Death Grip

One of the best to come from The Stunt People thus far! It's inspiring and fun to see a dedicated group of independent filmmakers advance and improve themselves over the years. This latest effort is beautifully photographed and intelligently written, topped off with impressive fight choreography. What is more engaging is the fighting moves the story along and has character - something that is nearly impossible to achieve in current martial art films with meteoric budgets. This filmic art has heart and a conscious eye on the realism of conflict - the social as well as the physical. This is a "Must See" for anyone who's a martial art film buff as well as those who want a good "Non-Formulaic" story.

A caterer has to rescue his older mentally disabled brother from a dangerous cult after he accidentally steals a relic they desire in this film reminiscent of older Hong Kong fare due to it's genre-jumping shifts in tone and badass fight scenes. One of the best aspects of the film is that the lead character envisions the fights before they occur and so you get to see two different versions of the fights with differing styles of combat in each one. It sounds like it could be confusing but its very well done and just means there is more well shot and choreographed action to enjoy. Some great goofy and dark humor is thrown in as well as some horror style gore and tension. Aside from a really short and thrown in romantic subplot there is very little to get in the way of the fast paced story and high quality action. Highly recommended.

After a grueling six years since the release of their last proper feature film, San Francisco-based amateur action pioneers The Stunt People return with a vengeance in Death Grip, a sophisticated action- thriller that glimmers with professional polish and demonstrates the considerable progress the outfit has made in their mission to reclaim the art of the action film for a new generation of audiences jaded by the uninspired output of mainstream cinema.

Boasting impressive sets, a cast of capable dramatic actors and staggering technical prowess, Death Grip is a Stunt People production unlike any previously seen. Grim, suspenseful and superbly atmospheric, the group has at last found a vehicle that has enabled them to consolidate all their strongest attributes – unique storytelling, local flair, humor, concussive fight sequences and a distinguished filmmaking acumen that can only be the result of a devoted group of passionate aficionados investing countless hours to studying and honing their craft – into a cohesive cinematic package in which nothing feels derivative or out of place; you very well may see something you've never seen before in this film.

Each of Death Grip's key players – Eric Jacobus, Nathan Hoskins, Rebecca Ahn, Johnny Yong Bosch, Alvin Hsing, Ray Carbonel and Chelsea Steffensen – fit their roles comfortably, and deliver engaging performances that provide the narrative's fundamental substance. This is, at its core, a character study, and the events of the story are driven as much by the motives of each character as the necessity of indulging action-craving viewers. Death Grip succeeds where so many action films, independent or otherwise, fail: by placing its plot line at the center of its narrative focus and utilizing deftly-constructed action scenes as a device for heightening tension and elevating the stakes presented by the major complications, rather than as the primary spectacle, devoid of emotional gravity, through which characters become clumsy appendages. Everyone who fights does so for a reason, and, consequently, the foray's participants are imbued with a sense of depth and credibility that make it easier for the audience to understand and get behind their actions.

And action is of course the arena in which The Stunt People shine the brightest. Forget the Coin of Judas, the group's familiar brand of incredible martial artistry is what is really on display here. For the uncharacteristically sober tone, a blend of hyper-realistic violence and lavish stylization is employed, carried out with stunning athleticism and an impeccable amount of detail by Jacobus and the rest. Individual action scenes are like microcosmic narratives all their own folded into the larger fabric of the film, with special attributes that lend them novelty and distinction. One fight places Kenny in a darkened room with a blinded enemy, neutralizing the advantage of sight and forcing the combatants to rely on instinct and cunning to prevail; in a later scene, he is pitted against a knife-wielding henchman in what is, without exaggeration, one of the most intricately choreographed and nuanced encounters I've ever witnessed in film. For the grand finale, Jacobus has staged a climactic and devastatingly hard-hitting showdown between out-of-his-league Kenny and enigmatic cult leader Torch (veteran stunt actor Johnny Yong Bosch). All are exceptionally well-shot and executed, astonishing for a crew predominately comprised of DIY filmmakers and stunt performers with limited professional experience. By the conservative ninety minute mark, Death Grip is sure to satisfy the appetites of even the most voracious action fans, with lasting appeal for those grown accustomed to the latest bloated, all-filler offerings from larger, more commercial industries.

Though marketed as an action-thriller, Death Grip is in actuality an experiment designed to test whether a modest band of ambitious young talent is capable of producing, with no backing from professional agencies or studio developers, a cinematic product challenging the best that the corporate world of filmmaking has to offer, and whether such a venture would be received enthusiastically by a viewer base out of touch with what once earned the action genre a respected place among other forms of visual storytelling. The answer to both points is a resounding yes, bristling with fresh creative energy and emphatic as a punch in the teeth. Death Grip is proof-positive of the rewards of vision and hard work, and a glowing testament to the maturity of a team that still has vast potential to improve. A knockout.

With so many big budget movies with poor action scenes out there, i wonder what these guys could do with bigger budgets. Death Grip shows what some talented people can do with their passion and application, delivering a really solid movie. I admit i lost a bit of interest in the story during the second part, but i also had some fun throughout the movie, especially with the hilarious toilet scene. And i really took a liking for the inoffensive Mark. Obviously, the most brilliant thing was the fighting, with great speed and use of the environment and with Eric reminding me a bit of Jackie Chan in his furious combinations. Keep it going Stunt People!

I found the Stunt People back in 07, and it has been great to see Eric and the crew grow from films like Undercut and Contour to Death Grip. While the aforementioned efforts are great, Death Grip is a jewel for action/martial arts fans. Lots of heart, humor, and above all is the topnotch action choreography. While Death Grip is less campy than some previous efforts by the SP crew, it has moments of drama that are surprisingly real and you can't help but feel the bond between the Zemacus brothers. The supporting cast shines with memorable performances, Alvin Hsing's in particular. Add a healthy dose of a very sinister Johnny Yong Bosch, and you have a multifaceted gem of action kickback called DEATH GRIP. I can't wait to see what comes after this.