Snow in Paradise

Excellent film - wish there was more in this crime thriller featuring such awesome characters in the mix. Good to see Dan Burman in this flick! Good camera work and lighting as well.

First off, this movie is not going to be for everyone and probably not most people. I am big fan of British indie crime dramas so obviously I was excited to watch this film. The script is focused on a young criminal and drug addict named Dave who was born into a life of crime. A series of events leads him to rethink his life and the people he chooses to call family.

The acting, directing and cinematography saved this movie, because the script could have been stronger... although not totally disappointing. All the actors played their roles well with an exceptionally strong performance from the film's lead. The setting of the movie in dreary London added to film's character and appeal. The cinematography was difficult to watch at times due it's drug induced scenes and flashbacks conveying Dave's mind on drugs. This type of cinematography/editing will be tough for most to watch who cannot appreciate the art behind it; somewhat reminiscent of a Requiem for a Dream. At times, I could really feel the whirlwind inside the mind of Dave.

This is not an enjoyable feel good movie by any means, but does give you a glimpse into a life of person who feels his life is at the end of the road at such a young age. Is there a way for this young man to find peace after all? Overall, a solid indie flick that will appeal to those who enjoy the darker side of filmmaking.

Dave has aspirations to be a player in the London gangland scene. He brings his mate Tariq along on his first big job, partly to help Tariq out, possibly to massage his own narcissistic ego. The decision to involve Tariq has deadly consequences. Despite the attempt to present Islam in a positive light, and the psychotic nods to Requiem For A Dream, this film is basically just more cockneys on crack waving guns. The Curzon Film World DVD minimalist functions (e.g no extras) further destroys the experience by having no subtitles. The Mockney 'nahfink dahn ma san' dialogue could certainly benefit from them, especially when the soundtrack starts up in tandem with dialogue. One key exchange, when Dave confronts his Uncle Jimmy while carrying a concealed knife, is impossible to hear. Dave seems to want to be a player but makes an elementary, idiotic mistake on his first job. He ridicules Islam but converts a nanosecond later. The last shot too deliberately opts for non-resolution. It feels like Guy Ritchie directing an extended episode of Minder. That is not a compliment.

Having lived my prime during the 'noughties' British lads film renaissance era, I couldn't help but think of this title as the last few of its kind before the genre fizzled out.

I personally didn't view this as a 'cockney gangster movie' but also an expression of mental health, childhood scars, PTSD, predators, victims, class divide, all while the film subtly reveals the growing pains of urban gentrification in the London borough of Hackney.

I'm not sure why it scored so low - I suspect fans of this genre were anticipating something else. Perhaps the religious aspect was slightly overdone, perhaps the dialogue could have been more, perhaps it came across a little too fluffy at times.

I can understand it's one of those films that isn't going to grip everyone. It's an emotional film that requires connection with the viewer to truly resonate.

Huge credit to Schmidt, and co-stars Spinx and Askew - the casting was great, I can't imagine they were working with a huge budget. I do believe this will age well, perhaps even become somewhat of a cult classic in several decades to come.

Would I recommend it?

Hell yes!

The synopsis of this indie film is that our main man, Dave, is a petty criminal who works for his rather unsavoury uncle – Jim. He does this by running errands and being a lower rank foot soldier. He also likes a taste of the goods now and then too as it's always drugs in with crime. He has a best mate in Tariq – who says 'Bruv' at the end of nigh on every sentence which becomes more annoying than a car alarm.

Well Dave messes up and Tariq pays the price – then in a pique of remorse Dave runs off and discovers Islam; but the past was always going to catch up with him. Now despite that synopsis the Islam part is actually downplayed and is only one of the many facets that go to make this film actually work. The acting is all very strong Martin Askew as Uncle Jimmy is completely terrifying and actually co-wrote this too. The camera work is very good and tries really hard to have art-house shots and it pulls it off convincingly.

There is some violence and it is nasty but it is very tastefully done – in that it is mostly off screen. Many indie crime Brit films have been of poor quality lately this I am glad to say is one that raises the bar and shows what can be done with a decent script and a committed group of actors.