Avaliações do Metacritic

A succulently entertaining movie that invites you to splash around in the dreams and follies of folks so rich they're the 1 percent of the 1 percent. It's like a champagne bath laced with arsenic.

To an extent, Greenfield tries to have it both ways with her film: she allows us to enjoy the fantasy of being rich, while also letting us see the bastards suffer a little.

For Greenfield, the Siegels are a brilliant metaphor for everything farkakte about the U.S. economy and the culture that shaped it.

This timely and involving documentary elicits both sympathy and schadenfreude, as Greenfield regards her all-too-vilifiable subjects with a complexity that should impress viewers of all economic and political persuasions.

Lauren Greenfield's film evolves from an ode to entitled obliviousness to a more evenhanded character study, tracing the fault lines that develop within the Siegel family.

Like a Theodore Dreiser novel for our time, infused with the vivid, vulgar spirit of reality TV. It often had the sold-out Eccles Center howling, but also has elements of profound tragedy and allegory.

Greenfield's fly on the wall view of obscene wealth punctured like a toy balloon is as current as a blog or a headline.

Director Lauren Greenfield has a catty eye, but she's not after simple schadenfreude as the Siegels' time-share hotels are foreclosed, the kids have to fly coach [gasp], and poops go unscooped by a phalanx of laid-off servants.

I've seen The Queen of Versailles twice, and both times the audience laughed frequently at the Siegel family's sheer tackiness.

The Queen of Versailles will prompt loathing not only among the so-called 99 Percent, but among those in the top 1 percent who would like someone more sane to represent them on camera.