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IMDbPro

O Labirinto de Kubrick

Título original: Room 237
  • 2012
  • Not Rated
  • 1 h 42 min
AVALIAÇÃO DA IMDb
6,2/10
24 mil
SUA AVALIAÇÃO
O Labirinto de Kubrick (2012)
A subjective documentary that explores the numerous theories about the hidden meanings within Stanley Kubrick's film The Shining.
Reproduzir trailer1:47
3 vídeos
51 fotos
Documentário

Adicionar um enredo no seu idiomaAn exploration of various interpretations of Stanley Kubrick's horror film, O Iluminado (1980).An exploration of various interpretations of Stanley Kubrick's horror film, O Iluminado (1980).An exploration of various interpretations of Stanley Kubrick's horror film, O Iluminado (1980).

  • Direção
    • Rodney Ascher
  • Roteirista
    • Rodney Ascher
  • Artistas
    • Bill Blakemore
    • Geoffrey Cocks
    • Juli Kearns
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,2/10
    24 mil
    SUA AVALIAÇÃO
    • Direção
      • Rodney Ascher
    • Roteirista
      • Rodney Ascher
    • Artistas
      • Bill Blakemore
      • Geoffrey Cocks
      • Juli Kearns
    • 196Avaliações de usuários
    • 208Avaliações da crítica
    • 80Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 16 indicações no total

    Vídeos3

    Theatrical Version
    Trailer 1:47
    Theatrical Version
    International Version
    Trailer 1:45
    International Version
    International Version
    Trailer 1:45
    International Version
    Room 237
    Trailer 1:45
    Room 237

    Fotos50

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    + 45
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    Elenco principal46

    Editar
    Bill Blakemore
    • Self
    Geoffrey Cocks
    • Self
    Juli Kearns
    • Self
    John Fell Ryan
    • Self
    Jay Weidner
    • Self
    Stephen Brophy
    • Cast
    Ash Brophy
    • Cast
    Buddy Black
    • Cast
    Buffy Visick
    • Cast
    Sam Walton
    • Cast
    • (as Samuel Walton)
    Lisa Burns
    • Self
    • (cenas de arquivo)
    Louise Burns
    • Self
    • (cenas de arquivo)
    Sue Lyon
    Sue Lyon
    • Self
    • (cenas de arquivo)
    Ryan O'Neal
    Ryan O'Neal
    • Self
    • (cenas de arquivo)
    Scatman Crothers
    Scatman Crothers
    • Dick Hallorann
    • (cenas de arquivo)
    • (não creditado)
    Tom Cruise
    Tom Cruise
    • Dr. William Harford
    • (cenas de arquivo)
    • (não creditado)
    Barry Dennen
    Barry Dennen
    • Bill Watson
    • (cenas de arquivo)
    • (não creditado)
    Kirk Douglas
    Kirk Douglas
    • Spartacus
    • (cenas de arquivo)
    • (não creditado)
    • Direção
      • Rodney Ascher
    • Roteirista
      • Rodney Ascher
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários196

    6,223.6K
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    Avaliações em destaque

    6gavin6942

    A Bizarre Little Piece of Criticism

    An exploration of various interpretations of Stanley Kubrick's horror film, "The Shining" (1980).

    What this film is not: a reveal of any deeper symbolism in "The Shining". The theories here rely on personal interpretations, and in some cases they are not relying on very much fact to build such opinions. The minotaur section in particular is a bit nutty, because it has us build a vision off of a minotaur that is not even there.

    What this film is: a look at the theories of some very brilliant but clearly eccentric people. Despite the connections these people see in random numbers and images, Kubrick was not making a statement about American Indians, the Holocaust or the Apollo program, nor was he using "minotaur imagery".

    So, if you are looking to find out more about the deeper meaning of the now-classic film, this might not be the place for that. Ask Jack Nicholson, or Vivian Kubrick, or someone who was actually on the set.
    7jtrascap-1

    A Documentary for Deniers

    Just got done watching it. My initial reaction: "Wow. These people are nuts."

    Don't get me wrong - this is a fun watch as long as you don't take any of it too seriously. I know the film pretty well, but these "analysts" go out of their way to ignore the obvious in order to drive on to their wacky conclusions.

    Thanks to the infinite paranoia pool that we call the Internet, the mythology about The Shining is outstripping the history of the film itself. This is less about the movie but more about people who look for conspiracies in every corner. Faked moon landings? Set geometry? Minotaurs? Absurd, sure, but how different are they from those people that deny birth certificates or imagine black UN helicopters or, most recently, those who say Sandy Hook was faked. These Deniers create their own logic, disallow any reality that doesn't fit and then warp the facts to fit their conclusions. I think this film really does a great job showing these people for what they are - delusional and and self-obsessed.

    We can let them be entertaining, but we can never take any of what they say seriously.
    bob the moo

    Engagingly empty

    There is a lot of anger about this film on this page and, while I was considering whether to watch it or not, it was this passionate hate that made me interested to see it myself. It isn't across the board though, but whenever someone dislikes this film they seem to really dislike it. The problem seems to be that it appears to be a documentary about The Shining but it really isn't any such thing – but to watch it as one must be frustrating because you sit to watch that and have to listen to loopy theories about the film presented as (in your head) facts. I didn't have this approach because I had heard it was all about the theories rather than the film and as such I found it quite fascinating even if it is a little too long.

    The whole film is people talking over clips from the film or other clips illustrating their point; the theories range from the film being about the Holocaust through to the Native Americans through to the Kubrick making it about his own involvement in faking the moon landings. It is all pretty nutty in terms of what it says, but it works because the contributors believe it and they speak with such passion and enthusiasm about their specific interpretations that it is hard not to get drawn in. There are plenty of moments where you find yourself starting to listen rather than mock – so specific things that are in the film that are attributed to meaning something and I started to wonder "well, why is that thing there – it was chosen to be in this shot or be worn by this character, so what was that decision taken for". Of course there are plenty of bits that do the opposite and are pretty laughable but generally I found myself quite drawn in by it. The length works against this in some ways because it does stretch things out more than it can bear but it was still engaging to me.

    Part of the interest for me was seeing how it is possible to really find meaning in anything if you apply yourself. I was never a fan of school lessons where we had to tear works apart looking at each detail and talking about what it could possibly mean, rather than just enjoying the whole for what it does, and this is what happens here. The hunt for meaning and for symbols rewards those that are doing it, but ultimately they all have their point if their theory is true. The extent of their criticial analysis of each frame and second of the film is intense and it did make me wonder why they did it and whether they are still able to see the film for the great piece of entertainment that it is?

    Room 237 is too long and lacks a clear point – it would have benefited from something topping and tailing it, but as it is I still found it engaging thanks to the passion and detail in the delivery; it doesn't mock these people it just gives them a platform and leaves the rest to us and them. I found it interesting even if ultimately it is quite empty as a film – ultimately if you dig in every corner looking for your agenda, you'll find enough to back you up – which isn't the same as you being correct. This is the message that I took from it and I found that message to be entertaining, but it is ironic that Room 237 is about lots of people seeking meaning in one film, all while it really doesn't do a good job of presenting its own meaning.
    7TheTwistedLiver

    Interesting, entertaining, somewhat far fetched

    This movie was worth while, it was interesting, entertaining and made you think. For a fan of the shining, or Kubrick or conspiracy theories this was a great film. Junk science came to mind a few times, to me the most interesting parts of the film were the details which were brought to the attention of the viewer which Kubrick definitely had a hand in, the conspiracy theories, ideas about the holocaust, extermination of the native Americans and faking of the lunar landing were a bit more out there but intriguing and I wouldn't put anything past Kubrick. The most interesting point of the film to me was the discussion of post modern works of art and the claim that irregardless of the authors intent, themes can be found which might have been or have not been consciously intended. Overall, the mind of Kubrick, his eye for detail, his humor and overall brilliance is what is most evident when watching this film. If one looks for themes and ways to make connections they can be found in many different places, overall this can lead to seeing reality though higher levels of awareness and if one is lucky enough glimpses of enlightenment, that was the broader and most important theme in this movie.
    5purrlgurrl

    It's all about the POV

    This film is essentially people who are obsessed with Stanley Kubrick's The Shining spinning out their theories about what the film means. It reveals little about Kubrick's vision or intent and everything about their specific and sometimes downright crazy views about the world as expressed through their interpretations of Kubrick's movie. Room 237 demonstrates the deep impact a film can have when something about it resonates with the particular psychology or beliefs of members of its audience. The real brilliance of The Shining is that it created an almost palpable atmosphere of dread while remaining enigmatic and opaque. It's a Rorschach test to be freely interpreted by its audience.

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Leon Vitali, former assistant to Stanley Kubrick, dismissed the theories in this film as "gibberish," saying they are entirely without merit.
    • Erros de gravação
      Bill Blakemore mistakenly attributes a literary quotation. "History is a nightmare from which I'm trying to awake" is from James Joyce's Ulysses, not from anything by T. S. Eliot.
    • Cenas durante ou pós-créditos
      The end credits scroll downward.
    • Conexões
      Featured in Minty Comedic Arts: 10 Things - The Shining: The Lost Version (2022)
    • Trilhas sonoras
      We Cannot Escape the Past from the album 'A Stairway to the Stars'
      Composed and Performed by The Caretaker

      By Arrangement with History Always Favours the Winners

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    • How long is Room 237?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 26 de outubro de 2012 (Reino Unido)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Film Sales Corp
      • Official site
    • Idioma
      • Inglês
    • Também conhecido como
      • Room 237
    • Locações de filme
      • Calumet Harbor, Illinois, EUA
    • Empresas de produção
      • Highland Park Classics
      • The Ebersole Hughes Company
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 296.359
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 29.693
      • 31 de mar. de 2013
    • Faturamento bruto mundial
      • US$ 367.406
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 42 min(102 min)
    • Cor
      • Color
      • Black and White
    • Proporção
      • 1.78 : 1

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