Scrooge: Um Conto de Natal

I'm a bit of a Scrooge-a-holic, always looking for new versions of the classic tale. While the animation here was quite striking, what they did with it added little to the story. A Christmas Carol is a story of redemption. This Scrooge is terrorized by the characters he encounters. After seeing his headstone, he falls into a kind of hell, ending up in his bedroom. Was this a story of redemption or an ugly assault on the senses. Because all the children looked bright eyed and healthy, even Tiny Tim, I couldn't buy into the pathos. Dickens meant the world to be a dark one because it reflected what many in Victorian England faced every day: poverty, hopelessness, and fear. Scrooge, in the original, propagated that through indifference and inaction. By the way, I found the nephew absolutely insufferable and Cratchit way too insignificant. We get little character development and some of the best parts of the story are glossed over or treated without foundation. I also found the dog silly and unnecessary.

The animation and cinematography in this movie is very good. The way they frame the pictures and what they include and exclude top notch.

Is the story the same...... essentially. But it leaves a lot to be desired since the essential cues created by Charles Dickens are all but completely void. This is like reading "The Message" bible - a paraphrase - rather than the word for word text itself. A pity because Dicken's original wording is immaculate. There's a reason that his book sold so well and touched so many, because they way he wrote it only added to the story and made it moreso.

The songs? Okay. Nice.

The length? Shouldn't really be a factor when telling a good story, but... fine.

The animators made everyone look like a Ken or Barbie Doll - painting a picture that is devoid of reality. But it was made for kids. A sort of introduction to "A Christmas Carol" for children who are not yet old enough to think.

There was backstory added (which I won't divulge) that was NOT part of the original, that DID add to the story and lend a little push to the original story. This story is warmer than the original story's. A "feel-good" kiddie version.

All in all, I like it. Not sure if it will be added to collection thought. Have let my Wife, the "Boss", give her opinion first.

It was NOT an "excellent" movie, but it sure blew away the Jim Carrey version (that was pure rubbish)!!!

If you're going to make a remake at least try and improve something. The 1970 musical is the favorite version of this story at our house so we're a bit biased. It started out more original by incorporating Dickens childhood for Scrooges but then started semi-copying the musical numbers (rushed tempos and horribly shortened). And a dog??!! Scrooge was much too mean and stingy to have ever entertained having a pet. Hollywood - please please try doing something original. A new score would have been much better to go along with all the other changes that were made. It was like they wanted to tell it a new way but then kept changing their minds and copying bits and pieces of the well done 1970 version. Those who are unfamiliar with the Albert Finney masterpiece will enjoy it I think. But for those of us who treasure that version, this was all a bit confusing.

What. The frick. Did I. Just. Watch.

This is a supposed remake of the brilliant and beautiful and loveable 1970's version of "A Christmas Carol" with Albert Finney. This completely desecrated said movie and the whole beautiful tale of "A Christmas Carol".

First of all, it is canon that Scrooge is NOT a victim of circumstance. He is an absolute miserable old miser, a crotchety old man and completely unlikeable. This Scrooge was a strange silver fox and completely TOO likeable. Scrooge is an OLD DUDE, NOT A HUNK OF BURNING LOVE. The whole point of Scrooge's character is the hope of redemption/repentance and of hard change. Not the easy "Oh wow yeah I can change" that this movie portrayed. There was no great gradual change, no resolution with Cratchit and Fred (who, for whatever reason has a totally different name??? Wth was up with that????)

Wtf is up with the dog??? There was no point. Absolutely none.

Background work? Totally lazy. Like the animators said, "oh we didn't render that so we'll just go to Doctor Strange's Astral Plane".

Also, the ghosts. Past? Annoying AF. Sweet mother of potatoes my ears are BLEEDING. Why does she repeat everything, and why does she look like a giant pile of nacho cheese? AND WHY DID SHE STEAL THE DOCTORS ICONIC PHRASE?! Uh uh, honey. Absolutely not. Why was Christmas Present so freaking WEIRD???!? And why does he directly quote the Cave of Wonders? Ghost of Future was NOT scary. He looked like a weird scarecrow, and the costume came straight from Party City.

The songs were so cringy, especially the repeated ones from the Albert Finney. Especially "Thank You Very Much" - I feel physically ill. Just use different songs, OR sing them like they were meant to in the original movie. For the love of Christmas, don't modernize it.

AND STOP TALKING DOWN TO THE AUDIENCE. WE GET THE SYMBOLISM. YOU DONT HAVE TO SHOW US EVERY FRICKIN THING AS A PARALLEL IN THE SKY.

Pros: Luke Evans has a very pleasant, beautiful voice.

Cons: everything else. I am Scrooge. Humbug.

Homage to Roald Neame version of Scrooge, it is , for CGI more, a seductive animation inspired by the classic novel. And, sure imaginative at whole, reminding the good tastes of the fascinations specific to childhood.

I like Prudence , against the strange idea about a Scrooge as owner of a pet, I admire the scene about connection , in past, between Robert Cratchit and Ebenezer, like the inspired option for Jonathan Pryce for ghost of Jacob Marley, remembering the old beautiful work of Alec Guinness in the original version.

It is unfair to critic it . First, because it is a new demonstration of hard work with a not significant budget and about large possibilities offered by technology today. Second, because i am too old for critics. My favorit options are in the past . And this correct , imaginative, seductive Scrooge, like a noble hommage to work for 1970 Scrooge, has the beautiful virtue to remind, in fair manner,the splendid art of leslie bricusse.