O ex-motorista de fuga Charles Bronson põe em risco sua identidade no Plano de Proteção à Testemunha, para ajudar sua namorada a chegar a Los Angeles. Os federais e o antigo bando de Charles... Ler tudoO ex-motorista de fuga Charles Bronson põe em risco sua identidade no Plano de Proteção à Testemunha, para ajudar sua namorada a chegar a Los Angeles. Os federais e o antigo bando de Charles os perseguem pela estrada.O ex-motorista de fuga Charles Bronson põe em risco sua identidade no Plano de Proteção à Testemunha, para ajudar sua namorada a chegar a Los Angeles. Os federais e o antigo bando de Charles os perseguem pela estrada.
- Prêmios
- 1 vitória no total
Avaliações em destaque
I don't really know how I feel about it.
Its not a bad movie, per se. I certainly didn't have a bad time. I was just puzzled at what I had just watched. Its a gooey rom-com with a few intense car chase sequences, peppered with raunchy dialog. Just... so weird! I'll give credit to Dax Shepard for making a totally original slant on an otherwise overdone plot line.
But then, once you get past the plot, it gets weirder. The acting, for the most part, is decent. But sometimes, it gets downright terrible. Take for instance, Tom Arnold. He literally shouts his entire dialog and spends most of the movie running wildly around screen with a gun in his hand. Why? I have no idea. Were they going for absurdist humor with that character? or was Tom Arnold just coked up? Whatever the reason, I grew to hate his character... a lot.
Then, literally, for no reason whatsoever, we get two scenes involving the main characters stumbling into an elderly orgy. What on god's green earth was that all about? Its as if the movie was spliced together with outtakes from a Sacha Baron Cohen movie, and they figured it would be so shocking, that it just had to be in the movie for a good laugh. It just sat there, dead on screen, in its wrinkly birthday suit. I didn't laugh.
Alright, enough with the questions. Lets get down to business. I thought the movie potentially worked and I did laugh more times than I ever thought I would. There is some really funny stuff in here, and its worth checking out to catch them all. I liked Dax Shepard, considering that he was channeling an Owen Wilson type performance. Kristen Bell is always a pleasure to watch watch on screen. We also get a delightfully bizarre performance from Bradley Cooper that entertained me a whole lot. Especially the scene at the supermarket... what an absolutely fantastic scene that was.
All in all, Hit and Run is hit and miss, and definitely surreal at times. But not a bad outing at the movies.
Dax Shepard, the male lead, actually does surprisingly well as a writer and director. Better than you'd think. In one word, this comedy has great 'balance'. The humor is centered a lot around contemporary social issues like political correctness and its abuse, and Shepard gives in a really good shift of managing to expose the silliness of the whole debate while not really piking any side outright and juggles well with both positions in a way that's properly comedic and fun. The character played by Bradley Cooper is characteristically hilarious in that same sense, he's this tree-hugging eco-friendly extremist psycho who acts as a spoof and as proper plot material at the same time.
Some scenes are genuinely funny, a couple proper hilarious, and all in all it's very well paced, very well constructed, dialog as explained is witty and balanced (not too cute, not too thick), the characters are funny and believable despite being like comic book characters, and there's good attention to detail, everything is spelled out or made totally obvious.
Very pleasantly surprised: 7.5/10.
The plot is almost unimportant. It's just an excuse for Dax to have some fun with his car. Dax and Kristen seem to have a lot of fun. That chemistry saves this mess. Tom Arnold is incredibly annoying. There's also Michael Rosenbaum and Bradley Cooper plus many many other characters.
There was one funny scene of hilarious talk of prison rape worthy of a Tarantino script. Other than that, you'd have to really love cars or Dax driving the cars.
Você sabia?
- CuriosidadesThe budget for this film was about two million dollars. Half of that was to secure music rights.
- Erros de gravaçãoDuring one of the car chases, the CTS-V Wagon is sliding on a gravel road, yet the sound of squealing tires has been added. Tires don't squeal on gravel.
- Citações
Yul Perrkins a.k.a. Charles Bronson: Take three deep breaths. This is the only moment you need to be worried about. There's no yesterday. There's no tomorrow. There's just right now. You're not late for anything, and you're going to miss anything. You're exactly where you're supposed to be... and you're exactly who you're supposed to be. You're absolutely perfect. And whatever happens today is exactly what's supposed to happen... and if you want, I'll spend every moment with you for the rest of your life.
Annie Bean: Okay. I want.
Yul Perrkins a.k.a. Charles Bronson: You're going to have a wonderful day today. You don't have to be nervous about anything.
Yul Perrkins a.k.a. Charles Bronson: Okay. I'm not.
Annie Bean: You promise?
Yul Perrkins a.k.a. Charles Bronson: Yeah. Thanks buddy.
- Cenas durante ou pós-créditosDuring the final credits there is an additional scene depicting the job interview that was the point of the whole road-trip.
- ConexõesFeatured in The Big Review: Summer Trailer Park Series (2012)
- Trilhas sonorasFever
Written by Ishmael Jingo
Performed by Ishmael Jingo
Published by The Estate of Ishmael Jingo
P1974 Afro Rock
Courtesy of Kona on behalf of
The Estate of Ishmael Jingo
Principais escolhas
- How long is Hit and Run?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Golpe y fuga
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 13.749.300
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.526.222
- 26 de ago. de 2012
- Faturamento bruto mundial
- US$ 16.816.647
- Tempo de duração1 hora 40 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1