AVALIAÇÃO DA IMDb
6,5/10
33 mil
SUA AVALIAÇÃO
A história da competição entre os titãs da eletricidade Thomas Edison e George Westinghouse para determinar que sistema elétrico alimentaria o mundo moderno.A história da competição entre os titãs da eletricidade Thomas Edison e George Westinghouse para determinar que sistema elétrico alimentaria o mundo moderno.A história da competição entre os titãs da eletricidade Thomas Edison e George Westinghouse para determinar que sistema elétrico alimentaria o mundo moderno.
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Avaliações em destaque
The reviews for "The Current War" make me tired.
This is NOT the story of Nikolas Tesla. This is, in fact, an accurate depiction of Westinghouse vs. Edison and the AC vs. direct current. As far as what I've read, the story, though a dramatization, is a decent telling of this.
Reviews here say oh, Tesla got the short end of the stick. Yes, he did, and the movie certainly indicates this. And by taking the focus off of him, one certainly sees that yes, he was an unsung hero. But the story is about Westinghouse and Edison fighting for AC vs. DC. If you want to do a story about Tesla, make your own movie. This is NOT about the invention of the AC. Hello.
Another criticism of this film is that Edison is shown as a victim. I don't know if that was the intention, but if it was, they missed. I certainly didn't think he was a victim. Yes, there was a great tragedy in his life, but he was pretty darned ruthless when it came to trying to destroy Westinghouse. Ruthless and unfair. He was that way in many of his business dealings, including going up against the Lumiere brothers in the invention of motion pictures.
I thought the film was beautifully photographed, I liked the music, and I thought some of the dialogue was very beautiful and emotional, particularly the monologues of Tesla and Edison. The acting was superb. And to me anyway it was evident that Tesla got the shaft big time. Except that's not the story.
I found The Current War fascinating, and it made me want to learn more about all three men.
One thing that's always been true - it's never the person who thinks of an invention or even invents something -- the star of the show is ALWAYS the person who commercializes it.
To criticize a film because it's not what you think it should be about, frankly, is ridiculous. Even more ridiculous - people who get their history from movies instead of using them as steppingstones to learn more about the actual story. Elisha Gray invented the telephone. So did Antonio Meucci. So did Johann Philipp Reis. While we're at it, why don't we do a film about Joseph Swan and John Wellington Starr and their work on the lightbulb before Edison. They probably all deserve movies, but they don't belong in this film, which is the story of Westinghouse versus Edison.
This is NOT the story of Nikolas Tesla. This is, in fact, an accurate depiction of Westinghouse vs. Edison and the AC vs. direct current. As far as what I've read, the story, though a dramatization, is a decent telling of this.
Reviews here say oh, Tesla got the short end of the stick. Yes, he did, and the movie certainly indicates this. And by taking the focus off of him, one certainly sees that yes, he was an unsung hero. But the story is about Westinghouse and Edison fighting for AC vs. DC. If you want to do a story about Tesla, make your own movie. This is NOT about the invention of the AC. Hello.
Another criticism of this film is that Edison is shown as a victim. I don't know if that was the intention, but if it was, they missed. I certainly didn't think he was a victim. Yes, there was a great tragedy in his life, but he was pretty darned ruthless when it came to trying to destroy Westinghouse. Ruthless and unfair. He was that way in many of his business dealings, including going up against the Lumiere brothers in the invention of motion pictures.
I thought the film was beautifully photographed, I liked the music, and I thought some of the dialogue was very beautiful and emotional, particularly the monologues of Tesla and Edison. The acting was superb. And to me anyway it was evident that Tesla got the shaft big time. Except that's not the story.
I found The Current War fascinating, and it made me want to learn more about all three men.
One thing that's always been true - it's never the person who thinks of an invention or even invents something -- the star of the show is ALWAYS the person who commercializes it.
To criticize a film because it's not what you think it should be about, frankly, is ridiculous. Even more ridiculous - people who get their history from movies instead of using them as steppingstones to learn more about the actual story. Elisha Gray invented the telephone. So did Antonio Meucci. So did Johann Philipp Reis. While we're at it, why don't we do a film about Joseph Swan and John Wellington Starr and their work on the lightbulb before Edison. They probably all deserve movies, but they don't belong in this film, which is the story of Westinghouse versus Edison.
Hollywood always makes movies that represents Americans (or in this case born-American-capitalist) as a heros, whether that's true or not...Real hero in this "current war" is undoubtedly biggest mind in history of humankind - Serbian scientist Nikola Tesla, who's totally sidelined in America's educational system, while Edison (who stole from him) is a God...This movie doesn't help...Sportswise saying, it's like it you're comparing Jusein Bolt and Justin Gatlin...First one is obviously the best, second one is two-times (caught!!!) cheater, but he's an American, so I doubt that in, say, 15 years from now, if Hollywood decides to make movie about their rivalry, Gatelin would be shown as a villain...I really hope that some day someone will make movie that Tesla really deserves.
In the late 19th century, Thomas Edison and George Westinghouse were the two titans of American innovation. With the country modernizing at a rapid pace, both realized the need for a better way to power society beyond candles and gas.
After some years of development, they both discovered different ways to transmit electric current. Edison stood behind his Direct Current (DC) and Westinghouse championed his Alternating Current (AC). They were similar designs, each with their unique benefits and costs.
But the country wasn't big enough for both of them and only one method could prevail. Out of this situation sprang a fierce competition between the two men, a rivalry labeled "the war of the currents." This war lasted years as they battled endlessly to see whose technology would be the one to forever power and illuminate America.
After having a tumultuous time getting to theaters (that's a whole other story to look up), "The Current War" finally arrives two years after intended.
Directed by Alfonso Gomez-Rejon, the film moves like electricity, zipping from scene to scene. The use of sharp camera work and montages oozes kinetic energy that keeps everything moving at a frantic pace, never ceasing to slow down or end. You're gripped within the race and linked to the main characters as they tirelessly persist to be the one on top.
If you're not a natural history lover, this technique will keep you endlessly entertained without boring you with historical details. If you are a fan of history, this technique will still entertain you, but leave you disappointed as moving the film at the speed of light (or current, for that matter) doesn't allow for deeper learning about the events or people attached to them. Anything that is learned is only surface level as there just isn't enough time to develop any factual depth.
It also doesn't help that these shallow details become increasingly difficult to keep straight, especially as the years go by in minutes and characters are split up into several intertwining storylines.
While a mini-series would be the better way to tell this story, "The Current War" is an exciting way to convey history for the screen.
Just like Gomez-Rejon's use of rapid pacing, writer Michael Mitnick's screenplay is expeditious and Sorkin-like. The rivalry between our two main giants is fierce as they snap dialogue to beat each other in the labs and the presses.
And just like the outcome of the directing, the writing here is entertaining but difficult to follow. Mitnick tries to do too much in too little time as he crams the script to the brim with historical facts. As more information is heaped on, it becomes an information overload that is increasingly impossible to keep straight. By the end, you'll feel like you've read a Wikipedia page and will only be able to remember fragments here and there.
Also, Nikola Tesla shows up in the story and participates in the race. While Tesla does deserve to stand with Edison and Westinghouse in the history books, he doesn't belong in this already overly-stuffed movie.
Starring as the brash Thomas Edison is Benedict Cumberbatch, whose American accent isn't as convincing as one would think. Like most of Cumberbatch's performance, you can see the genius of the character within his speech and mannerisms. Thankfully, the genius he plays here isn't as cold as Sherlock Holmes or Alan Turing. There's some warmth under Edison's surface that you can sense through Cumberbatch's performance.
Michael Shannon plays the opposite of Cumberbatch as he is calmer and calculated in his performance of George Westinghouse. He's the more businessman-like of the two as he carries himself more professionally.
Nicholas Hoult plays Nikola Tesla. Just like Cumberbatch, Hoult's eastern European accent isn't on point, but it's fine enough to pass. Hoult does well at making you see the frustration within Tesla as his brilliant ideas are never allowed to flourish.
Lastly, Tom Holland does supporting work as Edison's secretary. As it was filmed before his star power ballooned from Spider-Man, Holland's role is minor and doesn't give him much to work with.
"The Current War" is the most entertaining and needlessly confusing movie of the year. All the talent involved makes a great effort, but their good intentions just come up short of making a great movie. But it's still quite good and deserves to be seen, even if you'd be hard-pressed to absorb and remember most of what it's trying to teach you.
After some years of development, they both discovered different ways to transmit electric current. Edison stood behind his Direct Current (DC) and Westinghouse championed his Alternating Current (AC). They were similar designs, each with their unique benefits and costs.
But the country wasn't big enough for both of them and only one method could prevail. Out of this situation sprang a fierce competition between the two men, a rivalry labeled "the war of the currents." This war lasted years as they battled endlessly to see whose technology would be the one to forever power and illuminate America.
After having a tumultuous time getting to theaters (that's a whole other story to look up), "The Current War" finally arrives two years after intended.
Directed by Alfonso Gomez-Rejon, the film moves like electricity, zipping from scene to scene. The use of sharp camera work and montages oozes kinetic energy that keeps everything moving at a frantic pace, never ceasing to slow down or end. You're gripped within the race and linked to the main characters as they tirelessly persist to be the one on top.
If you're not a natural history lover, this technique will keep you endlessly entertained without boring you with historical details. If you are a fan of history, this technique will still entertain you, but leave you disappointed as moving the film at the speed of light (or current, for that matter) doesn't allow for deeper learning about the events or people attached to them. Anything that is learned is only surface level as there just isn't enough time to develop any factual depth.
It also doesn't help that these shallow details become increasingly difficult to keep straight, especially as the years go by in minutes and characters are split up into several intertwining storylines.
While a mini-series would be the better way to tell this story, "The Current War" is an exciting way to convey history for the screen.
Just like Gomez-Rejon's use of rapid pacing, writer Michael Mitnick's screenplay is expeditious and Sorkin-like. The rivalry between our two main giants is fierce as they snap dialogue to beat each other in the labs and the presses.
And just like the outcome of the directing, the writing here is entertaining but difficult to follow. Mitnick tries to do too much in too little time as he crams the script to the brim with historical facts. As more information is heaped on, it becomes an information overload that is increasingly impossible to keep straight. By the end, you'll feel like you've read a Wikipedia page and will only be able to remember fragments here and there.
Also, Nikola Tesla shows up in the story and participates in the race. While Tesla does deserve to stand with Edison and Westinghouse in the history books, he doesn't belong in this already overly-stuffed movie.
Starring as the brash Thomas Edison is Benedict Cumberbatch, whose American accent isn't as convincing as one would think. Like most of Cumberbatch's performance, you can see the genius of the character within his speech and mannerisms. Thankfully, the genius he plays here isn't as cold as Sherlock Holmes or Alan Turing. There's some warmth under Edison's surface that you can sense through Cumberbatch's performance.
Michael Shannon plays the opposite of Cumberbatch as he is calmer and calculated in his performance of George Westinghouse. He's the more businessman-like of the two as he carries himself more professionally.
Nicholas Hoult plays Nikola Tesla. Just like Cumberbatch, Hoult's eastern European accent isn't on point, but it's fine enough to pass. Hoult does well at making you see the frustration within Tesla as his brilliant ideas are never allowed to flourish.
Lastly, Tom Holland does supporting work as Edison's secretary. As it was filmed before his star power ballooned from Spider-Man, Holland's role is minor and doesn't give him much to work with.
"The Current War" is the most entertaining and needlessly confusing movie of the year. All the talent involved makes a great effort, but their good intentions just come up short of making a great movie. But it's still quite good and deserves to be seen, even if you'd be hard-pressed to absorb and remember most of what it's trying to teach you.
An upcoming director whose previous film was the indie darling Me and Earl and the Dying Girl, producing work by Russian film heavyweight Timur Bekmambetov and Hollywood legend Martin Scorsese, a cast of some of the most respected talent working today and a true story at its disposal that is loaded with ripe potential, The Current War should have been a contender.
Finished way back in 2017 and scheduled to play out in the awards season period, this one time Harvey Weinstein backed project became an unfortunate victim to the downfall of the big-time producer, given a lifeline years later in what became a low-key cinematic release, anchored down by mediocre reviews that lamented director Alfonso Gomez-Rejon emotion free affair.
To my surprise, The Current War is far from the failure as a product many would have had viewers believe, it surely jams too much content into a brief 100 minute run-time, with Nicholas Hoult's Nicola Tesla given a particular short straw in regards to screen-time and development, but Rejon's energetic direction and constantly moving narrative is never dull and a fine reminder to us all that the technology we take for granted today was at one-time in history a magical invention.
A story that would've been perfectly suited to a mini-series treatment, The Current War examines the life and times of esteemed inventors Tesla, Benedict Cumberbatch's Thomas Edison and Michael Shannon's wealthy businessman George Westinghouse, who all found themselves in the late 1800's competing against one another as humankind discovered the power of electricity, both good and bad.
Throwing us headfirst into the race to light up America and the world, Rejon wastes little time as we find Edison showcasing his significant discovery to an unsuspecting population, with Cumberbatch's finely attuned portrayal of the well-known historical figure one of the highlights of the film and from there we are in the whirlwind of activity as these various men push forward with their ideas and pursuits, often no matter the cost that may be associated with that.
There's some fascinating aspects of this time and movement explored in the film, Edison's reluctance to develop something that may take human lives and Tesla's battles to be taken seriously such elements but nothing is given too much room to breathe by Rejon as he constantly pushes us forward, a reason no doubt why many critics were left unimpressed with a film that stylistically and aesthetically is above average but fails to ignite the heart.
When it comes to the big screen treatment of this subject, The Current War remains one of the more memorable offerings, one that could've been something special but still not the dull mess many would've had us believe it to be.
Final Say -
A solid drama about a fascinating series of subject matters and historical events, The Current War is far from the failure it appeared to be, even if it is unable to become something downright special.
3 1/2 globes out of 5
Finished way back in 2017 and scheduled to play out in the awards season period, this one time Harvey Weinstein backed project became an unfortunate victim to the downfall of the big-time producer, given a lifeline years later in what became a low-key cinematic release, anchored down by mediocre reviews that lamented director Alfonso Gomez-Rejon emotion free affair.
To my surprise, The Current War is far from the failure as a product many would have had viewers believe, it surely jams too much content into a brief 100 minute run-time, with Nicholas Hoult's Nicola Tesla given a particular short straw in regards to screen-time and development, but Rejon's energetic direction and constantly moving narrative is never dull and a fine reminder to us all that the technology we take for granted today was at one-time in history a magical invention.
A story that would've been perfectly suited to a mini-series treatment, The Current War examines the life and times of esteemed inventors Tesla, Benedict Cumberbatch's Thomas Edison and Michael Shannon's wealthy businessman George Westinghouse, who all found themselves in the late 1800's competing against one another as humankind discovered the power of electricity, both good and bad.
Throwing us headfirst into the race to light up America and the world, Rejon wastes little time as we find Edison showcasing his significant discovery to an unsuspecting population, with Cumberbatch's finely attuned portrayal of the well-known historical figure one of the highlights of the film and from there we are in the whirlwind of activity as these various men push forward with their ideas and pursuits, often no matter the cost that may be associated with that.
There's some fascinating aspects of this time and movement explored in the film, Edison's reluctance to develop something that may take human lives and Tesla's battles to be taken seriously such elements but nothing is given too much room to breathe by Rejon as he constantly pushes us forward, a reason no doubt why many critics were left unimpressed with a film that stylistically and aesthetically is above average but fails to ignite the heart.
When it comes to the big screen treatment of this subject, The Current War remains one of the more memorable offerings, one that could've been something special but still not the dull mess many would've had us believe it to be.
Final Say -
A solid drama about a fascinating series of subject matters and historical events, The Current War is far from the failure it appeared to be, even if it is unable to become something downright special.
3 1/2 globes out of 5
I see here some very offended people among the reviewers who claim that the real story was ignored due to some adversity against the "non-american" inventor Nikola Tesla, who actually invented the AC. They seem to be confused by the fact that the movie doesn't depict the invention of the AC but rather the so call "current war" that took place between two american companies that tried to impose their own vision and business model of how the current should be delivered to the consumer, as DC or as AC. And the two companies involved in this had indeed nothing to do with Nikola Tesla. It is pity that people can't get beyond their obviously biased feelings when it comes to matters of nationality and rather let themselves slip into the the quicksand territory of the conspiracy theories. So, the movie doesn't do injustice at all to anyone it just tells the story as it is supposed to. Go see for yourselves.
Você sabia?
- CuriosidadesPremiered at the Toronto International Film Festival in September 2017 and was originally supposed to be released in U.S. theaters in November 2017 . However, after Harvey Weinstein was accused of sexual misconduct and rape by several women in a detailed article published by the New York Times in October 2017, the Weinstein Co. scrapped the original release date and sold the film to Lantern Entertainment, who later sold the film's U.S. distribution rights to 101 Studios. The film would finally be shown in movie theaters in Europe in July 2019 and the U.S. in October 2019.
- Erros de gravaçãoThe film is set in a time period spanning the 1880s and 1890s. Maps shown in the film show the states of Utah, Oklahoma, New Mexico, and Arizona, which didn't become a state until between 1896 and 1912.
- Citações
Samuel Insull: So, what's your trade?
Nikola Tesla: I fix problems for idiots.
- Cenas durante ou pós-créditosIn the middle or so of the credits we can ear, recorded on a wax cylinder, a Spanish men introducing a music that he will play on a guitar until the end of the credits.
- Versões alternativasThe film originally premiered at numerous festival and was then shelved for 2 years until a re-edited version (titled "The Current War: The Director's Cut") was released theatrically in 2019
- Trilhas sonorasAutumn 3
Written by Max Richter
Performed by Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre De Ridder (as André de Ridder)
Published by Mute Song Limited
Courtesy of Deutsche Grammophon GmbH under license from Universal Music Enterprises
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Una guerra brillante
- Locações de filme
- Cragside House, Rothbury, Northumberland, Inglaterra, Reino Unido(Solitude, Pittsburgh, Pennsylvania, home of George Westinghouse)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 5.979.540
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.633.717
- 27 de out. de 2019
- Faturamento bruto mundial
- US$ 12.217.160
- Tempo de duração
- 1 h 48 min(108 min)
- Cor
- Proporção
- 2.39 : 1
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