As Pequenas Coisas da Vida

The script clearly focuses on the wrong things, so, instead of developing the characters along the series, it very quickly gives facts and stories left and right without going deep in any of them.

When trying to connect with so many different audiences at the same time (and pandering to many of them), the story got lost in the way and became secondary to the narrative. A real shame.

The main character is supposed to be 49 (we buy it) with a 16 year old daughter, but her younger version of looks like a teenager, but she's playing a 33 year old married woman in all those out of order flashbacks? So very, very confusing...

This series mirrors Cheryl Strayed's real life with a few variations. It has a lot of similarities to one of my all time favorite movies/books, "Wild", by Cheryl Strayed. However, the direction is subpar and the screen writers constant switching from past to present is mind numbing at times. In my mind, Reese Witherspoon perfectly personified Cheryl, so it's hard for me to wrap my head around anyone else playing her. Don't get me wrong, I love Hahn, but I feel her true character gets lost in the shoddy direction and bad screen writing. Also, Laura Dern will always be Cheryl's beautiful, kind, thoughtful mom; The flashback mom in Tiny Beautiful Things tries hard to relay that same beauty, but falls short unfortunately. The series is entertaining and maybe if I haven't seen Wild 10 times and read the book twice, I would find it better (or maybe worse??) but in my mind nothing compares to the portrayal of Cheryl's life like Wild.

This is one of those shows that make me think there are many fake reviews on here. This show is definitely not 10, or even a 9, or 8. I watched it because of Reese Witherspoon, Cheryl Strayed, and I like the lead actress. However, the main character is just such an unlikeable head case. She is miserable, has a chip on her shoulder, and blames everyone but herself for her problems. I felt sorry for her daughter having such an embarrassing train wreck of a mother. She was a jerk to her best friend and cheated on her husband. It just wasn't believable that her hot husband wouldn't have divorced her much, much sooner.

The writing! The poetry! The music! The art of the acting and mixing of it all together to a perfect musical pitch that carries you away with it and then, with that perfect pitch, rips your heart and make you weep.

This series hits all my buttons: losing my younger beloved, brilliant, kind brother to lung cancer as I view this; lost a mother too soon.

The major problems for me - and costing a star - was the age discrepancies. The Hahn character is supposed to be super young when she has Francis Rae, but the age makes the Hahn character 33 when she had her daughter. Also, to me, the mother seemed to die when she was terribly young. However, Frankie, the mother, was played brilliantly.

What I liked about this series was that while it a deep and dark, there's good comedy interwoven to keep us from getting to far in the pits. Well worth the watch!!

I really wanted to like this show, but it left me totally cold. First, while the characters go through major life events and *talk* like they're deep, they're actually all thinly written ciphers--after watching all 8 episodes I honestly wouldn't describe any of the characters as having a distinct personality. The main character spends half the series mourning her mother, but their relationship is so underwritten that it's hard to really feel the impact of her death other than that we're told it was devastating. The out of order nature of the flashbacks also makes the story hard to follow and left me ambivalent about what was happening. (How can you care about characters who suddenly appear out of nowhere? Or about a character's mistakes when the show skips right past the consequences? For example, why bother telling us about someone's heroin problem if we don't learn anything more about it?) Hahn is fine here, but I don't think she's doing anything particularly new and she's really not even doing that much--Sarah Pidgeon as the younger version of Hahn's character does most of the heavy lifting and while she's very good, good performances aren't enough to elevate what's actually pretty thinly written material. The last episode also hints at a major backstory that barely gets explained (and a result leaves Hahn's character looking crazy), the brother and sister have a weird incest-y vibe, and, though I adore Merrit Wever, she feels miscast and way too young to be playing the mother.