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After reading the book "Tracks", I found it difficult to imagine anyone being able to transfer it properly to cinema. Well, it took them years to do it, but thankfully they've achieved what seemed almost impossible. I saw "Tracks" yesterday and I found it truly moving. It's a beautiful film - not just in its transporting cinematography and landscapes, but beautiful for its truthfulness, its honesty. "Tracks" is both sublimely poetic and ruggedly authentic - it's emotionally raw. I didn't find one false note in the movie - no melodrama or stereotype characters that you see in most Hollywood films. Mia Wasikowska's performance demonstrates that old line from Keats, "Beauty is truth, truth beauty" - it's a great performance - the epitome of soulful. The journey is as much her character's internal coming to terms with herself and the world, as it is the external journey, but nothing is spoon-fed to the audience. The film is psychological and spiritual and the landscapes and the actions reflect the central character's shedding of burdens and confronting herself in a naked environment - it's universal, but profoundly personal. One reviewer described it as "achingly beautiful", having now seen "Tracks", I feel that's an apt description. I think director John Curran and everyone involved in making the film has pulled off an extremely challenging project and have created something of lasting value. Congratulations.

Tracks is a film that was over 30 years in the making with actresses like Nicole Kidman and Julia Roberts being attached to the project. Lead by Mia Wasikowska, Tracks is an interesting, thematic character study.

In the mid-seventies, Robyn Davidson (Wasikowska) is a determined young woman who leaves the big city behind for Alice Springs in the middle of Australia. She plans to raise money and gain skills before attempting to cross the Australian deserts to the Indian Ocean: a journey of 1,700 miles (2,700 kilometres). With sponsorship from National Geographic, she sets off with her dog and four camels and meets American photographer Rick Smolan (Adam Driver) at various points on her journey.

Wasikowska gives a fantastic, compelling performance as a young determined woman who puts herself through a massive physical and mental toll. She is a character who is uncomfortable with modern society, and everyone she meets, from her friends to hardened outback men, think she is mad for wanting to take such a dangerous journey.

Robyn is a character who has to negotiate for everything she wants to complete her journey and she is determined to do it her own way. She is in the shadow of her father who was himself an explorer and disappeared in Australian wilderness. Robyn is haunted by her past as she has flashbacks during her journey about the various tragedies of her life.

Some of the best moments in Tracks are when Robyn is all alone in the wild, giving Wasikowska a fantastic opportunity to show off her a talents, as she goes through the emotional stresses she endures. She is believable as she treks through the hostile environment, battling for survival and doing for her the unimaginable, including shooting wildlife and having to discipline her camels.

As she progresses on her journey her sense of reality is questioned, affected by both her isolation and the hot, physical environment. This is amplified by the direction of John Curran, who adds to the surreal nature of these sequences and the fantastic cinematography by Mandy Walker, who truly highlights the beautiful landscape while still showing it as hot, dry and harsh.

The main focus of Tracks is Robyn's personal journey yet it still looks at some wider issues particularly the treatment of Aboriginal people. This theme is prevalent throughout the film, starting early as one Aboriginal person suffers racial abuse, and keeps going as Aboriginal people are seen living in poverty or gawked at by tourists. Even people who have good intentions are disrespectful of their traditions. Robyn ends up being a character who has more affinity with the Aboriginal people and fellow loners and outsiders than with mainstream society.

Tracks is in keeping with films about outsiders looking for a purpose in their lives, like Into the Wild. It is a brilliantly acted film blessed with excellent visuals and themes to easily sink your teeth into.

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The true story of Robyn Davidson's adventure and her crossing of a 1,700 mile across the Australian wilderness.

Whilst it is undoubtedly an amazing feat to be able to achieve this, the sheer remarkableness of this achievement is not conveyed in this film properly. Had we not been aware that this is based on a true story, judging by the film alone one could go so far as to say this was a relatively 'easy' task. The isolation she faced, starvation and dehydration are hardly presented. Instead she seemed to often interact with people who helped her.

At the same time, the stunning landscapes, the might of her determination as well as her complete dependency on the camels and a dog is adequately portrayed.

Overall, this is a mixed bag of impressions. A good film overall, but it deserved to be great.

I had been very excited about this movie after seeing the trailer. The story is exhilarating and after watching movies like "Into the Wild" and "127 Hours," I was waiting to see what was in store. As I sat down in my seat to see this at the San Francisco Film Festival I decided to erase all anticipation of the movie and just sit. The lights dimmed down, the audience shuffled into comfortable positions, and then began the movie. Almost two hours passed, and the film's credits began. The audience sat in their seats, myself included. We were mesmerized by John Curran's adaptation, Mia Wasikowska's tremendous performance, and Mandy Walker's impeccably/beautifully captured imagery. What stood out to me the most, though, was the perspectives of isolation and companionship. Marion Nelson did a fantastic job at taking the elements of the autobiography that gave us those perspectives, and as we watched Mia struggle through the desert with her four camels, dog, and occasionally the photographer (played by a genuine Adam Driver), we all began to understand her points of views in life as well as ourselves. So much motif was done with the desert, which I have to applaud John Curran for doing. I will be seeing this film again when it is released, and I hope you will too!

Robyn (Mia Wasikowska) arrives in Alice Springs, determined to make the 1,700 mile journey to Australia's west coast on foot across the desert, accompanied by camels and her dog. This film tells of her preparation and the outcome of her journey.

Despite the fact that it is often leisurely in the telling of Robyn's true story and that Robyn is, for much of the running time, the only person on screen, it is never less than engaging. We get some idea of what drove Robyn to undertake this project (although there is no glib, clear explanation of her motivations), and we meet some of the people she encountered (and one of the enjoyable elements in this film is the development of National Geographical photographer Rick (Adam Driver) - truly annoying when we first meet him, by the end he is much more in tune with what Robyn's objectives have been).

Mia Wasikowska is very good in this gently moving film, but the real stars of this beautifully photographed story are the Australian desert and the camels.

There is a small amount of dramatically justifiable bad language and some animal upset involved.