AVALIAÇÃO DA IMDb
6,1/10
10 mil
SUA AVALIAÇÃO
Um irmão e uma irmã retornam à casa de sua família em busca de seus pais que desapareceram.Um irmão e uma irmã retornam à casa de sua família em busca de seus pais que desapareceram.Um irmão e uma irmã retornam à casa de sua família em busca de seus pais que desapareceram.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
Mackenzie Brooke Smith
- Young Annie Fang (age 9)
- (as Mackenzie Smith)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
the basic virtue - it is an ambitious, interesting and original film by Jason Bateman.and, for him, it is a real good point. in same measure, it is an inspired analysis of parenthood. not the last, the good performances( especially the reasonable younger Caleb of Jason Butler Harner).
the sin - fragile balance for define the art as pretext for control of life of family.the roles are straitjackets. the thin line between comedy and drama.the sketches of immaturity, credible but not convincing.
short, a good film. especially for reflect. about family, its foundation , its values and the parenthood as significant part defining it.
the sin - fragile balance for define the art as pretext for control of life of family.the roles are straitjackets. the thin line between comedy and drama.the sketches of immaturity, credible but not convincing.
short, a good film. especially for reflect. about family, its foundation , its values and the parenthood as significant part defining it.
After 'Bad Words', Bateman the director appears to be heading in the right direction and takes on a more ambitious, layered project. This film deals not only with a dysfunctional family, a concept that has fascinated American cinema ever since American Beauty, but also with the relation between art and life. Thematically, the family ensemble has been portrayed more incisively in the recent past (The Squid and the Whale, to name just one example with a similar character ratio), but the manner in which relationships are blurred and redefined here gives Fang a captivating spin.
We are presented with two seemingly wayward, middle-aged siblings who, it turns out, grew up in a tradition of 'intempestive art'. Alongside their eccentric parents, they enacted hoaxes of different scales in front of onlookers who were not in on the game - all with the aim of eliciting life out of the an otherwise mundane, controlled existence. As an accident reunites the family, which had drifted apart in the mean time, tensions persist, culminating when the parents disappear and the obvious question is asked: is this just another hoax?
The story works primarily because Kidman (Annie) and Bateman (Baxter), child A and child B, as their parents called them, convey an understanding that does not require explanations. It's the kind of sibling relationship that draws from so many shared experiences, joys and traumas that it defines a common frame of existence which time has difficulty in erasing. Similarly, we as an audience draw the faith required to suspend our disbelief from the energy the two control when on screen together. The questions pertaining to the philosophy of art, its authenticity and veracity, are interesting to ponder, but they only provide the backdrop to what Annie and Baxter have going on. The point of convergence between the two themes is that of control - its purpose in art, its purpose in relationship building.
This is fascinating, as control is so inherent to anything that happens in the early years within a family: the setting of constraints to the socially unrestrained spirit of childhood. It does not have to be coercive, but it is a matter of natural imprinting that occurs along the way, whether overtly or not. As adults, the struggle becomes to establish what we can (and should) control and what we need to let run freely. The mantra their father had instilled in Annie and Baxter emphasized the idea that by staying centered, one can let the surrounding chaos sweep over and past you. A lot of the time it's easier said than done. We also see that different people need different things in order to express themselves - a given, sure, but finely synthesized in Annie's qualms as an actor and Baxter's writer's block.
Where the story does fall a bit short is in the resolution. In a way, it's predictable and boring, but it's also inevitable. Inevitability is usually a good thing to have in an ending, especially in one dealing with the nature of art. Still, a stronger build up and a more resolute finale would have turned Family Fang into a really memorable piece of work. As it stands, it overemphasizes the idea that unrestrained (performance) art comes at a hidden cost both to those involved and to those affected by it. That it becomes hard to keep art and life contained. And, surely, that the price for this is too high.
Nonetheless, my newly found penchant for movies about siblings really let me enjoy this story. Perhaps just a bit more than I should have, but that's thanks to how authentic Annie and Baxter feel and the depth they lend to the experience.
We are presented with two seemingly wayward, middle-aged siblings who, it turns out, grew up in a tradition of 'intempestive art'. Alongside their eccentric parents, they enacted hoaxes of different scales in front of onlookers who were not in on the game - all with the aim of eliciting life out of the an otherwise mundane, controlled existence. As an accident reunites the family, which had drifted apart in the mean time, tensions persist, culminating when the parents disappear and the obvious question is asked: is this just another hoax?
The story works primarily because Kidman (Annie) and Bateman (Baxter), child A and child B, as their parents called them, convey an understanding that does not require explanations. It's the kind of sibling relationship that draws from so many shared experiences, joys and traumas that it defines a common frame of existence which time has difficulty in erasing. Similarly, we as an audience draw the faith required to suspend our disbelief from the energy the two control when on screen together. The questions pertaining to the philosophy of art, its authenticity and veracity, are interesting to ponder, but they only provide the backdrop to what Annie and Baxter have going on. The point of convergence between the two themes is that of control - its purpose in art, its purpose in relationship building.
This is fascinating, as control is so inherent to anything that happens in the early years within a family: the setting of constraints to the socially unrestrained spirit of childhood. It does not have to be coercive, but it is a matter of natural imprinting that occurs along the way, whether overtly or not. As adults, the struggle becomes to establish what we can (and should) control and what we need to let run freely. The mantra their father had instilled in Annie and Baxter emphasized the idea that by staying centered, one can let the surrounding chaos sweep over and past you. A lot of the time it's easier said than done. We also see that different people need different things in order to express themselves - a given, sure, but finely synthesized in Annie's qualms as an actor and Baxter's writer's block.
Where the story does fall a bit short is in the resolution. In a way, it's predictable and boring, but it's also inevitable. Inevitability is usually a good thing to have in an ending, especially in one dealing with the nature of art. Still, a stronger build up and a more resolute finale would have turned Family Fang into a really memorable piece of work. As it stands, it overemphasizes the idea that unrestrained (performance) art comes at a hidden cost both to those involved and to those affected by it. That it becomes hard to keep art and life contained. And, surely, that the price for this is too high.
Nonetheless, my newly found penchant for movies about siblings really let me enjoy this story. Perhaps just a bit more than I should have, but that's thanks to how authentic Annie and Baxter feel and the depth they lend to the experience.
Based on the 2011 novel of the same name by Kevin Wilson, 'The Family Fang' by Jason Bateman, is a wonder of a film. No kidding, this is a sublime film, about family & the importance of parenthood. This One's A Near-Perfect Comedy-Drama!
'The Family Fang' Synopsis: A brother and sister return to their family home in search of their world famous parents who have disappeared.
'The Family Fang' is a quietly devastating film, on how important it is to be a good parent, in order to raise their children sane. In here, the unsettled protagonists (Bateman, Nicole Kidman, in Pure Oscar Peak Form), are a victim of unusual parents (Christopher Walken & Maryann Plunkett, both brilliant). They are not your regular parents, they are attention seekers, who find Art in the Reality of Life. They put up gigs (not even one of which shows any signs of entertainment, but of rather fright) & they swear to live by it, in extreme measures. Its a devastating journey to see this family so distort, torn between love, commitment & art.
David Lindsay-Abaire's Adapted Screenplay is superior in all terms. 'The Family Fang' is essentially a comedy, with some dark, dramatic undertones. I was engrossed & heartbroken by the struggle of its scarred protagonist. 'The Family Fang' is about artistry gone too far & how a family is only a family, when you treat it like one. Bateman's Direction is Brilliant. He takes charge of the narrative & doesn't let you go. Take a bow, Mr.Batemen!
The Fangs aren't particularly normal, but nor is their journey. Don't Miss It!
'The Family Fang' Synopsis: A brother and sister return to their family home in search of their world famous parents who have disappeared.
'The Family Fang' is a quietly devastating film, on how important it is to be a good parent, in order to raise their children sane. In here, the unsettled protagonists (Bateman, Nicole Kidman, in Pure Oscar Peak Form), are a victim of unusual parents (Christopher Walken & Maryann Plunkett, both brilliant). They are not your regular parents, they are attention seekers, who find Art in the Reality of Life. They put up gigs (not even one of which shows any signs of entertainment, but of rather fright) & they swear to live by it, in extreme measures. Its a devastating journey to see this family so distort, torn between love, commitment & art.
David Lindsay-Abaire's Adapted Screenplay is superior in all terms. 'The Family Fang' is essentially a comedy, with some dark, dramatic undertones. I was engrossed & heartbroken by the struggle of its scarred protagonist. 'The Family Fang' is about artistry gone too far & how a family is only a family, when you treat it like one. Bateman's Direction is Brilliant. He takes charge of the narrative & doesn't let you go. Take a bow, Mr.Batemen!
The Fangs aren't particularly normal, but nor is their journey. Don't Miss It!
This is a very good work of fiction, well represented on the screen by Jason Bateman (who starred and directed it) and his stellar cast.
It's the story of a unusual family: you will find the story truly original, not only in its premises or in the sequence of events but also because in the end you'll be left without any moral teaching: everything will seem possible and acceptable.
I found it interesting but, to be sincere, not really catching or entertaining. If you are looking for a Comedy I'm afraid you'll be disappointed. If you think you are going to watch a drama you'll probably find it poorly moving. If you want to see something original, on the contrary, you could be satisfied I guess.
It's the story of a unusual family: you will find the story truly original, not only in its premises or in the sequence of events but also because in the end you'll be left without any moral teaching: everything will seem possible and acceptable.
I found it interesting but, to be sincere, not really catching or entertaining. If you are looking for a Comedy I'm afraid you'll be disappointed. If you think you are going to watch a drama you'll probably find it poorly moving. If you want to see something original, on the contrary, you could be satisfied I guess.
This movie was so different compared to any movie I've seen this year, and for a while! It takes us into the mind of a celebrity and how they stage things and work their way to do anything to make art/acting look so real. It was was beautifully done, but definitely not for the faint of heart.
Directed by Jason Bateman and starring Jason Bateman, Nicole Kidman, Christopher Walken and Maryann Plunkett. The plot involves the story of Caleb Fang and Camille Fang, two actors who do things things for a living by hoaxing and staging almost every situation. They have brought up their 2 kids Baxter and Annie Fang into these situations. The kids decide to go their separate ways and back away from their parents "celebrity" lifestyle. Years later they get a call from their parents asking to meet up. They decide it's a good idea and meet up with them. After a huge falling out with their parents officers arrive at the door saying their parents have died. Is it another hoax or is it for real? As stated above, this movie is so different and so true in many aspects. The acting is brilliant (especially from Kidman and Walken.) Kidman's character acted like a child at heart and she did not act her real age at all! Walken was very scary and very nasty as the father. An extremely disturbed man. It takes you into the eyes and mind of a celebrity, such as pretending to fake run in public for better publicity appearances, pretending to eat healthy, pretending a fan is not near you, and most of all...pretending to be normal. Celebrities dragging their children into a sick, twisted, fake game is what this story is about...and as disturbing as that is....it's actually true for a lot of celebrities! It's not exactly a comedy movie. It's more of a Drama movie. It's really hard to watch this. You get to experience the reality of what people/kids have to go through just to be a celebrity!
All in all, i can't say I had fun watching this, but it was definitely a great, original idea and was brilliantly executed! Jason Bateman's directing and even acting gets better by each movie. 4/5 stars 8/10. Autistic Jay
Directed by Jason Bateman and starring Jason Bateman, Nicole Kidman, Christopher Walken and Maryann Plunkett. The plot involves the story of Caleb Fang and Camille Fang, two actors who do things things for a living by hoaxing and staging almost every situation. They have brought up their 2 kids Baxter and Annie Fang into these situations. The kids decide to go their separate ways and back away from their parents "celebrity" lifestyle. Years later they get a call from their parents asking to meet up. They decide it's a good idea and meet up with them. After a huge falling out with their parents officers arrive at the door saying their parents have died. Is it another hoax or is it for real? As stated above, this movie is so different and so true in many aspects. The acting is brilliant (especially from Kidman and Walken.) Kidman's character acted like a child at heart and she did not act her real age at all! Walken was very scary and very nasty as the father. An extremely disturbed man. It takes you into the eyes and mind of a celebrity, such as pretending to fake run in public for better publicity appearances, pretending to eat healthy, pretending a fan is not near you, and most of all...pretending to be normal. Celebrities dragging their children into a sick, twisted, fake game is what this story is about...and as disturbing as that is....it's actually true for a lot of celebrities! It's not exactly a comedy movie. It's more of a Drama movie. It's really hard to watch this. You get to experience the reality of what people/kids have to go through just to be a celebrity!
All in all, i can't say I had fun watching this, but it was definitely a great, original idea and was brilliantly executed! Jason Bateman's directing and even acting gets better by each movie. 4/5 stars 8/10. Autistic Jay
Você sabia?
- CuriosidadesNicole Kidman's father Antony Kidman visited her on set in New York. However, tragically, his visit was the last time they saw each other, before he passed away in September 2014. In a scheduling coincidence, the film held its world premiere on September 14th, 2015, exactly the date on which he passed away the year earlier.
- Erros de gravaçãoWhen she arrives home there is 5 messages on phone. She listens only to 4, ignoring the last one. It could be vital.
- Citações
Baxter Fang: Don't be afraid. Own the moment. If you're in control then the chaos will happen around you and not to you.
- ConexõesFeatured in Half in the Bag: 2016 Movie Catch-up (2016)
- Trilhas sonorasI've Seen All Good People: A. Your Move. B. All Good People
Performed by Yes
Written by Jon Anderson, Chris Squire (as Christopher Squire)
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- How long is The Family Fang?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- The Family Fang
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 262.921
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.506
- 1 de mai. de 2016
- Faturamento bruto mundial
- US$ 649.555
- Tempo de duração
- 1 h 45 min(105 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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