Thale

Who'd imagine there are so many word-plays with this? I actually could Thale. Seriously though and maybe in the vain of some of the strange humor that can be found in this: The story is more of a myth or something you could imagine being told as good night story (or rather at a campfire come to think of it).

It starts of normal and easy enough but veers into strange territory pretty fast. Which of course has to do with the short running time. It's a good thing the movie is not really long, trying to stretch a really good idea. There are some flaws after the initial realization of what's happening, but the overall mood of the film is consistent and it's surely not something you have witnessed in many movies. Kudos to the filmmakers.

It is safe to assume that Elvis and Leo do a job that few people could stomach. They clean up crime scenes. After the bodies have been removed, they clean up the pools of blood and bits of human remains that litter the scene. It's not a pleasant job but somebody's got to do it. Decked out in masks and bright yellow hazmat suits, they go about their business, picking up the pieces of someone else's inhumanity against his fellow man.

From the first moment, it becomes clear that Leo (Jon Sigve Skard) is easily equipped to handle this. Elvis (Erlend Nervold), who vomits profusely into a nearby bucket, seems less so. From this unappetizing scene, we get the feeling that Thale will be a movie about what these guys do for a living. Indeed, following their day to day routine might have been fascinating, but admittedly hard to stomach. Yet, we soon find that we're wrong. Thale is an odd, mysterious and somewhat beguiling supernatural thriller from Norway that is built on mood and atmosphere and suspense made up of things that we learn along the way. It is a relief to find a movie this quiet and moody when so many thrillers fall back on the standard of jack-in-the-box terror.

In a series of creepy images banded with effectively melancholy music, the next scene reveals quick-cut elements that we only understand later. Leo and Elvis find that their next job is to clean up a crime scene that reminds us, uncomfortably, of Buffalo Bill's lair in The Silence of the Lambs. Waiting for a professional team to show up, Elvis begins to poke around. Something in the way this house is laid out seems to be more than meets the eye. Leo urges him not to go snooping around, but Elvis' natural curiosity gets the better of him. A small cold filthy room reveals jars of liquids, strings of dim lights and a bathtub filled with milky water invites investigation, though a more cautious individual might have not have proceeded any further.

From this point, I may discuss certain plot points. So if you want to see the movie cold, you may want to stop here.

What he discovers isn't all that unusual. Beneath the milky water is a naked girl who seems to have been there for some time. She is alive, but terrified. She doesn't speak, but an old tape recorder reveals that her name is Thale (Silje Reinåmo). What Elvis comes to understand is that she is more than a victim. This room is more than a torture chamber, and her reasons for being in this location reveal that she is possibly not suppose to exist. Neither, by the way, is whatever is skulking around outside.

It would be cruel to reveal what happens next, but safe to say it isn't what we expect. This isn't one of those movie with screaming victims and cheapo shocks. It is the kind of movie where the thrills come from what the characters discover for themselves. Elvis and Leo have stumbled upon something that is possibly bigger than both of them. Holed up in that room with Thale, something else manifests itself, something else that isn't suppose to exist.

What is even more interesting is what we learn about Elvis and Leo along the way. In just a few tiny passages of dialogue, Elvis and Leo become full-blooded people, not just pawns to be chased around by a boogeyman. It is curious to see a supernatural thriller like this that takes a few seconds to give its characters a bit of dimension. They aren't fully-realizes souls but they have lives that we can imagine exist apart from their predicament.

Having recently sat through the halfwit (not to mention boring) nonsense of Fede Alvarez's remake of Evil Dead, this movie comes as a breath of fresh air. While it isn't a perfect film, Thale exudes a measure of tension and grounds its story in reality before revealing the supernatural forces that are present. This is the kind of movie that builds slowly, giving us time to discover things. It has the patience to reveal the story as it unfolds rather than explain everything all at once and then march us to an inevitable conclusion. It may not be to every taste. It moves slowly and has long passages where we wait for something to happen, but given the sad state of most other films in this genre, we welcome the chance to discover things for ourselves.

***1/2 (of four)

Just finished watching Thale and found myself more than impressed. Made on a shoe string budget by rising Norwegian director Aleksander Nordaas, the film explores the huldra a mythical being from Nordic folklore. Without giving anything away I will just say that the acting, especially that of the very beautiful Silje Reinåmo in the title role, was excellent for such a low budget picture. The CGI and cinematography in the movie also impressed offering another breathtaking view of the Norwegian countryside. The film is let down slightly by some holes in the storyline and ultimately by the ending which I found could have been done so much better. This said Thale is an excellent example of what an imaginative director can fulfill within the confines of a small budget.

very nice little sleeper of a film. The actress who plays the title character is simply beautiful. It's a understated bit of cinema, with some very nice shots. Beautiful landscapes and nice camera work.

I have a big issue with people comparing this to Troll Hunter. I get that they're both from Norway and focus on Norwegian folklore. However, to say that Troll Hunter is great and this is not is like saying apples are great while pears are not. You simply cannot compare the two.

I believe that Thale had roughly one third of Troll Hunters budget, yet its very beautiful. Again, if you're looking for bombast, Troll Hunter has that... but this is a quite good film.

Nordic Noir may be all the rage at the moment, and The Killing and The Bridge are indeed impressive achievements. But Thale proves the old Scandinavians are no slouch when it comes to horror movies either... although this particular one isn't the 'quake in your frilly knickers' sort.

Instead, it provides a fascinating insight on what might happen if an 'alien' creature was kept prisoner by a well-meaning scientist, and the resulting fallout when two men hired to clean out the property find her, after said egghead dies. She demonstrates incredible power, psychic abilities and weird eating habits, but there are some ruthless people after her who'll let nothing stand in their way. Alongside members of her own race, who want her back...

It ain't thrill a minute, but the plot and performances are of sufficient quality to keep one hooked, and even moving in some cases. Being short in length helps too, keeping unnecessary padding at bay for the most part. Special mention must go to Silje Reinamo, who not only convinces as a sympathetic extraterrestrial creature, but bravely hops around starkers for half the duration. Oops, hope I haven't unwittingly attracted the wrong sort of audience with that revelation... 6/10