Ejecta

Come on! If it doesn't have a budget of hundreds of million of dollars it's a bad movie? The IMDb rating is way too low for this film.

It is not perfect, that I admit, but it is far from bad. I think the worst part of it was the interrogation room. They used some weird tech and they made a great effort to explain that no one knows how it works, only what it does. It had absolutely nothing to do with the story. Also the psychopathic doctor cliché went a little bit too far and for no good reason.

It basically played out like an over extended Outer Limits episode sans the budget. Lots of annoying clichés were used like the evil shadowy government organization, the humanoid alien that makes cameras fizzle right when it enters the shot, the found footage bit, the black eyes, etc. However it stops right at the edge of being too much and overall it kind of works.

Bottom line: the ridiculous low budget shows in the special effects, the sets and, unfortunately, the acting quality. The story, though, is interesting enough to keep someone watching and always trying to understand what is going on. I wouldn't recommend it, but I can't tell people off, either. A bit too long for the content, though.

A unique and interestingly different approach to the crashed alien space craft/alien contact genre. A take I've never seen before (and I've watched a LOT of these films) which makes it a must-see for any fan. However as it is, it would have been better as an hour long short. That really is it's main problem--not enough story to fill out a feature length film; otherwise it was a very worthwhile effort.

The story was stretched too thin for a feature, but it has its strengths as well; the acting was very good and it did manage to maintain tension despite the relatively slow pace. While it did use a bit of the "found footage" technique, it didn't over do it and how they used it made sense. Plus for those who hate FF, there is only a little (a reasonable amount of) camera shake (I hate that too). The story overall held together, but I was puzzled by why the interrogation was instantly hostile. It would have helped if there had been some kind of indication given--more background shown regarding the person in charge and her over-board hostility, and the explanation would have helped fill out the story. A missed opportunity for real story telling, it comes off as the bones of an idea rather than a full-fleshed film.

Still much better than many of the films of the genre and much better than the 3 rating on the IMDb page. I don't get it; there are far worse films with much higher ratings. Go figure. I was almost tempted to give it a higher rating than I did just to make up for it.

I can understand that this flick isn't loved by many but now that i have seen it I must say that i liked it, it isn't going to be an Oscar winner but it do offer some good moments sadly it also has a few points that will give you a seen that before feeling.

The story is rather simple and towards the end it's easy to guess what will happen. It's a bit of a slow starter but when it starts it do deliver excellent moments if you are into mockumentaries or shaky cams. If you think you are going to see a flick full of effects, forget it, it flows on the simple thing, if you don't see it it will scare you even more and by adding creeping sounds some will be triggered towards the godfather, Blair Witch Project (1999). What didn't do any good to the flick is the night vision used. It's always the same you see, a gun. But as i said before, it do has a few good points and the red stuff is seen a few times, seen better but also ween worse.

Gore 1/5 Nudity 0/5 Effects 2/5 Story 2/5 Comedy 0/5

I wasn't completely disappointed with this film. There were a couple of things that really were clever. I wished they would have capitalized on those nuances that were unique and steered clear of the "found footage" filming style. Haven't we had enough found footage films to last a life time? What worked well is the use of real complaints that some of the abductees report; missing memory, showing up in strange places with no way of knowing how they got there, and the sleepless dull pain shrouded in unadulterated fear. That was creepy storytelling. It was a twist to consider the idea something is also controlling some of the visitors just like humans are controlled. Assuming all alien contact is only part of a bigger conspiracy of highly intelligent entities controlling the rest was a bright spot. Dire film with simple special effects made for a solid picture to catalog along with others that make the grade! Quick moving fun!

17 August 2017. This review offers possibly the only real positive review of this movie. After watching hundreds of science fiction movies and plenty of horror ones too, this movie stands out for being a strikingly different and admirable addition to the science fiction genre. Thank you for a limited film budget. Makes for some daring and experimentally brilliant filmmaking.

What perhaps most vital to even appreciate this movie is to summon up and keep in mind the possible historical dark secret about a Roswell conspiracy cover up and a sinister government discovery of aliens years ago which would lay a reasonable foundation upon which the movie plays out to make sense of what follows.

This science fiction-horror fusion is one of the few successful transformational films. Unlike Event Horizon (1997) that started with a strong sense of science fiction fascination to only descend into a crazily skewed horror motif, Ejecta manages to intermingle and blend The Thing (1979) with creepy intelligence using the riveting found footage technique pioneered with The Blair Witch Project (1999) to offer a dirty version of the clean intensity of The Signal (2014) which Was released the same year as Ejecta. The low budget special effects fit well with the movie's overall cinematic photography, using electricity as well as different rougher textures and darker colors to provoke a strong unique visceral alien intensity. The difficult use of flashbacks captured the sense of chaotic, off-balanced twisting, emotive weirdness all the while maintaining a coherent, intelligent progression of the main storyline.

The only significant weaknesses of this movie occur with the difficulty of managing the overuse of revealing alien presences without losing the scary shocking fear intensity and the almost two-dimensional reaction of one of the characters when faced with the alien unknown.

The performances are outstanding with the odd and strikingly strange William Cassidy character who apparently is experiencing an otherworldly phenomenon who is being interviewed by Joe Sullivan who was mysteriously invited to meet with Cassidy. Julian Richings as William Cassidy offers an award- winning performance with his schizophrenic presentation, striking physical features, and a fascinating personality. Another story is also concurrently presented with a sinister female interrogator, one of the most potent, strong solid female antagonist who is seeking to discover and confirm alien life by any means possible. What occurs then is a back and forth reveal of the entire story while massive ejecta from the sun closes in on earth. While not as fascinating or tight in its scale or glamour as The Arrival (2016), it has a comparable emotional cinematic bite as Phantoms (1998). By the end of the movie there is a puzzling sense of haunting dark balanced satisfaction as the story nears its completion.