Coma

The fist ten minutes is swirl of atmospheric nonsense. If you've read the book, or seen the original, you sit there mouthing 'what?' ; and if you haven't you'll still be mouthing 'What?', and not knowing why!! Next the alleged protagonist puts it all together within five minutes of working her first day, Amazing! This is a real mess. I am feeling very underwhelmed, and dancing on the cusp of a vegative state. Come on Ridley!!

COMA is a 2012 television miniseries based on the Robin Cook medical thriller of the same name. If it seems familiar, that's because Michael Crichton already directed an adaptation in the form of a movie back in 1978. It was a great little film, and the miniseries seems destined to pale in comparison.

Not that this new COMA is bad; it turns out to be quite decent, especially by TV movie standards. The reason it works is that it focuses throughout on the developing suspense and conspiracy situation, which means that it's never less than involving. Yes, there are problems with the direction and the acting, not to mention plenty of hulking plot holes, but the crucial thing is that COMA remains watchable from beginning to end.

Very nearly, anyway; the last twenty minutes or so falls down with a silly, sci-fi scenario which goes against all that's come before. It's something that belongs in a SyFy Channel movie, not this, but at least it's only at the very end that things fall apart.

The young actors in this production aren't bad, but the most fun comes from 'spot the star' in the older cast members. James Woods, Richard Dreyfuss, Ellen Burstyn, Joe Morton and Geena Davis are all present, and there's fun to be had from guessing which of them is involved. It certainly helps to pass the time, anyway.

One would have thought that something produced by Ridley Scott, who directed Alien and Blade Runner, would have been tightly knit. It wasn't. The movie totally drags during the first half and the first hour of the second half. This, like the original, should have been a two-hour film. I was bothered from the start when during the first commercial break, there were cast interviews revealing what was going to happen. The only thing really interesting were the special effects towards the end. Fortunately, I recorded it and was able to use fast forward or I, too, might have lapsed into a coma from having to sit through all of the initial tedium.

All these negative remarks and reviews, people are so blind and up their own tails. You have no idea of a good movie or show if you thought this was bad. I absolutely loved it. I didn't discover it was a series until after the first sequence ended and my brother and I were thirsty for more. This was great. People keep turning their backs on material like this and wondering why Hollywood keeps pushing out crappy films. You are the reasons. This was amazing, and i highly recommend it. I haven't seen the original, but maybe that's why people are blabbing out negativity. This show was suspenseful, it drew you in, it had all the elements of a great suspense. If you love investigation shows, like Csi, Er, or House, this show had all those great shows wrapped up in one. I wish they would make more of the series. I love love love it.

Susan Wheeler (Lauren Ambrose) is a medical student starting at her late grandfather's Peach Tree Memorial Hospital. Dr. Mark Bellows (Steven Pasquale), Dr. Theodore Stark (James Woods), and Dr. Agnetta Lindquist (Geena Davis) are some of the senior faculty. Mrs. Emerson (Ellen Burstyn) cares for the coma patients.

A&E remade the 1978 movie based on the 1977 novel into a 4 hour TV mini-series. It's important to note that the paranoia of the era worked great to infuse the original with atmosphere. However this one is much more of a thriller. The biggest logic problem in this one is that it's no longer the '70s. It just seems that somebody would just sue in today's world. But if you're willing to accept that, there is some good thrills to be had here.