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Äkta människor

  • Série de TV
  • 2012–2014
  • 1 h
AVALIAÇÃO DA IMDb
7,8/10
7 mil
SUA AVALIAÇÃO
Lisette T. Pagler in Äkta människor (2012)
DramaFicção científicaSuspense

Em um presente alternativo, os robôs de companhia são comuns. Quando os humanos fazem cópias de si mesmos tão reais que formam laços emocionais, surgem questões e dilemas éticos.Em um presente alternativo, os robôs de companhia são comuns. Quando os humanos fazem cópias de si mesmos tão reais que formam laços emocionais, surgem questões e dilemas éticos.Em um presente alternativo, os robôs de companhia são comuns. Quando os humanos fazem cópias de si mesmos tão reais que formam laços emocionais, surgem questões e dilemas éticos.

  • Criação
    • Lars Lundström
  • Artistas
    • Lisette T. Pagler
    • Pia Halvorsen
    • Johan Paulsen
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,8/10
    7 mil
    SUA AVALIAÇÃO
    • Criação
      • Lars Lundström
    • Artistas
      • Lisette T. Pagler
      • Pia Halvorsen
      • Johan Paulsen
    • 31Avaliações de usuários
    • 11Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória e 1 indicação no total

    Episódios20

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    Fotos55

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    Elenco principal99+

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    Lisette T. Pagler
    Lisette T. Pagler
    • Mimi…
    • 2012–2014
    Pia Halvorsen
    Pia Halvorsen
    • Inger
    • 2012–2014
    Johan Paulsen
    • Hans
    • 2012–2014
    Natalie Minnevik
    • Matilda
    • 2012–2014
    Kåre Hedebrant
    Kåre Hedebrant
    • Tobias
    • 2012–2014
    Leif Andrée
    Leif Andrée
    • Roger
    • 2012–2014
    Josephine Alhanko
    • Flash…
    • 2012–2014
    Marie Robertson
    • Bea…
    • 2012–2014
    Fredrik Silbersky
    • Kevin
    • 2012–2014
    Anki Larsson
    Anki Larsson
    • Vera
    • 2012–2014
    Alexander Stocks
    • Odi
    • 2012–2014
    Måns Nathanaelson
    Måns Nathanaelson
    • Jonas…
    • 2012–2014
    Sten Elfström
    • Lennart
    • 2012–2014
    Peter Viitanen
    Peter Viitanen
    • Silas
    • 2012–2014
    Thomas W. Gabrielsson
    Thomas W. Gabrielsson
    • David
    • 2012–2014
    Aline Palmstierna
    • Sofia
    • 2012–2014
    Johannes Kuhnke
    Johannes Kuhnke
    • Rick
    • 2012–2014
    André Sjöberg
    • Gordon
    • 2012–2014
    • Criação
      • Lars Lundström
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários31

    7,86.9K
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    10

    Avaliações em destaque

    6LizaMichael

    Why...? It started so well

    Oh... I was so into this 1st season. I thought it was damn good, given all the possibilities with such a subject to give us a too-usual bad sci-fi TV program. But wow, it raised great questions, the acting is really good, the plot not simplistic and predictable: what a pleasure! ...Until the last three episodes... WTF?! It's like they suddenly realized that they needed to close the first season and panicked to have to do so in such a short time. The pace changes drastically and I felt we were back to the "usual" (lame) shortcuts used by any sci-fi US TV series... How disappointed and enraged I was! How could they do that? The first episodes reached such a level, it can't be by accident! What happened?! Did they need to tick all the commercial boxes and absolutely close "neatly" but poorly at the end of 1st season? Trying to make all the story lines come together in such a short period of time, come on!?! Take your time, don't rush!!! Believe in what you've manage to create to keep us interested! Doesn't make me want to see the next season, what good can come out of this now that they destroyed the good work...? Special thoughts to the actors that kept bravely doing their job, which showed even more that the problem lies in the turns the story has suddenly taken. They kept their acting to the best, but it cannot work. (Forget about the nice subtle transitions always sustained by great insight in "human" condition, and welcome to the usual so called "entertaining" messy story telling) Guys, you had something unique and now it simply feels like the merging of all the US clichés the genre is polluted by! I'm so disappointed... Thanks anyway for the beginning.
    10apointofview

    Nicest SF in many many years

    I found it 'different' then other SF with 'androids'. Many clean spacious shots. Good cast / actors. Nice story, not all action, running, shooting, escaping, but 'intelligent' scenes. So, different, but in a very good way. I have not seen a Scandinavian production i liked so much, since i was very young, pippi long stockings.

    An Oscar should go to the 'chinese girl' for best actress playing a non humanoid 'humanoid' i.m.o.

    It has humor, suspense, good storyline, and i think if plugged well it might even be a small international success. The whole way of filming, locations, dialogs, all, top level story telling/filming/playing.

    And perhaps even a glimpse of a real feature, we are now, busy creating these machines. Not as smart and strong as data in star trek, but very much like real humans.
    9erhen-o

    Very smart robots story told from a social point of view

    Social story

    I found this show very original for the narrative angle it adopted. The show focuses on a Swedish family and starts by showing how the "hubots" (humanoid robots) are pervasive and accepted in society. The depicted future is a future where machines have become humanoid but they are not yet intelligent like human beings, they are just functional and social robots. From that setting the leading story takes place in the background showing a group of free hubots who have become intelligent and who want to integrate human societies as "real citizens".

    The show is extremely intelligent in that it shows with a lot of consistency what the presence of hubots would imply in society. Groups with different points of view would form, the "real humans" group against hubots and the pro hubot group. It would also provoke some behaviors in human beings themselves, such as sexual attraction towards robots or the willingness to become a robot. People who love robots are called T-H-S (transhuman sexual) and the phenomenon looks very plausible and understandable from the way it is realistically shown. Those are innovative concepts that are realistic considering the nature of humans. The show also brilliantly includes justice in the frame, and asks the question "should hubots have human rights?"

    It challenges our thoughts about what allows human beings to be "special" and brings good arguments on the table. For example, if the hubots can't be as special as humans just because they're not made of flesh and blood, then why animals are not as special as humans either? If intelligence is the criterion to be considered as a real life form, then hubots are already intelligent, why can't they have rights? It will really help you make yourself an opinion about how you would react if hubots really existed. The narrative is not opinionated so you are really only confronted to the facts and you can forge your own point of view without being too influenced.

    Quite funny

    SF fans will love this show because the writers thought of everything. Some situations are really hilarious, like the hubot saying "I need to defragment", or sighing of pleasure while she is recharging. Also, as the family hubot starts working, her boss wants her to have holidays. You also see a religious robot, which is hilarious but sadly really possible, or the robot who wants to "get married and live a happy life". To some extent, it is clear that the writers projected all the human ideals in the robots minds, so you can't help yourself but think, "gee, she's a robot and yet she is so incredibly stupid, why?!".

    This is maybe why I didn't rate the show 10, because it still idealizes human beings as if being human was an ideal for the machines. The show clearly states though that for machines humans are idiots, but I found regressive that the machines would really like to become human. I don't get why a machine would want to be like a human. Also the show focuses on social robots, when real intelligent machines will probably not be social at all, but I guess this would happen in a later future.

    Fantastic acting and great characters

    All the characters are great. A big cudos for the actors and actresses who played the hubots because it is really really well played. Also, none of the characters are clichés. This show is very refreshing for that reason. For example, you don't find the "programmer genius" who is usually an ingredient for this kind of story, and you don't find the evil mysterious puppet master either, two clichés that are becoming very annoying in SF stories. Instead, I honestly loved the story from the point of view of the family, I liked seeing the dad caring for his girl, the mom caring for her hubot, the teenager coping with his T-H-S condition, his sister caring for him.

    Advanced social norms

    Because it is Swedish you also see the advanced definition of gender roles where each gender is active. The women are confronted to violence but they fight back, not like in the usual western productions where they are just victims. You also see advanced social norms where the father role is very positively depicted, and the man is something else than the "warrior" figure. You also see different layers of society, the young, the elderly and the middle-aged persons, it is not just about the young people. I particularly loved the mother character that I found very "real" because she brought something really human to the show.

    Very advanced compared to American shows

    For all the reasons cited above, I think this show is really advanced compared to American shows. It is very innovative. If this was an American show, the story would probably be told from a policeman's point of view. And the whole story line would be about fighting the hubots and showing the fighting scenes to add action. It is the case for example of the "Almost human" show that I stopped watching exactly because of that, boring fighting scenes succeeding each other that don't make you think at all.

    The beauty of "Real humans" is that it focuses on the philosophical and social questions, it makes you think, and there is still room for suspense and action. The production of this show was really excellent and I admire the Swedish for once again innovating before everyone else.
    10lynnee-211-849137

    Brilliant

    Don't let watching a show with subtitles put you off. This is a great show and reading the subtitles doesn't detract from watching. The show has many undertones and a great storyline. I've watched it all a few times and you pick things up each time. Well worth the watch.

    There is some great acting and really nice scenery too - for those of us who have never been, and probably will never go, to Sweden, it gives you a little view of some very different places - especially compared to Australia.

    If you like this, you may also like the Danish version of The Killing (the original). Also an excellent show!
    9s3276169

    Excellent Swedish Sci Fi

    Tired of the plethora of unimaginative and often shallow sci fi drama's coming out of the USA? Then take a look at the Swedish sci fi series Real Humans.

    This very original, highly intelligent drama is both engaging and deep with elements reminiscent of Blade Runner but in a contemporary urban setting.

    The central question the series raises as per Blade Runner is what does it mean to be human? Are humanities humanoid robotic creations any less real than the human biological creations that brought them into existence?

    I wont say much more as it may spoil the pleasant surprise this series represents but suffice to say as a die hard sci fi fan this is one of the best series I have seen in a long time and comes highly recommended. Don't miss out.Nine out of ten from me.

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    Drama
    James Earl Jones and David Prowse in Star Wars: Episódio V - O Império Contra-Ataca (1980)
    Ficção científica
    Cho Yeo-jeong in Parasita (2019)
    Suspense

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    • Curiosidades
      Asimov Three Laws of Robotics 1. A robot may not injure a human being or, through inaction, allow a human being to come to harm. 2. A robot must obey the orders given it by human beings except where such orders would conflict with the First Law. 3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Laws.
    • Versões alternativas
      Remade in an English language version as "Humans" (2015-2018).
    • Conexões
      Referenced in Fantasmes! Sexe, fiction et tentations (2013)

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    Perguntas frequentes18

    • How many seasons does Äkta människor have?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 22 de janeiro de 2012 (Suécia)
    • País de origem
      • Suécia
    • Central de atendimento oficial
      • Sveriges Television (SVT) (Sweden)
    • Idioma
      • Sueco
    • Também conhecido como
      • Real Humans
    • Empresas de produção
      • Sveriges Television (SVT)
      • Matador Film
      • Danmarks Radio (DR)
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

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    • Tempo de duração
      • 1 h(60 min)
    • Cor
      • Color
    • Proporção
      • 16:9 HD

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