Azul e Não Tão Rosa

When i started to watch this movie, it captured my attention since the first minute. Is one of those films I enjoy from the beginning and the more I watch the more I am interested to every scene not because of its simplicity but also well directed and very objective and clear in every form of expression. It blew me away and I felt it authentic, realistic and i did not skip any scene because all of them were full of drama, comedy, romanticism, passion, surrender, love, compassion and originality! Miguel Ferrari brought in me so many reasons to believe in love not as a part of a separate individual but as a whole in a society where hate is still there specially in Latin America society where the macho stereotype is still visible and prejudices are the instruments to make it continue in this world. I also loved the relationship between a gay father and his teenage son where the different events of life in this drama made their relationship stronger found by love, understanding and trust. I really enjoyed this movie a lot!

A different perspective of the LGTBI world which captures the view of a situation in which reconciliation, acceptance and tolerante and self-esteem are the key to live in harmony and love with yourself and loved ones

Spoiler: It made me cry (in a good way). A lovely movie with an important message about love and acceptance.

It was well acted and some of the scenery was spectacular.

I'm not very fan of Venezuelan movies, basically because most of them are about the same people and have the same plot: Crime in Caracas' poor zones(barrios).

This one, is one of the few jewels of Venezuelan cinema that shows another face of the life in this country. Miguel Ferrari takes a risk in writing and directing a movie about gay love (as his first movie) in a country which is divided in its opinions about the whole "gay" subject and which is pretty more traditionalist and conservative than other Latin countries, like Mexico or Argentina, where they actually debate the topic of gay marriage. Venezuela is pretty years away from having a serious discussion of the "gay rights" topic on a governmental level. At street level it's the same: Hate crimes against gay or transsexual people are quite common and other types of discriminations are always present in every level of life. Miguel Ferrari writes and directs a story about just that subject: Gay love, discrimination and hate crimes, even knowing that it would shorten its public, but he does it in such a way that achieves to get the topic in everybody's mouth.

The art direction is great. So is the music score. As soon a the very first scene hits the screen you realize you are about to see quality material where the sound, music and photography is taken care of. The characters are well drawed and believable in every possible way. The tone of the movie is very challenging for viewers used to fast-action films, but the director achieves in creating slow moments that can get to your heart and avoids the "boring effect" that slowly-pased movies tend to cause.

The secondary topics of the movie (Transgender, domestic violence, anorexic people and people not pleased with their bodies) are also well portrayed with humor, drama and a message to the audience. But as one chartacter of the movie points out by saying "I'm going to talk about diversity" This movie is actually about diversity, and the different types of love one feels in one's life: The love to your friends, the love to the family, romantic love, love for your job and the love to yourself.

A beautiful film from Venezuela. The title actually translates as "Blue and Not So Pink," but has been dumbed down to "My Straight Son." The movie is an exploration of things we wish were different and how we deal with them - be they the tragedies of life, first love, gender identity, physical appearance, bad relationships, or self-confidence. Every character offers a different element that they struggle with and their own unique solution. The film wraps it up in wonderful, believable relationships and intelligent dialogue. The plot takes you a bit all over the place, but the story never looses your attention. The actors are all uniformly brilliant and the emotion is genuine. Courageous and heartwarming, this is meaningful work and well worth anyone's time. One of my favourites.