A Fita Azul

I watch A LOT of movies. As I watched this movie, I thought that in some sense it reminded me of the movie 'Perks of Being a Wallflower'. I didn't even realize that Julia Garner is in 'Perks of Being a Wallflower'! Every scene in this movie is perfect. The music is perfect. The way they incorporate narration or conversations in each scene is unique but works very well and again, creates a certain mood. Although this is no average plot, by the end of the movie, the characters to the viewer are well-known. It's like a good book; when the book is over you almost miss the characters - and I definitely felt that in this movie. The movie felt very Nostalgic. What a beautiful film!

Overall, I thought this picture was entertaining and enjoyable with good performances all around, especially by Julia Garner in one of her first feature film roles. However, there is something that needs to be pointed out. Evidently, there are a lot of people that don't understand the meaning of the term "Immaculate Conception". The term originates in the Catholic church and is a teaching referring to the birth of Mary - and that she was conceived and born free of original sin. That's all. It does NOT refer to the birth of Jesus or "virgin birth" and to use it in that sense is wrong. The term has a specific definition regardless of popular belief. Look it up. I know what it means and I'm not even Catholic.

'Electrick Children' follows the story of a pregnant, 15 year old Rachel living in a present day Mormon society. She claims that the father of her unborn child is the voice of a singer on a rock cassette she listened to, insisting that 'God got her pregnant through the tape'. Her family insists otherwise, and Rachel goes to Las Vegas to search for the father

Electrick Children is fresh, vivid, indie feel is what makes this film I love the colors and textures in the movie to feel like it was filmed on actual film stock. The warm lights of Las Vegas, indie rock, and the desert all make way for a beautiful place for this story to unfold.

Writer/Director Rebecca Thomas understood what she meant to say, but as with so many independent filmmakers, she felt no obligation to communicate that message comprehensibly. Depicting events that could not possibly happen does not create symbolism. Failing to come up with an ending does not make the plot "open to multiple interpretations."

Rebecca Thomas' Electrick Children is a generally obscure 2012 film that received very little attention from critics or the general public. Whether or not attention was deserved, Elecktrick Children is a bizarre and sometimes charming visuals-driven story of teen curiosity and adventure in an unknown world. It's quite literally a personal story for director Rebecca Thomas (who was a mainstream Mormon raised in Las Vegas) and it shows as Electrick Children is more of a feast for the senses rather than a cohesive narrative-driven story.

Electrick Children features a cast of talented teenagers with Julia Garner playing the lead. She does an excellent job portraying a naive and curious Mormon experiencing elements of the outside world for the first time. She is perfectly awkward when she needs to be as her innocence and purity makes her character easy to like. The cast includes many other rebellious teenagers but her character is really the only one that gets built upon and developed. This isn't too much of a flaw as the story is really supposed to only be focused on her and her mission, but some development to these supporting characters wouldn't have hurt. Overall, Julia Garner was fantastic and I look forward to seeing her in future titles.

The story, albeit quite simple, is full of wonder but sometimes uneven. The film is heavily stylistic as we witness things through the Mormon teenager's eyes as she gazes in wonderment at things she has never seen before. There is a heavy emphasis on lighting and music, helping to immerse us in the world that this girl is experiencing for the first time. We feel just as lost as her as we meet many different types of people and engage in nefarious juvenile actions. While the film is mostly entertaining, there are noticeable slumps in the pacing. Sometimes there are quite long stretches of slow and tedious drama, and while these sequences are infrequent, it still hurts the films pacing quite a bit. Another issue with Electrick Children is the unsatisfying ending. We get a pretty great third act filled with interesting interactions but all this builds up to an abrupt and inappropriate ending. Many important questions are not answered or even acknowledged, making the film feel unfinished.

Despite the few issues, Electrick Children is a charming and strangely intriguing story of teen curiosity that resonates quite personally with the director, who clearly showed passion in their work here. The story is interesting and mostly well told when it isn't treading too lightly. The great acting from the lead actress and the colorful and dreamy narrative makes Electrick Children an experience that is easy to enjoy despite uneven pacing and poor ending. The themes of teenage angst and rebellion makes the experience a deeply personal one as we can all understand what our lead character is going through. Except for the "pregnancy through music" part.

Electric Children is an interesting debut feature from writer/director Rebecca Thomas focusing on a 15-year-old girl from a fundamentalist Mormon community in Utah, who mysteriously gets pregnant, causing her to launch off on a hastily convened road trip to Las Vegas, in an effort to find "the father" of her unborn child. This somewhat left of centre storyline is made more believable, knowing Thomas herself was raised as a Mormon. Clearly her religious experiences have undeniably strongly influenced the making of this intriguing, but ultimately uneven film.

The first act primarily set in the creepily small, remote Utah hamlet arguably features the best scenes in the movie. I use the word "creepily" deliberately, as despite the rugged attractiveness of the locations, plentiful sunshine and pollution-free natural desert environment and bed-time story sessions, the sect's embrace of biblical studies and accountability, at the expense of a normal education and social upbringing of children is quite unsettling. We can certainly accept that when 15 year old Rachel discovers she is pregnant, she is convinced that she has conceived miraculously, like the Virgin Mary, via an old cassette recorder, owned and hidden away by her mother.

Julia Garner is perfectly cast as the naive, ethereal, but determinately positive teenager, opposed to a hastily arranged shotgun marriage, by her shady father, the leader of this tiny group. Rory Culkin is also surprisingly good and effective as a rebellious teenage skater, come musician runaway, she meets after absconding from her village in a stolen pick-up.

I feel Electrick Children would have been a better film if Thomas had just concentrated on Rachel's story, with greater emphasis on her relationship with her mother, whose influence on the story behind the cassette player and ensuring events is greater than either her or Rachel realise. Instead Rachel's brother Mr Will and his experiences after hiding away in Rachel's getaway truck, is introduced as an unneeded sub-story, which arguably comes to dominate and unbalance the main narrative. On top of all this, the audience is asked to accept a huge contrivance in the third act to deepen the overall story and add more sense to earlier snippets we see of Rachel's dreams/visions. The climax to the film, whilst providing some amusement, also seems a pretty blatant rip-off from more accomplished films such as The Graduate.

Electrick Children is still worthwhile investigating however, if you're interests lie in getting a realistic peek at the type of closed community, whose collective, at times distinctly dubious, ethical actions, many might argue, should face more transparent legal scrutiny in wider mainstream society.