The Sixth Commandment

I can't remember having watched such compelling drama in a very long time. The pacing is superb - a slow ratchet towards the climax of the jury's verdict.

What makes it work is a combination of brilliant performances and scripting together with the constant, horrible knowledge that this is a true story. This may be Timothy Spall's greatest performance in a splendid career, which is saying something. Every actor, though, delivers, even those in the minor roles.

One unusual achievement of this four parter is a shift in style. It begins as an indescribably tense psychological drama, rather like The Talented Mr Ripley. In part 3 it shifts to more of a police procedural, but manages to maintain the tension.

You will almost not want to watch, but find yourself compelled to. At the end I found myself exhausted and, I'm not ashamed to say, with a tear in my eye.

Wow, wow and more wow.

You watch Timothy Spall in something and go...what a good performance...and then you watch this. Wow! It has award stamped all over it.

Anne Reid, who I think is one of the UK's much underrated actresses, shines like a supernova in her portrayal of Anne.

Éanna Hardwicke? Yes, I know. I haven't heard of him either. Wherever he's been hiding then this superb creepy, manipulating, hazy devil's portrayal is absolutely top notch and you should be seeing more of him no doubt.

The remainder of the cast put in fabulous performances in this four part excellently written and paced "true story".

You MUST watch this. This makes the Licence Fee top value.

A well done 4 parter, despite many omissions.

But I read that many things had to be omitted , just to fit into the allocated time. But surely even 1 line of dialogue would have sufficied instead of omission.

No mention of how the murderer got hold of psychotics, or why medics would not test for psychotics on first reports of symptoms.

The weakest part for me was the portrayal of the start of the fake relationship between the murder and first victim, quite not credible , although later parts of the script partly explain.

Unclear exactly how the murderer had some hold or influence over Martyn Smith.

One puzzling thing. What is the significance of the many shots of the clock tower, and tolling bell, in the last two episodes. Wasted moments maybe could have been used for wider dialogue about the omissions.

Strong performance by all the leads, and Éanna Hardwicke is positively creepy in this role, even down to the manufactured accent, which only slips in one few-seconds scene.

Marvellous to see Anne Reid, Timothy Spall, Sheila Hancock giving their all.

I wasn't quite sure whether to watch this or not, as I had seen the disturbing documentary on the case that had been on television recently, so I thought I was too familiar with the story for it to have any real impact.

I was wrong. This is a great production, with top-notch acting and and a marvellous script that draws you into the story and brings to life all the information that was contained in the documentary and enhancing it. I was thoroughly engrossed throughout the four episodes and the case gets more chilling the more you learn about it.

So, even if you may already feel your over-familiar with this horrific tale, I recommend that you give this series a go and it will not disappoint you.

Sadly this is based on a rather horrible case that viewers in the UK will almost certainly remember. Its written by Sarah Phelps, well known for her series of Agatha Christie adaptations on the BBC in recent years. It was made with the full permission of the victim's families.

Its a quietly effective and moving drama which is a sometimes difficult and uncomfortable watch. Very well-written and made.

The use of hand-held camera gave it a documentary feel at times. For me it was very much an actor led piece and this is its greatest strength. The three principals, Tim Spall, Anne Reid and Eanna Hardwicke all deliver big time with understated and nuanced performances.

One of the strongest UK dramas of 2023.