AVALIAÇÃO DA IMDb
6,5/10
106 mil
SUA AVALIAÇÃO
Um magnata do mercado imobiliário moribundo transfere sua consciência para um corpo jovem e saudável, mas logo descobre que nem o procedimento, nem a empresa que o executou são o que parecem... Ler tudoUm magnata do mercado imobiliário moribundo transfere sua consciência para um corpo jovem e saudável, mas logo descobre que nem o procedimento, nem a empresa que o executou são o que parecem.Um magnata do mercado imobiliário moribundo transfere sua consciência para um corpo jovem e saudável, mas logo descobre que nem o procedimento, nem a empresa que o executou são o que parecem.
- Direção
- Roteiristas
- Artistas
Sandra Ellis Lafferty
- Phyllis Jensen
- (as Sandra Laugherty)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This film is full of underdeveloped ideas and concepts. It's starts off somewhat promising, but along the way it just transforms into Schwarzeneggers The 6th Day re-make (which wasn't great in the first place) with flamethrowers.
First of all, the film looks like it's set in present time, but it handles consciousness transfer as nothing mind-blowing or groundbreaking. Just imagine what can be achieved when you can imprint any human being inside another one. Some great and dangerous ideas are here. But no, the film uses this very poorly. They should've set this far into the future to make it something ordinary or take it more seriously if it was set in modern times.
Second, we don't get nearly enough old Kingsley character to understand his motivations. He's all over the place. He takes the transfer easily and starts enjoying life which he didn't seem to enjoy in the first place as much. They give you a couple of hints that he still feels young at heart, but it all falls down to picking beautiful women in clubs and having sex in his luxury apartments. This would've made the dilemma much stronger, the choice between retaining his young body and returning a father into the family.
Third, the ending was way too obvious and was super easy to achieve. Damien just gave it up like it mattered nothing to him. He is not nearly believable as a property mogul. There is no transition in him from a selfish person and the self-sacrifice makes no sense. His motivations overall just make no sense. He's way too caring for a random person when it is clearly not his character. I mean, there is so much you can do with this concept. Just make him suffer, try to go to his daughter and reconnect, make her reject his younger version.
Forth, the main "villain's" motivation also makes no sense. He looks like a smart person at first, but as the story progresses he just becomes a money-obsessed crook, and in the end for a minute he spits out childish philosophy.
I mean, I wanted to see the film only for the concept of immortality and it's price, but instead I got lots of pointless action scenes The 6th Day's style.
Also, the main female lead's voice was annoying, sorry.
Maybe I expected too much from Tarsem.
P.S. I love how he was able to put more pointless "weird imagery" in this like he did in the Cage, oh, Tarsem.
First of all, the film looks like it's set in present time, but it handles consciousness transfer as nothing mind-blowing or groundbreaking. Just imagine what can be achieved when you can imprint any human being inside another one. Some great and dangerous ideas are here. But no, the film uses this very poorly. They should've set this far into the future to make it something ordinary or take it more seriously if it was set in modern times.
Second, we don't get nearly enough old Kingsley character to understand his motivations. He's all over the place. He takes the transfer easily and starts enjoying life which he didn't seem to enjoy in the first place as much. They give you a couple of hints that he still feels young at heart, but it all falls down to picking beautiful women in clubs and having sex in his luxury apartments. This would've made the dilemma much stronger, the choice between retaining his young body and returning a father into the family.
Third, the ending was way too obvious and was super easy to achieve. Damien just gave it up like it mattered nothing to him. He is not nearly believable as a property mogul. There is no transition in him from a selfish person and the self-sacrifice makes no sense. His motivations overall just make no sense. He's way too caring for a random person when it is clearly not his character. I mean, there is so much you can do with this concept. Just make him suffer, try to go to his daughter and reconnect, make her reject his younger version.
Forth, the main "villain's" motivation also makes no sense. He looks like a smart person at first, but as the story progresses he just becomes a money-obsessed crook, and in the end for a minute he spits out childish philosophy.
I mean, I wanted to see the film only for the concept of immortality and it's price, but instead I got lots of pointless action scenes The 6th Day's style.
Also, the main female lead's voice was annoying, sorry.
Maybe I expected too much from Tarsem.
P.S. I love how he was able to put more pointless "weird imagery" in this like he did in the Cage, oh, Tarsem.
'SELF/LESS': Three and a Half Stars (Out of Five)
A sci-fi thriller/action flick starring Ryan Reynolds and Ben Kingsley. The story revolves around a dying businessman who has his consciousness transferred into the body of a younger, and much healthier, man. It was directed by Tarsem Singh (the man also responsible for the popular 2000 horror flick 'THE CELL') and written by David and Àlex Pastor. The movie also stars Matthew Goode, Natalie Martinez, Derek Luke and Victor Garber. The filmmakers do very little with their interesting ideas; but they do deliver a fun, and stylistically thrilling, action flick.
Kingsley plays Damian, a wealthy, and very successful, businessman; who's dying from cancer. A secret, groundbreaking, science organization offers to give him a new body; to extend his life. After going through with the procedure Damian is thrilled with his newfound youth, and very physically fit body, but he quickly learns that his happiness came at the expense of someone else's (the man who's body he took). Damian feels extremely guilty for taking another man's life from him, and he wants to set things right. The special organization will stop at nothing though, to protect their business.
The movie starts out as a pretty intriguing science-fiction thriller; similar movies have been done before but it did seem somewhat fresh and unique. It doesn't really develop into much though, as it prefers to entertain it's audience with stylistically cool action scenes; instead of story and character development. Singh is a very visually satisfying director to watch though, and I really like the dark style and mood of this movie. It's hard to give it credit for a lot more than that; but it is an entertaining, and somewhat thrilling, action flick.
Watch our movie review show 'MOVIE TALK' at: https://www.youtube.com/watch?v=40tcsSNoQmo
A sci-fi thriller/action flick starring Ryan Reynolds and Ben Kingsley. The story revolves around a dying businessman who has his consciousness transferred into the body of a younger, and much healthier, man. It was directed by Tarsem Singh (the man also responsible for the popular 2000 horror flick 'THE CELL') and written by David and Àlex Pastor. The movie also stars Matthew Goode, Natalie Martinez, Derek Luke and Victor Garber. The filmmakers do very little with their interesting ideas; but they do deliver a fun, and stylistically thrilling, action flick.
Kingsley plays Damian, a wealthy, and very successful, businessman; who's dying from cancer. A secret, groundbreaking, science organization offers to give him a new body; to extend his life. After going through with the procedure Damian is thrilled with his newfound youth, and very physically fit body, but he quickly learns that his happiness came at the expense of someone else's (the man who's body he took). Damian feels extremely guilty for taking another man's life from him, and he wants to set things right. The special organization will stop at nothing though, to protect their business.
The movie starts out as a pretty intriguing science-fiction thriller; similar movies have been done before but it did seem somewhat fresh and unique. It doesn't really develop into much though, as it prefers to entertain it's audience with stylistically cool action scenes; instead of story and character development. Singh is a very visually satisfying director to watch though, and I really like the dark style and mood of this movie. It's hard to give it credit for a lot more than that; but it is an entertaining, and somewhat thrilling, action flick.
Watch our movie review show 'MOVIE TALK' at: https://www.youtube.com/watch?v=40tcsSNoQmo
Like the previous year, the 2015 was also considered the year of sci-fi in the film world. Plenty of large and small scale flicks came out and among them I was eagerly waiting for this one. If the story is what you always prefer with a fine production quality, then this film won't disappoint you. The performances were also well supported. Then what was this film's issue?
The last time widely accepted movie by Tarsem Singh was when he engaged in the screenplay development. After that he did not see much success where all his directed ones were written by others. My perception is that he must do those both department where he's good at it. Take this film as an example, an awesome story and had a good cast, but the writing was let down according to many who saw it.
Even in the short period of appearance, Ben Kingsley's role's legacy carried out till the end, because the concept was designed like that way. Being one of the top actors, Ryan Reylands films are not that celebratable. Though he's doing a decent flicks often and those were failing to recognise in the higher level, which did not spare this one as well.
People are comparing it to 'Face/off', but to me it looked more like coming together of 'The Island' and 'Skeleton Key'. Whatever it is I had a good time. Not a fresh concept of an idea, but narrated differently and it needed a bit depth in showcasing everything in the film.
My formula/secret for watching a movie successfully even it considered as an average or worse is, I won't bother for all the departments come together to become a well crafted product like the critics expect, because I'm a movie fanatic and love watching them almost most of the time than arguing about its flawed contents. If I find anything solely interesting like acting, music, story, visuals, I respect the efforts. So do I to this one and believe me it is much better than what the critics say so.
7/10
The last time widely accepted movie by Tarsem Singh was when he engaged in the screenplay development. After that he did not see much success where all his directed ones were written by others. My perception is that he must do those both department where he's good at it. Take this film as an example, an awesome story and had a good cast, but the writing was let down according to many who saw it.
Even in the short period of appearance, Ben Kingsley's role's legacy carried out till the end, because the concept was designed like that way. Being one of the top actors, Ryan Reylands films are not that celebratable. Though he's doing a decent flicks often and those were failing to recognise in the higher level, which did not spare this one as well.
People are comparing it to 'Face/off', but to me it looked more like coming together of 'The Island' and 'Skeleton Key'. Whatever it is I had a good time. Not a fresh concept of an idea, but narrated differently and it needed a bit depth in showcasing everything in the film.
My formula/secret for watching a movie successfully even it considered as an average or worse is, I won't bother for all the departments come together to become a well crafted product like the critics expect, because I'm a movie fanatic and love watching them almost most of the time than arguing about its flawed contents. If I find anything solely interesting like acting, music, story, visuals, I respect the efforts. So do I to this one and believe me it is much better than what the critics say so.
7/10
This IMDb synopsis is accurate and a good starting point: Billionaire Damian Hale has terminal cancer. He turns to a radical medical procedure called "shedding," in which his consciousness is transferred to a healthy body. After the procedure, Damian, now called Edward, starts a new life in New Orleans but is plagued by disturbing images. When he delves into Edward's mysterious origin, he learns that some will kill to keep it secret.
My buddy and I, both long time film buffs of multi-genres yearn for decent sci-fi thrillers that are well written and directed, leave us guessing here and there via plot twists and turns, includes necessary action, murder and mayhem and a credible Mr. Evil. This film delivers 116 minutes of story, acting, production value and pure cinema sci-fi thrilling FUN.
We were both thumbs-up entertained by one of Ryan Reynolds best efforts plus a fine supporting cast including Mr. Evil (Albright). Our usual post film discussion of plot holes was minimal given the original, well crafted screenplay. That is not to say we did not suspend belief as is the case with many of our best action/Sci-Fi films. A major section of the film, with some of its best action sequences, reminded me of my favorite scenes in Bourne Legacy.
With all the above said there was yet room for disturbed, romantic relationships and one cute kid spitting out all her needed lines.
Production value gives us some fun shots of New Orleans, area mansions and a finale 'home' in a spectacular locale.
There have been so many mind invasion/transfer films that our expectations for something original with thrills, excitement and pathos were low. We left the theater smiling for the simple reason that we were both thoroughly entertained.
My buddy and I, both long time film buffs of multi-genres yearn for decent sci-fi thrillers that are well written and directed, leave us guessing here and there via plot twists and turns, includes necessary action, murder and mayhem and a credible Mr. Evil. This film delivers 116 minutes of story, acting, production value and pure cinema sci-fi thrilling FUN.
We were both thumbs-up entertained by one of Ryan Reynolds best efforts plus a fine supporting cast including Mr. Evil (Albright). Our usual post film discussion of plot holes was minimal given the original, well crafted screenplay. That is not to say we did not suspend belief as is the case with many of our best action/Sci-Fi films. A major section of the film, with some of its best action sequences, reminded me of my favorite scenes in Bourne Legacy.
With all the above said there was yet room for disturbed, romantic relationships and one cute kid spitting out all her needed lines.
Production value gives us some fun shots of New Orleans, area mansions and a finale 'home' in a spectacular locale.
There have been so many mind invasion/transfer films that our expectations for something original with thrills, excitement and pathos were low. We left the theater smiling for the simple reason that we were both thoroughly entertained.
This film tells the story of a real estate tycoon who is terminally ill. He undergoes a procedure that transplants his mind into a new body, which continues his life in a different way. Yet, when he experiences unfamiliar flashbacks, he decides to investigate the origins of these intrusive memories.
The plot examines what it is like if there are mind transplants, and it does so very well. It provokes much debate towards the ethical issues on this controversial procedure. During this process, there is much adventure, including thrilling cat and mouse chases and lots of combats. It blends science fiction and action thriller very well together, captivating my attention and making me on edge very often. I really enjoyed it.
The plot examines what it is like if there are mind transplants, and it does so very well. It provokes much debate towards the ethical issues on this controversial procedure. During this process, there is much adventure, including thrilling cat and mouse chases and lots of combats. It blends science fiction and action thriller very well together, captivating my attention and making me on edge very often. I really enjoyed it.
Você sabia?
- CuriosidadesThe New Orleans house was used as the house in Entrevista com o Vampiro (1994). It also once was owned by Nicolas Cage and the foyer chandelier hangs in the house.
- Erros de gravação(at around 1h 25 mins) When Damian crashes Martin's SUV into the car in front, the airbags of the SUV (as seen from a long distance shot) clearly inflate. On the next shot from inside the car, Damian is still driving with no airbags inflated.
- ConexõesFeatured in MsMojo: Top 10 Greatest Body Swap Movies (2023)
- Trilhas sonorasBig 1
Performed by Young Fellaz Brass Band
Principais escolhas
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- How long is Self/less?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- In/mortal
- Locações de filme
- Ballast Key, Flórida, EUA(final scene on the island)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 26.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 12.279.691
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.403.460
- 12 de jul. de 2015
- Faturamento bruto mundial
- US$ 31.807.156
- Tempo de duração
- 1 h 57 min(117 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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