Dead Souls

I can't blame this movie for much. It is a typical horror movie for this age, where the script is a random mix of other films of the genre, the horror is done via camera angle tricks, the bloody scenes or the nudity are removed and most of the movie is people not understanding what is going on or running around like headless chickens when they do. But I've seen so many films like this that it doesn't bother me anymore. It's not scary either, though.

I loved the Osiris and Jesus angle and, while the rest of the story made no sense, the idea that modern gods are just knockoffs of the old ones seemed really funny. They could have done something with this other than a bunch of homicidal hillbillies looking for eternal life. I am sure they didn't intend it to be funny, but it was for me.

Bottom line: This film is so incredibly average that it becomes mere background noise. There were a few ideas in it that could have made an impact, but I am sure none of the creators of the film actually cared. The highlight of the movie has to be Magda Apanowicz, who is cute as hell, even if her character is a complete mess.

Johnny Petrie (Jesse James) inherits a farm from his estranged birth family. He intends to sell the place and finds a squatter named Emma (Magda Apanowicz). Mary Petrie (Geraldine Hughes) is a disturbed patient.

The filmmaking is somewhat clunky with a few interesting horror scenes. The story is a muddle when it should be a simple telling. The premise is messy. When it gets to the reveal, it suddenly adds a bunch of stuff coming out of left field. On the other hand, the actors are fine. I've always like Apanowicz. I like Moseley. Even the bad actors are not that bad. The failure is mostly in the filmmaking.

The makers of this film asked way too much of its two young leads, who aren't the most amazing actors and are required to carry nearly the entire movie with just them in an old house. Not only that but the dialogue just isn't there, so no matter what their level of talent they don't have much to work with either.

Then there is the direction, there is something very messy about most of the shots, and this usually does not seem to add anything to the theme of the film and just makes things feel confused. Also if this all wasn't enough there are also clear budget restraints that would hurt the film even if it did have decent actors, pacing, writing or editing.

There is some slivers of possibly good movie here, but it is hard to really piece them together and not really worth the effort.

So winters heading our way and what better way to spend those cold dark nights? How about wrapped up with your beloved with a nice drink by your side and a spooky film on the picture box?

Dead Souls is one of those types of films.

From the outset, the screenwriter, John Doolan, does a good job of creating mystery while giving you tension. Everything appears fine in the Conroy family. Fathers hard at work in the barn. Mother is singing to her newborn. The teen daughter is in her bedroom listening to music. The younger brother is to-and-froing on the swing in the garden. Life seems blissful if a little impoverished. But as the minutes' tick by you notice mother is sick and father's work is darker than you expected... something isn't right in this Conroy household.

But in this little opening section, you can see where the deteriorations in the strength of the movie will come. The Direction.

Colin Theys is good at the action sequences but the building of atmosphere is not one of his strong points. The tension comes from the story and the strange happenings rather than camera and audio techniques. Though the ritual towards the end of the story is effective. Theys utilises his action style to help ramp up the tension and create a sense of urgency as the stereo chimes out the clock gongs.

The principal aspect that strengthens this film the most is the story. Which I have to say, is based on a novel by Michael Laimo. A novel that's now on my wishlist. I find screenplays from novels tend to have more power and strength, especially in horror now it's become overfilled with, "Hey! I've had a good idea for a film," writers and directors. The trouble with writer-director's is they are usually good at only one of those jobs; very seldom are they good at both. I don't know how closely the film follows the book so I'll give credit to both Laimo and Doolan for the build-up to the film's crescendo ending. I loved the ending, though I did guess the outcome, it's still expertly handled by all.

Lastly to the acting. Mostly it's above average. However, there is one person who lets the team down a little. Noah Fleiss as Mack is about as wooden as an actor can get. I get the feeling, at times, that he'd rather not be there. It's when the possessions begin that he could have come into his own by taking the mannerisms of the person possessing him. However, he just comes across as awkward.

On the whole, this is an average little ghost story nicely told. There's nothing new or exciting about the film but it is enjoyable and a nice flick to cuddle up with. Worth one watch at least - If you've already watched it then check out my lists for new ideas for your viewing pleasure...

Upon his 18th birthday, a young man receives a mysterious phone call telling him to come out to a property he just inherited. Now, he will learn about his true past and the dark secrets of his family.

I would first like to point out that director Colin Theys is under 30, and has already accumulated a decent amount of credits. Now, they may not be big projects and he may not be the next big thing in horror. However, "Dead Souls" was better than average and I think we might be seeing Theys moving up in the world very soon.

The film as a whole has a creepy atmosphere and preys on the connection between God, faith and how far we will go for what we believe in. Other stories have told this tale with varying degrees of success. Here, I think we have a new angle -- the protagonist, despite being born into such a home, is completely unaware of it and experiencing everything for the first time. He is an outsider as much as an insider.

Not all of the acting is great, and some of the characters are a bit random and show up without reason. Even Emma seems to be thrown in there for nothing more than a romantic interest. I do have to single out Bill Moseley as doing an excellent job. He gets roles in many bad films and gives performances to match. Here, I think he gives it his all.