O Natal dos Amigos Indiscretos

Best Man's Holiday, is a timely-well written and acted movie. It touches on so many social issues people are going through in the now. It is surprising how emotional involved you will be caught up in scenes. It's a roller coaster of highly amusing moments on second, followed by an altar call of your conscience reflecting on unresolved past issues the next. The movie will have you unexpectedly grabbing for popcorn salt covered napkins to use on tear ducts, then laughing so hard followed with, "what if -, thank you, goodness (smirk)…,you have got to be kidding me and oh YES (I know that's right)," moments. And then more need of those crumpled salt and oil napkins you discarded in the empty popcorn bowl.

So warning! Save your eyes, bring tissue and make sure the cell phone is charged. You'll be calling family and friends after seeing this movie. You may end up seeing them sooner than you thought possible or vowed ever to do again.

'THE BEST MAN HOLIDAY': Three Stars (Out of Five)

Sequel to the 1999 ensemble buddy film 'THE BEST MAN' reuniting the friend group, 14 years later, for the holidays. Taye Diggs, Terrence Howard, Morris Chestnut, Sanaa Lathan, Nia Long, Regina Hall, Harold Perrineau, Monica Calhoun and Melissa De Sousa all reprise their roles from the original film. Malcolm D. Lee once again wrote and directed the movie. It's funny in places and sentimental enough for a Christmas film; about what most viewers will expect I think.

The movie finds Lance and Mia Sullivan (Chestnut and Calhoun) having a weekend Christmas party that they invite all their old friends to. Lance is retiring this year, as a star running back for the New York Giants, and Mia has some tragic news she's kept secret from the rest of the friend group. Lance hasn't been on speaking terms with his old best friend, Harper Stewart (Diggs), since the events of the original movie. Harper is now expecting a child with his nine-month pregnant wife, Robin (Lathan). Making things hard for them is the fact that Harper recently lost his teaching job, which he hasn't told Robin about, and hasn't written a hit book in years. At the advice of his agent (John Michael Higgins) he's thinking of doing an unauthorized biography on Lance. He'll of course have to smooth things over with him first in order to do so. Each of the other friends has their own drama and troubled relationships.

I never saw the original 1999 hit so I can't honestly say how this sequel lives up to it but I'm guessing fans of the original film would be pleased. It seems like your average old 'friends reunion movie'. Perhaps it's a tad too melodramatic (in places) but there are enough decent laughs to keep it entertaining. My favorite performance is by Terrence Howard, who undoubtedly has the most comedic role, but he is also my favorite actor in the thing. I don't usually go for these types of films but I definitely wasn't bored (for it's 2 hour-plus running time) and I'm pretty sure fans of these flicks will be more than pleased.

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I just returned home from seeing this movie. My husband and I thoroughly enjoyed it. It was everything that a movie is supposed to be. The characters have multiple layers, the storyline has multiple things going on and visually it's lovely. The music in this movie was great. I can't wait to get the soundtrack. But the actors in it were stellar. Terrence Howard was in his prime. He was just so funny and Added perfect humor during the right moments. Beautiful Morris Chestnut was intense and Nia Long is everything. Taye Diggs is the wonderful actor that he always is. I could go on and on about all of the actors in this movie especially the children. They were all so beautiful and so talented. It's a must see.

A harsh pinch of my arm as the lights dimmed reminded me that I was, indeed, awake. 1999's "The Best Man", one of the more under- appreciated and well-made films about friendships and relationships I've ever seen, got a sequel. More than anything, it intrigues me that a modern-day studio would greenlight this film and designate it for wide release. Perhaps since the popularity of the leads has reasonably increased over the years, they felt comfortable enough. I shouldn't worry either way about why this exists, and simply be thankful that it does. This is a well-made, humorous, emotional, logical, and sensual film, succeeding on every level. The filmmakers care so much about the characters that we can't help but care for them as well. If not for a slight misstep towards the end, I'd consider "The Best Man Holiday" to be one of the best films of the year.

In a lesser film, the plot would seem forced and typical- Harper (Taye Diggs), the 'best man' from the original, is a struggling novelist now, having found little success since his page-turning debut that spawned the problems in the first film. He and his pregnant chef of a wife (Sanaa Lathan) receive an invite to spend the holidays at the not-so-humble abode of Lance & Mia Sullivan (Morris Chestnut & Monica Calhoun), along with all of the friends we remember from the first film. Harper gets advice from career-driven Jordan (Nia Long), his confidant and former almost lover, in the form of a book suggestion- Lance is retiring from the NFL soon, and his best man Harper should pen the biography of the football legend. Keeping that in mind, along with his financial troubles, Harper begrudgingly accepts the invite. After all, the events of the last film left him and his best friend estranged for years, with only occasional contact- not the ideal close friendship.

The old group does reunite, but it doesn't always feel so good- the bachelor Quentin (Terrence Howard) has finally found his niche as a 'brand manager', capitalizing on others' dull minds with his sharp wit. Murch (Harold Perrineau) is doing exactly what you might think he'd do- running a school for underprivileged children, married to Candace (Regina Hall), the stripper with a brain who blew his mind in the last film. Shelby, Murch's former girl, has blown up in a big way, starring on a reality show about single housewives or whatever it is that wealthy, shallow people do for fame. That doesn't mean she's happy. Mia? She's been busy raising four children and doing exactly what Lance predicted of her; being happy and content as a homemaker (or so we're led to believe).

There is an inevitable tension as this group, 15 years older, tries to manage their emotions around the holiday season. For those not aware of the original, Harper had concealed a secret that he once slept with his best friend's girl. Once the truth sees daylight, emotions get the best of everyone, and revised understandings must be established in a short time to see the wedding through. Clearly, those involved with the events of the first film still carry the associated feelings with them. Things aren't quite 'the same' as everyone reconnects, and the film does a fine job taking us to the logical next step in the character's emotional journeys.

This is all standard fare, and if it weren't for the care given to the script and the love the actors put into their performances, it would be forgettable. I felt, as other critics have, that the film was similar to a 'reunion' TV episode- everything here feels familiar and established, evident in the involuntary grin appeared on my face multiple times as a result. A particular scene halfway through the film is an example, as the four main guys serenade the ladies in 'airband' style to the tune of New Edition's classic "Can You Stand the Rain". At the very least, it hearkens back to the best moment of "The Cosby Show" when the Huxtables 'airband' Ray Charles. At best, it's one of the coolest, sweetest moments you'll ever see in movies. For me, the scene encapsulates the reason for loving these two films- the heart displayed on-screen, coupled with the charisma of the actors, is uncommon and welcome.

The aforementioned misstep comes from the unfortunately perfunctory and inaccurate way Malcolm D. Lee handles the football scenes toward the end. Lance is nearing the all-time rushing record, and attempts to break it in a Christmas Day game. The announcers (Greg Gumbel and Eddie George of all people) reference his ascension toward that goal right after Lance catches a pass out of the backfield. Call me crazy, but those aren't rushing yards. Also, the film handles a pivotal character arc mostly with grace and dignity, but the surrounding football events don't match up well, creating an awkward, corny moment in a film devoid of them in all other scenes. I won't give away the arc I'm referencing; suffice to say it's another thing the film generally handles well.

There is a clear hint that a third film will follow. If Malcolm D. Lee treats that material with the same respect and love as he has with the first two films, it will be a welcome treat. After all, these are wonderfully written characters. They aren't swinging magical hammers, shooting flaming arrows, traveling back in time, or anything of the like that's catching the theater by storm lately, but they offer a welcome, adult respite. I only wish more films had the gall to give us funny, complicated, sexy, cool, and flawed characters like these.

Lance and Mia bring together a group of close friends to celebrate Christmas. As it is usual with such gatherings, each group of friends brought along their own emotional baggage and old divisions amongst them resurfaced.

This is an emotional movie. Lance is the central character. He is an enormously successful and wealthy baseball player, yet he is grounded by his love for God and devotion to his family. It is his loyalty to his wife that he will organise the gathering although to him will be particularly challenging.

Such occasions will provide opportunities for people to quarrel, fall out and make up. A shocking revelation will ground everyone. Ultimately, life brings ups and down and in the midst of it all one will need a group of friends that will simply be there. They don't have to do anything as long they are present and available.

Well acted, with poignant conversations this is a movie with which the audience will resonate. It is a shame that the presence of hints and insinuations in the dialogues demonstrate that the obsession with race is still prevalent.