O Theos agapaei to haviari

A movie very close to Varvakis life. A movie that shows that Greeks are exactly like that , we always let our Βenefactors like Varvakis to die & always act like traitors for the interest of the wealthy countries(as long as our pocket is full with money). Something that still happens today. I believe that this is what Smaragdis is trying to tell us. But unfortunately we cannot handle the truth. If Smaragdis had more funds he could make it even better. Some of the special effects (like the destruction of the Turkish fleet) could have been better. But these cost. The change between languages might sound a little confusing but it was a necessity . A big bravo for Mr Smaragdis, i enjoyed the complex of this movie much more than El-Greco.

God may love caviar but I did not love the film. I wanted to, desperately. I am Greek so I *really* wanted this to be an awesome, magical film... it wasn't.

The story starts off great, as being told by Varvakis' loyal footman, on a sandy beach of Zakynthos (Zante), to a bunch of children. It starts like a beautiful fairytale, but gets confusing very quickly.

It feels like there are 500 people being introduced into the film and we don't even get to get their names. There is zero, and I mean zero, depth to them. As a Greek, I recognized all the Greek actors, some of them pretty popular in Greece, who only got maybe 5 minutes of acting... some only 30 seconds on screen. We are never told who they are, why they are doing the things they are doing...

Another issue I had was, that time was not acknowledged as passing. We see Varvakis who is dressed as a Cretan but we later find out by accident he was from the island of Psarra, getting introduced to his baby girl who is at the time less than a year old. Then then next solid time reference we get is, it is 10 years later in Russia. He doesn't appear aged one bit and his daughter appears all the way from Greece, but instead of the child being 11-12 years old, she looks to be about 30-ish (yet Varvakis is still the same, not a single gray hair, he could have posed as his wife).

Another thing that struck me as odd was the choice of key actors... they were ugly. I am not used to seeing unattractive people on screen. No, I did not expect to see models but at least some sort of make-up, some sort of aesthetics... their looks made them uninteresting.

Another thing is, there is no explaining of historical facts at all. For instance all the references to the Greek Revolution were only understood by the audience, because we are Greek and we have been taught our history in school. However when some history of Russia popped up during the film, we had no clue and no explanation was given. I imagine if this film makes it to an international audience, unless they are avid history buffs, they will be mystified as well. I imagine the film was intended to be presented to an international audience, because the lead is a German actor, and the whole thing is shot in English.

There are positive aspects of the film as well. Sebastian Koch is absolutely magnificent in his role. He is very believable and convincing. So is Evgeniy Stychkin!! These two make the film barely watchable and bravo to them!! Another bravo to all the Greek actors, who for once!, learned their lines in English perfectly and with a good accent!!

Taking into consideration all the biographical films I have seen, this attempt seems cheap and amateurish. The story was there, it was an interesting life but it felt half-baked and soulless. I did not connect with a single character except his footman (Evgeniy Stychkin). There was no drama, no thrill, no romance, no danger... it felt like reading the newspaper to me. The costumes were also very cheap, you could tell, there was no detailing.. they felt like Halloween costumes. However the sets were very nice!!

In short, amateurish attempt, felt like reading a biography in Reader's Digest to me. I was left confused and in a blur about what had happened, the time line in which it happened and couldn't remember a single character from the dozens that were presented to us other than the two main ones...

I have to confess that I am no expert on the history of either Greek, Russia or the Ottoman Empire, so I actually watched this in the hope that I might learn a little something about any or all of these subjects. Varvakis seemed an interesting subject for a bio pic. First, it's hard to really classify what he was exactly. A sailor? A pirate? A merchant? A revolutionary? Or a somewhat chaotic combination thereof? Chaotic! That's actually a word I would apply to this movie. The flow was chaotic. The story was interesting - I never had the temptation to turn it off - but it was also very hard to follow. Varvakis leaves Greece while it's under Ottoman rule and ends up as a hero in Russia after fighting for the Russians against Turkey. He becomes friends with Catherine the Great and because of her generosity he ends up as a caviar magnate, but finds himself driven to return to Greece after the Ottomans are overthrown, and in reality he did in fact became a benefactor to the new Greek government - giving much of his wealth for the cause of education. But from what little I've been able to glean of Varvakis' life there are also liberties taken with his story. That's dramatic licence and it's fine - but if you're not really familiar with the subject matter it's pretty hard to sort out fact from fiction. There are also what seem to be some bizarre theological reflections scattered throughout, and I never quite grasped what point was being made from them, except that they seemed to suggest that Varvakis was a fatalist of some sort - God has a plan and we follow it, whatever may happen.

The performances here were very good. Sebastian Koch was superb as Varvakis. Aside from him, the actors I was most familiar with were Catherine Deneuve as Catherine the Great and John Cleese as a British official who was confused about what was happening with Varvakis and sought an explanation - although I'm not convinced of the reality of Cleese's character. That narrative (along with a story being told to children by an old friend of Varvakis) were the means of driving the film forward. There was a whole plethora of Greek actors and actresses with whom I'm not personally familiar although they're presumably well known to Greek audiences.

So, the movie was interesting - but in the end frustrating, because it didn't really give me a solid grasp of exactly what was happening from a historical perspective. So - not a bad movie, just a chaotic and frustrating one. (4/10)

Stunning film, which provokes a multitude of sentiments throughout its length, from laughter to cry, bliss to mild horror. Surprising, exciting and well made. Great cinematography, some beautiful shots of the Greek sea. A complex story made clear even for the ignorant (of the History behind it) to understand. The life of a hero from birth to death fits perfectly in a very carefully constructed scenario, which is in line with real events of his life and his time. And even if it's made to look like a 'fairy tale' for kids the film itself assures you it is not. Very good cast, a combination of international actors adapting difficult roles and performing them well. I felt it contains the 'theatrical stage element' as many other Greek productions do. Overall, honest with the viewer, it helps you stay a viewer enhancing your critical thought about what you are watching, giving you time to process it. And above all, the first 30 minutes give you more satisfaction than the series of The Pirates of the Caribbean all together! I would watch it again.

Nice attempt, though it is obvious it needed better writing. Very good performances by Koch and Bioto,excellent direction of photography. What is more, is the fact that it is worth seeing it even though it goes very abruptly from scene to scene. Very good music by Minos Matsas.The poor part of the story is the supporting performances which are rather shallow, and not analyzed. Smaragdis, is a good director, decent, but he has never been in the position of creating a great and momentary film. Excellent editing by George Mavropsaridis, may be the best Greek editor at this time in Greek movie industry. Cameos are made by a number of well known Greek actors but the extensive use of English language during the film is not a beneficial factor of the movie.