the Grindhouse format from Quintin Tarantino and Robert Rodriguez. Both in "retro pulp" and violence terms.
Any criticism? Yep. For non-Americans the second segment is not that interesting. We found ourselves "sitting it out" this part on the strength of the first (imperfect) segment. Only to be rewarded by the third segment. International audiences will be unlikely to make it to the third segment. Thus my "Hizzle for Zhizzle" in the title of this comment. We are Dutch, so associate this subject matter at best with "Do The Right Thing" (and at worst with "The Fresh Prince of Bel Air".
Pedro Pascal "did some acting" and the other well known actor... from Forrest Gump... Tom Hanks... they are in this. Pascal did a descent job. A good one in fact.
This is a film you should see if you remember 1987. And like violence and stuff. Or if you enjoy well made pulp-films.
At the same time, it's impossible to view this and not see this as being inspired by the Grindhouse format from Quintin Tarantino and Robert Rodriguez. Both in "retro pulp" and violence terms.
Any criticism? Yep. For non-Americans the second segment is not that interesting. We found ourselves "sitting it out" this part on the strength of the first (imperfect) segment. Only to be rewarded by the third segment. International audiences will be unlikely to make it to the third segment. Thus my "Hizzle for Zhizzle" in the title of this comment. We are Dutch, so associate this subject matter at best with "Do The Right Thing" (and at worst with "The Fresh Prince of Bel Air".
Pedro Pascal "did some acting" and the other well known actor... from Forrest Gump... Tom Hanks... they are in this. Pascal did a descent job. A good one in fact.
This is a film you should see if you remember 1987. And like violence and stuff. Or if you enjoy well made pulp-films.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
Você sabia?
- CuriosidadesThe Movie theater is showing Creepshow 2, another anthology movie released in 1987, the year that this movie takes place.
- Erros de gravaçãoWhilst at the police station, Clint pulls a cigarette that is clearly broken and bent which is lit by The Guy. The camera then pans to The Guy whilst the phone rings. The next shot shows the cigarette in Clint's mouth and it is no longer broken or bent.
- Cenas durante ou pós-créditosThere is a mid credit scene featuring the video clerk.
- ConexõesReferenced in Film Junk Podcast: Episode 986: Trainspotting + T2 Trainspotting (2025)
- Trilhas sonorasFreaky Tales
written by Todd Shaw
performed by Symba
courtesy of The Starr Island Group/Atlantic Recording Corporation
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- How long is Freaky Tales?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Дикі історії
- Locações de filme
- Oakland, Califórnia, EUA(on-location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 2.760
- Tempo de duração
- 1 h 47 min(107 min)
- Cor
- Mixagem de som
- Proporção
- 1.33 : 1
- 1.78 : 1
- 2.35 : 1
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