Adicionar um enredo no seu idiomaA Banksy-style vigilante cycles round London killing scumbags. In their last moments, filmed and posted on social media, they agree to die: WTF! Is this a hoaxer? Hero? Or psycho? A new Come... Ler tudoA Banksy-style vigilante cycles round London killing scumbags. In their last moments, filmed and posted on social media, they agree to die: WTF! Is this a hoaxer? Hero? Or psycho? A new Comedy Thriller.A Banksy-style vigilante cycles round London killing scumbags. In their last moments, filmed and posted on social media, they agree to die: WTF! Is this a hoaxer? Hero? Or psycho? A new Comedy Thriller.
- Prêmios
- 1 vitória no total
Israel Oba
- Clark
- (as Tyson Oba)
Avaliações em destaque
Very often with these kind of films, you get a great concept with a not so great execution, but this is an exception.
The use of what I imagined to be footage from the 2011 London riots was cleverly interwoven into the film to portray a London of petty crooks and bored coppers. The interesting twist by use of the flipped roles of 'Baz' the bicycle cop and a tattooed and lazily-bearded offender, in what seems to be an interview room, provides a dramatic and humorous opening as the events that led up to the moment unwind before us.
With his poisonous, ciggy-puffing mother judging his every move and decision, we have the fascinating contrast of Baz' comic work life, in which I felt very comfortable viewing, and his home, which was cleverly filmed to highlight Baz' discomfort and feeling of sickness at his mother's presence and attitude, which resounds in the audience.
With appropriate twists and turns throughout, this is one of those films that guarantees a laugh and an interesting pry into the lives of those who seem to be totally normal people.
The use of what I imagined to be footage from the 2011 London riots was cleverly interwoven into the film to portray a London of petty crooks and bored coppers. The interesting twist by use of the flipped roles of 'Baz' the bicycle cop and a tattooed and lazily-bearded offender, in what seems to be an interview room, provides a dramatic and humorous opening as the events that led up to the moment unwind before us.
With his poisonous, ciggy-puffing mother judging his every move and decision, we have the fascinating contrast of Baz' comic work life, in which I felt very comfortable viewing, and his home, which was cleverly filmed to highlight Baz' discomfort and feeling of sickness at his mother's presence and attitude, which resounds in the audience.
With appropriate twists and turns throughout, this is one of those films that guarantees a laugh and an interesting pry into the lives of those who seem to be totally normal people.
I found this film to be quite a surprise in that I found it somewhat hard to identify the genre: I concluded that this was mainly due to it following a number of strands that combined comedy, horror and notion of drama that together provided a caricature of London's finest that may shock but will also certainly attract. It was a most original concept that was well written, well directed and well made. The lead character's strange tastes were matched by the strange relationship he 'enjoyed' with his with his mother. His notion of service in which he pursues his own agenda was quite hilarious. Suffice to say this appeared to be driven by a rather overwhelming personality disorder that verged on the psychotic. It was certainly off-beat but also highly entertaining, sometimes shocking and came with the raw-edge grittiness that British films often excel at. In fact it is fair to say that this is an example of Indie Cinema at its best and I would certainly recommend it.
I really enjoyed the preview of "May I Kill U?", written and directed by Stuart Urban. A highly original, modern, and very funny, black comedy; it had a packed-out theatre at the NFT laughing guiltily throughout. No pretentious or linear storyline here: it's a complex plot, delivered in sequential layers and exquisitely packaged in a most satisfying way. "May I Kill U?" has clearly been written and directed to entertain and has fun with some classic lines used to sophisticated effect. The character portrayals, enhanced by the use of careful understatement, are both hard to anticipate and deeply thought-provoking. And I loved, loved but I mean really loved the ending.
"May I Kill U?" follows a bicycle cop, returning from a head injury, that remakes himself as a vigilante to cure his headaches.
Kevin Bishop's acting as Baz, the bicycle cop, drives the movie from beginning to end. Couple this with Stuart Urban's editing and well-shot narrative, you have a solid indie dark comedy with a twisted sense of humor. I found it neutral in politics, but with a sinister commentary on social media, crime, and society. Definitely worth checking out.
Kevin Bishop's acting as Baz, the bicycle cop, drives the movie from beginning to end. Couple this with Stuart Urban's editing and well-shot narrative, you have a solid indie dark comedy with a twisted sense of humor. I found it neutral in politics, but with a sinister commentary on social media, crime, and society. Definitely worth checking out.
Você sabia?
- CuriosidadesKevin Bishop, playing a cycling policeman on London streets, was mistaken several times by the public for a real copper. He threatened to arrest a troublesome cab driver who kept driving into shot - enabling the scene to be completed.
- Cenas durante ou pós-créditos"The producers of this film do not encourage any form of vigilantism, and encourage you to join the police instead"
- ConexõesReferences Taxi Driver: Motorista de Táxi (1976)
- Trilhas sonorasBrommer
Written by Heyboer, Verdult and Heyboer
Published by Touch Tones Music Ltd
Performed by Black Sun Empire
Courtesy of Black Sun Empire Recordings
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Detalhes
Bilheteria
- Orçamento
- £ 1.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 12.571
- Tempo de duração
- 1 h 27 min(87 min)
- Cor
- Proporção
- 1.85 : 1
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