Inkaar

Director is very firm on what he wanted to show. Surprisingly good acting by Arjun Rampal. Liked the plot. Director is successful in making audience glued to seat to know the result. Story is really neutral and being a corporate employee, you will find yourself somewhere in the film. On top of that the subject is picked at very right time as similar kind of news are being gossiped in society. I am very sure that it wont be a blockbuster as audience nowadays demands only "Masala" and time pass movies instead of quality movies. Although this movie demands corporate class of audience, anyone can see this just to feel the politics that goes on in private sector.

But Kudos to the team for making such effort.!!!

Okay, the film isn't bad, and it's really quite watchable mainly thanks to its interesting narrative and main cast, who aren't great but are all quite competent in their roles. Sudhir Mishra does a fine job which isn't surprising considering the experienced director he is, but still, the entire thing ultimately doesn't gel. Yes, the film is watchable through and through, the cinematography is good, and the entire track of the dynamics of office politics mixed with office romance is done pretty well, and the viewers are likely to find themselves torn between the two versions presented by the man and the woman in the midst of her complaint of sexual harassment against him. The flashbacks unfold pretty well, but you sort of wish the writers had been a little braver in their decision taking other than try to accommodate commercial pressures.

The two leads are obviously incredibly good looking and the cast in general includes several highly familiar faces which is definitely a bonus. Arjun Rampal is a successful fit for the part of the main lead - he is charismatic and does exceedingly well in registering the character's many facets. Chitrangada Singh is not quite as strong, and even though she is very pretty and attractive, she is sadly never forceful enough even if some moments are better than the others. Obviously Deepti Naval can always be counted on to be never less than excellent, and she is a great addition here. Even to see Rehana Sultan is nice after years even if she has moments on screen. The ending is slightly disappointing, as it ultimately succumbs to the commercial format. Inaar is without a doubt a vert watchable film overall, but let's say more could have been done.

Inkaar (which translates to "Refusal" in English) is a 2013 Hindi film written and directed by renowned Indian filmmaker Sudhir Mishra. Inkaar stars Chitrangada Singh and Arjun Rampal in the lead roles. While this is the third Sudhir Misha film that stars Chitrangada Singh in the lead— the other two being Hazaaron Khwaishein Aisi (2003) and Yeh Saali Zindagi (2011)—it's the first time that Arjun Rampal has teamed up with Mishra.

In Inkaar, Sudhir Mishra puts the spotlight on the highly contentious issue of sexual harassment in corporate circles. The movie tries to define the term "sexual harassment" by highlighting the complexities associated with it. The greatest challenge is to draw the line between flirtation and harassment. Once that is taken care of the next challenge is to fathom the reality that, contrary to the popular belief, both the sexes are equally prone to sexual harassment. And that's where the subjective element comes into the picture. Who's the victim? Who's the accused? Thus, it becomes a real nightmare situation to deal with. As a senior female lawyer aptly describes in the movie, "It's often much easier to prove rape than sexual harassment". The story of Inkaar presents one such case of alleged sexual harassment.

As the hearing progresses, it becomes more and more difficult to discern who is speaking the truth and who is not. While the versions of the accused and the victim only differ slightly there is enough deviation to perplex the most astute of minds. The manner of proceedings, though completely alien to Indian cinema, is strikingly similar to Japanese filmmaker Akira Kurosawa's groundbreaking masterpiece Rashomon (1950), which is widely regarded as a cinematic treatise on the subjectivity of truth.

Overall, Inkaar despite its flaws is a commendable work of cinema that brings to the fore some serious issues concerning the corporate culture. Through the microcosmic world of an advertisement agency, Mishra presents to us the pitiful tale of human detachment that's slowly becoming a reality. Inkaar is brilliant from the technical point of view. The editing is absolutely brilliant and the same can be said about its music. The acting is above average. Mishra elicits a remarkably strong performance from Arjun Rampal. Chitrangada Singh is ever so delightful as the dusky, sensual Maya Luthra. Deepti Naval cameo is a major highlight of the movie. Apparently, Naval replaced Mishra's ex- wife Sushmita Mukherjee who, because of her tight television schedule, failed to spare any dates for the movie. Saurabh Shukla makes his presence felt in an interesting item number that he gets to perform in the movie. The lead actors get good support from the supporting cast. Inkaar with its slow character development, ambiguous themes, and deceptive direction is ought to disappoint an average viewer whose sole purpose is entertainment, but an intelligent viewer who is patient enough to wait for the different layers to slowly get unwrapped will be rewarded. 7.5/10

A more in-depth review can be read at:

http://www.apotpourriofvestiges.com/

I wasn't much impressed by last week's Matru Ki...'s complex dialogs and the story. So I hopped into a corner with my partner and tried to perceive Sudhir Mishra's latest.

After watching some classics by him and most recently "Yeh Saali Zindagi," I was expecting hell of a lot of things from him and the sexy cast.

Lo and behold, a wonderful topic of sexual harassment (at the wake of Indian dilemma of what to do with harassers, rapists & offenders) to choose for a movie and not-so-bad story but what lacks and probably why it didn't work out for my partner was she thought the topic was taken to a state of hyperbole. While, I enjoyed the intricacy, but hated the characterization and their levels.

"There is something towards the end that makes you hate it" well that is what she said and, "There is something towards the end that makes you love it" was my verdict.

Music is charming, direction is good, story is good and rest all film- making factors are average. But what I had expected and what should have probably worked for INKAAR is its lead actors furnishing a real deal rather than self-absorbing a competitive and bumptious outlook throughout the movie. While we know office politics need that type of arrogance and pompousness, but... all the way till home - they are just actual spoilers and result of bad thinking.

At the end of the day, Inkaar is for "give-it-a-try-we're-rich" type serious cinemaholics and not for the "let's-watch-a-movie-and-have-fun" crowd.

The thing I adore the most is it's brilliant narration and anti-climax induced metaphor. Absolutely stunning lead players! Deepti Naval is better and dynamic.

My partner's rating: 7.5/10 | Mine: 9/10

WATCH OUT FOR: the office kinkiness

Can be watched with a typical Indian family? MAYBE!

Language: Strong | Sex: Mild | Nudity: Mild | Foreplay: Very Strong | Smoking: Mild | Alcohol: Strong | Mouth-Kiss: Mild | Drugs: Very Mild | Violence: Mild

I won't say that it is a must watch movie, but it is worth it to watch this movie. This movie has so many good things that i recommend every one to watch it.

The casting was too great, they also acted pretty good also. The best part of the script is that it shows two whole different point of views. In real life this happens all the time. People acts and thinks differently from the same situation.

Overall, the movie is full of suspense. The story turns so quickly that you cannot do anything else except enjoying the movie.Hope that you also like the movie :)