Um Visto Para o Coração

This is your usual "Green Card" story with your gay guy trying to get a green card through a fake marriage. After some drama along the way, with the lead actor a walking ad for hair mousse, everyone has a happy ending, floods of tears. The end! It was just pretty lame!

It is refreshing to discover a little film that deals with important issues and respects those issues to the point of avoiding cliché and parody. I DO was written, produced and stars the very talented (and handsome and hunky) David W. Ross who has composed a story that deals with the now newsworthy attention on Proposition 8, the Defense Of Marriage Act (DOMA), immigration issues, and the spectrum of the gay community, and from these poignant issues he delivers a touching, humorous, tart, and ultimately deeply moving film.

Jack Edwards (David W. Ross) was born in England but came to America to study Photography and is successful in his art but lacks a significant other: we get the message that he has transient affairs with men who disappoint him. We meet Jack in a restaurant where he is joining his brother Peter (Grant Bowler) and his wife Mya (Alicia Witt) to hear that Mya is expecting. The happy trio leaves the restaurant and in hailing a cab, Jack drops his wallet and when Peter attempts to find it Peter is killed by an oncoming car. Devastated, Jack assumes Peter's role with Mya and when her daughter Tara (Jessica Tyler Brown) is born, Uncle Jack helps Mya raise her (Mya is in Nursing School and needs supportive assistance). The relationship is warm and each of the three enjoys each other's presence - young Tara is utterly accepting of Uncle Jack's being gay - a fine lesson for all adults...

Jack is notified that his Visa is expiring and he must return to England unless he can find a way to attain a Green Card. A very fine councilor, Gloria (Patricia Belcher) is strict and warns Jack that unless he finds a way to stay he will be deported. The idea of getting married as a means of obtaining a Green Card is raised and Jack's close friend, the lesbian Ali Federman (Jamie-Lynn Sigler) has just been dumped by her lover Christina (Ashleigh Sumner), and agrees to marry Jack to support his staying in the US. Meanwhile Jack, who usually has one night stands with such hunks as young Craig (Mike C. Manning), meets an architect from Spain, Mano Alfaro (Maurice Compte) and the two share many traits and philosophies as well as a powerful physical attraction and they become a couple. Feeling abandoned by her soul mate, Ali decides to ask for a divorce and this creates a real crisis that must be solved. But in the end the need for real love and for family and for meaning brings this beautiful story to a meaningful end.

The cast is exceptionally fine - without exception (little Jessica Tyler Brown at times steals the show but that is due to the brilliant lines Ross has given her) - and the cameo role by Mickey Cottrell as Sam, Jack's mentor in Photography and dear friend, is particularly meaningful to the story. But one of the most important aspects of the film is the very positive light that it sheds on equality of people - gay and straight - and how that honest depiction of people of all sexual persuasions can and do live bonded by the importance of the family of man. Highly recommended.

Grady Harp

I was amazed at how badly the movie was rated. I thought it was a good movie. Its a cute movie and made me laugh a few times and almost made me tear a few. It really reminded me of my old friend who I miss dearly. It also made me smile thinking about all the fun times we used to have. The actors play the characters great and the movie has a good story. Give it a chance you might be surprised. omg why did IMDb change it that you have to write soo much? Isn't a simple i liked the movie and if you want to find out what its about read the summary or watch the trailer! Now we have to write 10 sentences what is that all about? I love movies and love to rate them but if they lock my account this will be the last review I write. Cant believe they changed this I used to write reviews all the time. Thanks IMDb for ruining your rating system!

I saw this film at the BFI film festival in London at the weekend and was not really sure what to expect but went in with an open mind, I knew from the first twist in the film after just 5 minutes that it was going to be good.

The film deals with the DOMA issue which is currently big news in the USA but less so here so faced an uphill battle to educate British audiences on the subject which it achieved with ease, The fact that this film was independently produced just adds to the warmth and feeling of the film, It makes it more intimate without the Hollywood gloss.

The film plays with emotions on very different subjects as there are several unexpected twists and turns throughout and you are left not knowing right up until the closing scene what the final outcome will be.

The film has obviously been aimed at the gay market however like only a handful others before it is strong enough in its own right to break away from the genre and become a universal film for anyone to view without the need to be labelled as a gay film.

The acting, production, location and story line is simple yet stunning and the story has stayed with me and had me looking into the DOMA cause several days later - Certainly one of the most impactful stories i have seen in a long time and cant wait to watch again, I strongly recommend this film to anyone you will be left wanting more!

The complications inequality wreaks are deftly illustrated in this highly-polished independent film by newcomer writer David W Ross. The film also comes at a time when Prop 8 and DOMA are under the spotlight so couldn't be more appropriate. I was mightily impressed with the balanced story-telling, the pacing, the high production values and the excellent acting from the cast, particularly Jessica Tyler Brown who surely has a bright acting future ahead of her.

One thing that really makes the film work is the mix of tragedy, comedy, drama and intimacy that brings through the character of the film. Nothing is straightforward in the story, and that's the point with marriage inequality. It inflicts a web of complications and pushes people to break the law to be with someone they love, which can be felt emphatically. The issue doesn't just affect couples who wish to be together, but everyone close to them.

Fortunately the film isn't just a case of watching Jack Edwards's world slowly ebb away, and the anxieties it brings; it also has very touching and humorous moments which don't descend to the farcical. It's this mixture that would bring me back to watch it again. Sure you'll have a couple moments where your eyes may well up, but it thankfully hasn't been over-baked into a Lifetime-style drama. And you will laugh, or at least chuckle at the well-timed and appropriate comedy. I'm still highly impressed by this supposedly little indie film, which punches well above its weight. Go watch it if you get the chance.