The Wee Man

"The Wee Man" is an above average British gangster flick that has a serious pacing issue in the final act, and too few memorable characters, to make it a classic.

There are so many British gangster flicks that there are even a few that are considered classics, such as "The Long Good Friday", "Get Carter", and "Mona Lisa". I've never seen one set in Scotland, though. This one is allegedly based on a real person. The movie feels fairly realistic as it shows his embrace of crime and what led him to it. You can empathise; the man isn't just a cold hearted killer.

When it gets involved with the details of criminal life, the movie loses a bit of ground because it's hard to tell who everybody is. The movie eventually becomes a series of shootings that tries to wrap it up a bit too quickly.

Despite having an R18+ rating here in Australia the violence isn't particularly graphic, but there is a fair bit of it.

It's probably a must-see for British gangster film fans, but anybody else can skip it.

As a Glaswegian, I was certainly aware of the real-life main criminal characters in this film without knowing all the ins and outs of who did what to whom, when and why. I largely looked in vain however for actual Glasgow locations, although the notes here tell me that's because the local police refused cooperation, which isn't hard to understand, watching the film.

The film itself is a tough, often violent look at turf wars in Glasgow and in particular the rival bosses fighting it out for control and centres on Paul Ferris, a very well known character in these parts. It tells his story using childhood flashbacks to demonstrate the influence of his old-fashioned tough-love father, his friendship with two childhood buddies, whose fates at the end of the film help convince Ferris to go straight at last and of course his introduction to violence amongst both police and thieves which helped lead him on his criminal path.

The story itself of a gangster's rise and fall isn't original and doesn't really aim for any great dynamism or originality in the direction either. Its striving for realism is limited by the afore-mentioned substitution for Glasgow by London, the noticeable (but not unwelcome) tempering of the way brutal beatings-up and shootings are depicted, plus the character acting in the cast isn't completely consistent.

Martin Compston is slightly restricted in his portrayal of the titular character Paul Ferris by his baby-face demeanour but otherwise carries off a tricky, if clichéd part with plenty of conviction. John Hannah as a scheming would-be kingpin and Denis Lawson as Ferris's father lend experience to their parts and probably stand out accordingly from the rest of the cast.

One could argue that the film is skewered too much in favour of Ferris's viewpoint and indeed the criminal lifestyle and modus-operandi altogether with the police and prison officials invariably shown as corrupt, barbaric and above the law they supposedly serve. Nevertheless the story, though hindered by the intrusive insertions of flashbacks to young Paul, in a failed attempt to demonstrate the child being father to the man, has a kinetic energy which keeps you watching until the bitter end.

Not an easy watch or even a great watch, but otherwise a good attempt at a contemporary true-crime story.

This film is truly awful. The lead actor is totally out his depth as a Glasgow gangland enforcer and the way the story was portrayed was nothing short of a pantomime in it's attempt to position the lead character as the hero.

Does this film have any redeeming qualities? No!

If you think you will see a good British gangster film full of big characters, violence, betrayal and other must have ingredients you are wasting your time.

Do not bother to watch this, you will be angry at how amateurish it is.

Went to see this in the cinema and thought it would be hard hitting and exciting. Had high expectations but was really let down. Firstly, all the woman cast members were terrible. Acting left a lot to be desired and were wooden and frankly annoying. Stand out performance was from the actor who played Arthur Jr (Fat Boy.) Being from Glasgow- the accents were ridiculous- if you come from the South Side of Glasgow you don't talk like you are from Edinburgh. Some of the more violent scenes were quite good. The most annoying thing about this film was the portrayal of Paul Ferris. He was not a hero, he did not stab and scalp people because he was bullied as a child. He was a criminal and a thug. Its as if someone has listened to Paul Ferris' side of the story and not listened to anyone else. The film was mince. Would give this a miss if you are interested in the Glasgow Gangster scene as it does not ring true to what really happened.

A film about infamous Glasgow gangster Paul Ferris, has long been in the pipeline. I remember hearing rumours off Robert Carlyle playing the part many years ago, and that would off been awesome! Now they've finally got round too making this controversial offering, you'd be hard pushed too find anyone better in the role than the largely unknown Martin Compston. Who does a great job here. Problem is a lot off the rest off the stars seem completely miscast in their roles, and a lot off this 80's/90's set story has clearly been filmed in the present day, with not much effort into making it look like otherwise.

There's no doubt that there is a great story here, and I did enjoy the movie because off its complicated, based-on-true-events style plot. But for a film in development for so long, you'd think there would be more success in other parts off its production.

John Hannah is only in the movie so people who are only interested in well known actors may watch it. Same with Patrick Bergin, Who doesn't pull off a Scottish accent. Its hard too know how much off the story is true as well, what with it being told from the perspective off Ferris (and being based on his book) with the parts that try too make him look as innocent as possible/try to make you sympathise with him falling flat, when you know a lot off the bad things that happened in the real life events that encouraged this movie, have been conveniently cut out.