Os Bucaneiros

I haven't read the Edith Warton novel this is based on but I enjoyed the 1995 miniseries much more than this one even with all its flaws. I can see by some of the reviews that people don't realize this based on a historical fiction novel set in the Gilded Age (late Victorian) not set in an alternate universe (à la Bridgerton). Wharton was born in 1861 so she wrote from first hand experience. The original novel was unfinished so it has been open to reworking and finishing since her death. It seems someone decided Wharton's excellent writing needed the "Bridgerton treatment". I've seen some other historical fiction series that were able to incorporate modern music and language in a way that fits with the tone and style of the story but this is definitely not one of those. The music seems like they just picked random pop songs that don't fit with anything. Also insults the viewer's intelligence by hitting you over the head with the feminist theme in modern language as if we can't figure it out on our own.

This show is by no means bad. It had some good things going and some not so good. The characters with different personalities is nice, although some of them bothered me.

The biggest issue for me was the awful choice of music they would consistently put throughout the show. Some songs were so bad that I could just not focus on the scene itself because the music was overpowering or just completely did not fit. I'm against comparing the show to Bridgerton because I feel like they are quite different and there is not enough basis to compare, but one thing Bridgerton does amazingly is the music...they should definitely take notes.

I'm not a big fan of the love triangle, especially a love triangle where both men are friends prior. I've seen plenty of shows that have done this exact trope so I don't find it as interesting.

Some actors had great acting, and they made the show so much better. Especially the mother Patti, Guy, and the duchess.

Another issue in the show is there were too many side stories, the viewer could not really feel invested in each one enough because there wasn't enough time to focus on the stories individually. As a result, the series couldn't cover everything properly, some had plot holes, and some were rushed.

I understand that there's gonna be a second season, but still some plots were unnecessary. Also, I did not like how some stories concluded, especially what happened to Lizzie. She did not get the closure she deserved. Lizzie, the character as a whole had so much potential, but I don't know why they completely set her to the side.

Overall, the show could definitely be better. I don't know If I will watch S2, I'll wait and see if the plot-line is worth it or not.

... one critic's comments... "The Buccaneers, a refreshing take on the period drama genre, exploring the clash of cultures and the pursuit of love and ambition with a modern sensibility, all within the enchanting setting of 1870s London. Its bold and unapologetic approach might not be everyone's cup of tea, but it undeniably adds a unique flavor to the genre."

... an ok show, well done for the most part... you'll know within the first episode if you're going to be sticking with it week to week... it's entertaining to a 6 of 10, really not much more... acting like it's trying to be, yet Bridgerton it's not

... 12.14.23 - quite the S1 ending ... night b4 wedding, hubby-to-be out on some balcony drinking, while fiance's 'bedroom-entertaining'.. and that's only one of the pairings... S2 coming ... (and actually early-episodes new-Bridgerton's-boring)

Whilst I do love a modern injection to a period piece, There are so many things wrong with the direction and writing, and oh so obvious modern production lighting. Its just not believable. Men and women would never bathe together in a pond, or dance informally at a private party unless they were a bunch of Pre-Raphaelite Bohemians or it was a planned orgy (not the case here... but there is a TV series idea in that notion!) Furthermore, the lack of knowledge about the period , context and the class system oozes out everywhere... the overused, over familar speech "hey" (a mark of disrespect in those times) , "I'll call the authorities" implicating phone usage ( call upon, call out for, notify etc) , notable southern english accents that would be considered lower middle class/upper lower class at the time, hugging a champagne flute with your entire hand (vs holding at stem) and well bred gentle folk pointing at people (key characters and background) would be considered lower class or at least improper behaviors . That they ( are meant to) have heritage, class and money , this separates them from the other people in society, UK or USA. The make up however was a surprise, a saving grace... brava!... more period correct - barely noticable!

By keeping it period, with some modernity, the intended re telling of story would have much more punch.

Edith Wharton's unfinished 1938 novel gets a second chance as a TV series, no doubt aided by Marion Mainwaring's completion of the book in 1993, based on Wharton's notes. The literary world was split on the two versions, but were in total cahoots when chastising the 1995 BBC TV series.

Almost thirty years on and Apple TV give it a fresh life for the modern audience, but still set it in the original period of 1870, when New York social manners where on a decline (that part of it brilliantly captured on another 2022 TV series - The Gilded Age). So a group of very American kind-of-women travel to London with the excuse of finding the perfect mannered rich English husband (but really find themselves in the process!).

The first thirty minutes seemed to be doomed, with a messy and uninteresting lazy set-up, pandering to a younger hip audience. It is soon saved by Wharton's true passion and champion of women's dilemmas during the patriarchy rule of the 1870's. Unfortunately the filmmakers style leans more toward a lightweight soapy romantic drama that has a rather blunt edge, but still maintains your interest with its lavish production.