Os Sabores do Palácio

Being the president's chef at the Elysée Palace is of course an honour which compares to nothing else. No woman has been worthy of the title before. Not until now.

No surprise she gets difficulties from male colleagues. No matter she retaliates by the most complicated receipts, although the president says he longs for simple food from his childhood. It's almost parodic and makes you long for something from the fridge.

A rather common against-all-odds flick. You know what will happen and it happens. And you will think twice before you enter a good French restaurant again. You're not worthy

In this movie, we follow the steps of a woman chef that is proposed to be the personal cook of the French president. Of course, the main theme is cooking and the movie is an ode to a certain cooking, taking time, carefully selecting ingredients, that denotes personality.

A second interpretative framework is added to that - and makes seeing the film worthwile. We are indeed put in the wings of power. Of course, not the one of the politic advisers,, of the lobbyists, ... But from the kitchen, we can still smell the battles of influence (symbolized by the one with the central kitchen), the reluctance of change (a woman chef?), standardization and optimization against quality and taste (choice of ingredient, nutritionist against the chef cooking, ...), and finally the wear and tear power implies.

Catherine Frot and Arthur Dupont are displaying their talents in this movie (I'm more reserved about Jean d'Ormesson's performance but what else could be expect from him?).

In conclusion, a nice movie, it will not go down in history, but you will spend a nice moment. (A final note: do not watch it hoping to learn about Mitterrand, that is not what you'll get)

I've only seen Catherine Frot in one other movie--Coline Serreau's stunningly complicated CHAOS and she was marvelous. So when HAUTE CUISINE showed up on Netflix, I jumped at it. I love movies about food--WHO IS KILLING THE GREAT CHEFS OF EUROPE?, BIG NIGHT, MOSTLY MARTHA, EAT DRINK MAN WOMAN, BABETTE'S FEAST. They almost always manage to find humanity, absurdity and gently funny moments associated with food. Based on the real story of the first female chef who comes to cook for President Mitterand at the Elysee Palace, HAUTE CUSINE is a sweetly earnest story of Hortense Laborie, a fine French cook who is pulled away from her truffle farm in France to become the personal chef of the French president. Along the way she will encounter the petty and mean-spirited competition from the all-male kitchen that serves the palace, as she works tirelessly to provide the President with the foods he remembers from his childhood. The story is told in flashbacks as Hortense s finishing up a year-long stint as a cook for a research group in Anartica.

What makes the film work is the casting of Catherine Frot as Hortense. This superb actress gives Hortense a tense, focused and convincing believability. Horrtense arouses total loyalty from her sous chef and maitre'd as the palace personalities around her make life often rather difficult. Losing her calm only once, Frot has a confrontation in the movie that is a very satisfying answer to the pettiness she is surrounded by at the Palace. It is in stark contrast to the grateful affection she is shown by the men she cooks for every day in coldly forbidding Anartica.

HAUTE CUISINE is a quiet film of disarming charm. It doesn't break new ground, but it is a very satisfying movie which Catherine Frot at its center. Some have complained here that is a trifle and I'm not entirely disagreeing, but it is a movie worth seeing. I know I'll be seeing it again.

The subject is OK and unfamiliar and 'Scope Eastmancolor production values are handsome - the close-ups of food are near obscenely gorgeous.

Catharine Frot and the cast (largely unfamiliar abroad, even with Hipolyte Gyradot in there) impress though the eighty five year old TV personality fronting as President of the French Republic does seem a bit too fragile and we have to wonder about the accent of the Australian TV reporter pursuing Catharine. The Elysses Palace and the remote Iceland expedition are intriguingly shown.

However we are left wanting the revelation, which they build up cross cutting the two situations, and it never arrives, stopping this from being more than a pleasant enough offering for the LADIES IN LAVENDER audience.

Movies and food get on very well, and no doubt "Les saveurs dans le Palais" is no exception. There's a strange magic in movies dealing with cooking and when I come across a movie like this I always feel fascinated and relaxed. In this case the creation of good food is in the hands of Hortense Laborie, who works in the kitchen of the Elysee Palace, but she is able to put the same passion when she is cooking in a South Antartict base. In both settings she shows the same love for food, for looking for good food. Undoubtedly, the most charming part is the one set in the Palace, where we can see, almost smell the fragrance of her dishes, made of highly selected ingredients, although never lacking a home-made touch. And this is the most appealing part of the movie, which for the rest lacks something in terms of psychological insight of the characters. Hortense herself stands up for her passion for food, and indeed cooking is the only means other characters and we as viewers have to get in touch with her. From the beginning till the end she remains mysterious and a little detached from others, always ready to leave when she starts to put down roots. In general, the movie seems too focused on the preparation and the exaltation of wonderful dishes, that everything else seems not to deserve that same attention. But this is a typical feature of movies like this, and also its strong point, I was fascinated by Hortense preparing, and earlier by her describing the recipes, by her naming each ingredient accompanying it with its provenience, and then, of course, by her realizing the recipe as if it were a work of art. In the end, a pleasant picture to see ... and to taste.