Death Grip

A caterer has to rescue his older mentally disabled brother from a dangerous cult after he accidentally steals a relic they desire in this film reminiscent of older Hong Kong fare due to it's genre-jumping shifts in tone and badass fight scenes. One of the best aspects of the film is that the lead character envisions the fights before they occur and so you get to see two different versions of the fights with differing styles of combat in each one. It sounds like it could be confusing but its very well done and just means there is more well shot and choreographed action to enjoy. Some great goofy and dark humor is thrown in as well as some horror style gore and tension. Aside from a really short and thrown in romantic subplot there is very little to get in the way of the fast paced story and high quality action. Highly recommended.

If there's one thing that Eric Jacobus and The Stunt People consistently do, it's embarrass big budget Hollywood action filmmakers, who are generally clueless when it comes to fight choreography and cinematography. "Death Grip" is a fantastic micro-budget action film with a genuinely engaging plot and cast, and quite possibly the best American made martial arts film since Steve Wang's "Drive" (1997). The Hong Kong influence is apparent, so if you like your fight scenes fast, flashy, and furious (like Jackie Chan's "Police Story" for instance), the film is sure to please. Jacobus and his team focus on ground based fighting techniques that are both stylish and hard hitting, and the timing and precision are excellent. The film is also mercifully free from attitude and macho posturing, which is where so many domestic action films go wrong. Instead, we're treated to a tight and intelligent script with authentic dialog and believable characterizations, with no extraneous filler. Action fans and kung fu buffs should rejoice.

From the start the film has a darker tone than the other productions of The Stunt People, and carries through the entire movie. However, their classic sense of humor is not lost in the dramatic overtone of the film, and it still manages to poke fun at itself.

The action is what makes the movie great. It's an amazing blend of eastern and western style choreography with a bigger emphasis in Hong Kong style fights, and the climactic action sequences are well worth the price of the movie. It was not only a good piece of indie film-making, it was also a great action movie with beautifully choreographed fight scenes. A must own for any indie film-maker or action movie fan. Well done!

First things first: The fight scenes in Death Grip are outstanding. Do you remember how complex, exciting, and fun Jackie Chan's fight scenes were in the late '80s before he became obsessed with stunts and running away? Well, it's like Eric Jacobus and the Stunt People picked up where Jackie fell off and have been developing that style all this time. They've taken that same punchy spirit from 80s Hong Kong fight choreography, updated it with modern camera techniques and editing, and put their own violent spin on it. You could make the case that no other group in the world create fight scenes as well as The Stunt People right now.

Having said that, Death Grip has issues with pacing and tone. Like classic 1980s HK cinema, the story veers from comedy to action to heavy melodrama to outrageous violence. But unlike those HK films, the pace is slow and leaden. Characters often pause and react slowly for no reason, making you want to yell at them to hurry up. The photography (while stylish) seems under-lit and the music is constantly ominous, giving the whole affair a gloomy vibe that detracts from the story's lighthearted tone and absurd events. Also, the fights are too few and far between and when they do come, the lighting is so dark that they can be hard to appreciate fully. It's infuriating to struggle to see those magnificent fights, then switch to the Blu-Ray's "extra" fights and see how well-lit yet still stylish they are. The brighter lighting and colours even give the fights an extra pop of energy! Regardless, Jacobus' likable underdog charisma pulls the film together and his epic battle with Johnny Bosch makes the film a must-see.

One of the best to come from The Stunt People thus far! It's inspiring and fun to see a dedicated group of independent filmmakers advance and improve themselves over the years. This latest effort is beautifully photographed and intelligently written, topped off with impressive fight choreography. What is more engaging is the fighting moves the story along and has character - something that is nearly impossible to achieve in current martial art films with meteoric budgets. This filmic art has heart and a conscious eye on the realism of conflict - the social as well as the physical. This is a "Must See" for anyone who's a martial art film buff as well as those who want a good "Non-Formulaic" story.