Sem Retorno

This IMDb synopsis is accurate and a good starting point: Billionaire Damian Hale has terminal cancer. He turns to a radical medical procedure called "shedding," in which his consciousness is transferred to a healthy body. After the procedure, Damian, now called Edward, starts a new life in New Orleans but is plagued by disturbing images. When he delves into Edward's mysterious origin, he learns that some will kill to keep it secret.

My buddy and I, both long time film buffs of multi-genres yearn for decent sci-fi thrillers that are well written and directed, leave us guessing here and there via plot twists and turns, includes necessary action, murder and mayhem and a credible Mr. Evil. This film delivers 116 minutes of story, acting, production value and pure cinema sci-fi thrilling FUN.

We were both thumbs-up entertained by one of Ryan Reynolds best efforts plus a fine supporting cast including Mr. Evil (Albright). Our usual post film discussion of plot holes was minimal given the original, well crafted screenplay. That is not to say we did not suspend belief as is the case with many of our best action/Sci-Fi films. A major section of the film, with some of its best action sequences, reminded me of my favorite scenes in Bourne Legacy.

With all the above said there was yet room for disturbed, romantic relationships and one cute kid spitting out all her needed lines.

Production value gives us some fun shots of New Orleans, area mansions and a finale 'home' in a spectacular locale.

There have been so many mind invasion/transfer films that our expectations for something original with thrills, excitement and pathos were low. We left the theater smiling for the simple reason that we were both thoroughly entertained.

Like the previous year, the 2015 was also considered the year of sci-fi in the film world. Plenty of large and small scale flicks came out and among them I was eagerly waiting for this one. If the story is what you always prefer with a fine production quality, then this film won't disappoint you. The performances were also well supported. Then what was this film's issue?

The last time widely accepted movie by Tarsem Singh was when he engaged in the screenplay development. After that he did not see much success where all his directed ones were written by others. My perception is that he must do those both department where he's good at it. Take this film as an example, an awesome story and had a good cast, but the writing was let down according to many who saw it.

Even in the short period of appearance, Ben Kingsley's role's legacy carried out till the end, because the concept was designed like that way. Being one of the top actors, Ryan Reylands films are not that celebratable. Though he's doing a decent flicks often and those were failing to recognise in the higher level, which did not spare this one as well.

People are comparing it to 'Face/off', but to me it looked more like coming together of 'The Island' and 'Skeleton Key'. Whatever it is I had a good time. Not a fresh concept of an idea, but narrated differently and it needed a bit depth in showcasing everything in the film.

My formula/secret for watching a movie successfully even it considered as an average or worse is, I won't bother for all the departments come together to become a well crafted product like the critics expect, because I'm a movie fanatic and love watching them almost most of the time than arguing about its flawed contents. If I find anything solely interesting like acting, music, story, visuals, I respect the efforts. So do I to this one and believe me it is much better than what the critics say so.

7/10

In recent times it seems like a sci fi thriller is a tricky movie to master, and whilst I don't pretend that Self/less mastered it, it's a very watchable and enjoyable movie.

'Billionaire Damian, a man responsible for enormous business deals, a big figure with the ability to buy whatever he wants, but not the thing he needs, a cure for cancer.

I really did enjoy this movie, the concept was a good one, it was a clever plot. There were enough surprises and plenty of intrigue to keep you wondering.

If I had one little niggle, it's that for me after the transformation to Reynolds it felt like a different film, it didn't feel seamless, maybe that was intentional, I felt they could have delved into the transition a little deeper, it seemed to happen to quickly.

Lots of action scenes, really well directed, the effects were great too. I wish Google searches worked so quickly for me, Pumpkin Towers (All I'm saying. 11,300,000 results,) my he was lucky.

Brilliantly acted, Kinglsey naturally has gravitas, he's so watchable. Ryan Reynolds was excellent I thought, I really enjoyed his performance, Matthew Goode I thought was outstanding, managing to be sinister without overplaying it. I love Michelle Dockery, but she was a little underused, just a bit part.

8/10 Very watchable, surprisingly so.

There are certain things that men (or women for that case) should not mess with. As in what nature is giving or taking away from us. The movie might make a case of that, if you want to look at it that way. It's Science Fiction alright, but it does have a moral core in it, that you'll either like or dismiss.

Whatever the case, I'm sure many like the general idea of the movie, and because it is a "secret", this could actually be going on right now. But whatever you believe (or not), this will challenge some of your views, for better or worse. It might be very easy to see where this is going, but it's still a ride worth taking (especially if you're fond of the genre)

Billionaire Damian Hale (Ben Kingsley) is on top of the world until he runs into a problem he can't solve, Cancer. His only hope is a new medical procedure called "shedding," in which his consciousness is transferred to a healthy body. After Damian undergoes this procedure, he becomes a man named Edward (Ryan Reynolds). Once he attempts to start a new life in New Orleans, he starts to become ravaged by visions of his new body's past. As he begins to investigate the origin of his new body, he learns the lengths that his creators will take to protect their procedure and keep their identities secret.

The film, I will admit, introduces an original concept that not many films have covered. It's a shame that it does not stay with it for very long. We start off with older Damian coming to terms with where he is in his life and with his condition and then the film pivots to more of an action film as younger Damian/Edward investigates his roots through his visions and survive its resistance. It was a shame that more time wasn't spent with the older version of Damian. This loss created a void in the story. It would have been better if we could have spent more time with him so his character could be more developed. From the little we got to see, he appears to not be that great of a person. If we knew more, we would have reason to root for him. The time spent during an unnecessary sequence in the middle could have helped with that. There is a lack of consistency in the character of Damian as well. The character is played by 2 different actors but their performances are not the same. There seems to not be any apparent, similar, alignment in mannerisms between the two Damians, they don't act too similarly either. That could either be because of writing, Ryan Reynolds' performance, and/or not too careful direction. The film had the chance to try to answer some philosophical questions relating to the value of human life or the morality of valuing a life over. When you start to wonder if this whole "shedding" procedure is even possible, you are forced to accept that it is. Instead of being about Damian coming to terms with his new body and life, it chooses the path of gun fights and car chases. This is the moment when the film falls into the realm of mediocrity. It isn't revolutionary. The twists will not come as much of a surprise either. The film managed to keep my attention but I would of preferred it to cover more of the philosophical issues relating to the procedure. The film has a good idea but it could have been portrayed in a different/better way.