Moh

Something altogether fresh has been introduced by the Punjabi industry. Being exposed to a different style of narrative was incredibly enlightening, especially given how superbly developed Sargur Mehta's character was! I anxiously anticipate reading more stories like this because the use of real-life situations gave the narrative more realism.

It is remarkable to see how a young kid is shown to love a married woman and how society disregards female needs. The movie shows how a wife can decide to leave her husband if she feels mistreated by him, but finding respect and understanding from another person might influence her to make choices that put her own happiness first. Unfortunately, society frequently ignores this, expecting women to adapt to a simple, family-oriented mentality while ignoring their genuine aspirations. Dealing with such.

It was so refreshing to see something different, Sargur mehta's character written very well !, real life stories this happen :), waiting for more like this new stories,

Really love the way they depict young boy love with married women and how society never understand female needs, husband not treating well wife will end the relation, whereas respect from other person is always makes you take decision for your happiness, but society will never understand this, women have to be very simple, family oriented otherwise she is not accepted. This is very brave to bring out to public, hope eye openers.

Moh is an epic story of true love - raw & pure, not bound by ideas of age, location, money and time. Highlights societal perceptions and important cultural issues women face in the society.

What Sargun Mehta did as Gorey for women's respect, no level of awareness ever can. Raised our heads with pride, tells so much why she's honoured as the Queen of Punjab.

Acting is so powerful that each moment of Gore-Rabbi's love touches soul like a beautiful dream and their seperation literally scratches the soul, makes you cry and scream.

Moh is not just a film but emotion that will be embedded in soul for a lifetime, and is regarded as one of the greatest films of Punjab.

"MOH" is not just a film - it is a rare, soul-stirring experience. A timeless piece of art that happens once in decades. Punjabi cinema has given many good movies, but MOH stands apart as its crown jewel.

Gitaz Bindrakhia, in his debut, delivers a performance so intense and natural that it doesn't feel like acting - he is the character. His expressions, silence, pain, and purity - all strike deep. He has the legacy of his father, the great Surjit Bindrakhia, in his blood - and he has honoured it with grace and brilliance.

Sargun Mehta is divine in her portrayal. She doesn't just act - she becomes the poetry of the film. Her character reflects the conflict between societal boundaries and the yearning of a free soul. Her performance is layered, haunting, and unforgettable.

Jagdeep Sidhu, the writer-director, has created magic. His screenplay is filled with silence, depth, heartbreak, and a rare poetic beauty. He has beautifully incorporated the soul of Shiv Kumar Batalvi and Jaun Elia's shayari - the film bleeds their verses. It's like a moving book of poetry.

B Praak and Jaani, the heart and soul of the music, have given compositions that pierce the heart. Each song, each note, each silence is loaded with emotion. The background score enhances the film's aura - it's a musical soul-cry.

Even the supporting cast - Prabh Bains, Amrit Amby, and others - contribute significantly. Every actor, every frame, every word is meaningful.

This is not just my favourite Punjabi movie - it is a part of my soul now. Words fall short to praise this cinematic marvel.

"MOH" will not fade - it will echo. Forever.

Moh is not just a film, it's a deeply emotional experience that stays with you long after the final frame. Directed by Jagdeep Sidhu, this bold and unconventional Punjabi film dares to explore forbidden love, emotional vulnerability, and societal double standards with refreshing honesty and poetic depth.

At the center of this tragic romance is the story of a young boy (Gitaj Bindrakhia in a strong debut) who falls in love with an older, married woman (Sargun Mehta in her career-best performance). Their relationship, intense yet tender, defies societal expectations and becomes a haunting portrait of unfulfilled love, quiet suffering, and internal rebellion.

Sargun Mehta delivers a phenomenal performance as Gorey, portraying a layered character caught between duty and desire, societal roles and selfhood. Her expressions, emotional depth, and screen presence elevate the entire film. Gitaj Bindrakhia surprises with an emotionally raw and mature performance for a first-time actor.

The writing is brave and nuanced. Instead of shying away from the moral complexity of the plot, the film leans into it, questioning how society perceives women's needs, marriage, and love. It unflinchingly highlights how women are expected to sacrifice their happiness for tradition, while even the slightest rebellion is condemned.

B Praak's music and Jaani's poetic lyrics are another standout. Every song is soulful, heartbreaking, and masterfully placed to enhance the emotional beats of the film. The background score, especially in emotionally heavy moments and the shayari-filled climax, is spine-tingling.

Jagdeep Sidhu steps away from his usual comedic storytelling and proves he is equally adept at crafting serious, meaningful cinema. Moh is a milestone for Punjabi film, not just in story, but in tone, treatment, and performance.

If you're looking for something lighthearted or comedic, Moh may feel too heavy. But if you appreciate meaningful cinema with layered characters, poetic writing, and raw emotion, this is a must-watch. Moh is a much-needed breath of fresh air in Punjabi cinema and a step toward bolder, more impactful storytelling.