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Adicionar um enredo no seu idiomaAn exploration of various interpretations of Stanley Kubrick's horror film, O Iluminado (1980).An exploration of various interpretations of Stanley Kubrick's horror film, O Iluminado (1980).An exploration of various interpretations of Stanley Kubrick's horror film, O Iluminado (1980).
- Prêmios
- 2 vitórias e 16 indicações no total
Sam Walton
- Cast
- (as Samuel Walton)
Lisa Burns
- Self
- (cenas de arquivo)
Louise Burns
- Self
- (cenas de arquivo)
Ryan O'Neal
- Self
- (cenas de arquivo)
Scatman Crothers
- Dick Hallorann
- (cenas de arquivo)
- (não creditado)
Tom Cruise
- Dr. William Harford
- (cenas de arquivo)
- (não creditado)
Barry Dennen
- Bill Watson
- (cenas de arquivo)
- (não creditado)
Kirk Douglas
- Spartacus
- (cenas de arquivo)
- (não creditado)
Avaliações em destaque
I really hoped this would somewhat focus on the film 'The Shining', but it doesn't. It's all about how people, who I have never heard of, think about it and how they interpret it. Sorry, I don't need strangers to tell me what to think. My recommendation is to avoid.
First of all, let me tell you that I've always found hidden messages, conspiracies, occult themes etc extremely interesting and it's something I love discussing about. I'm always very open minded when it comes to this kind of stuff and when i saw the trailer for this movie i just could not wait to watch it. The Shining is a masterpiece and just the thought of that it could have a much bigger meaning was just too good to be true.
Last night i finally watched it, and man was i ever disappointed. Like i said, I'm always opened minded when it comes to this kind of stuff, but the theories the creators of this film has come up with are so far- fetched it's almost embarrassing. They find a hidden meaning in every little thing and they never really seem to stop to question their own theories. Everything is taken for granted, and in my opinion, most of the claims are ridiculous; it holds no water.
To give you an example of just how ridiculous some of the theories are: If you watched Finding Nemo right now in the same state of mind as the creators of this movie watched The Shining, you too would find subliminal messages about everything from The Holocaust to the faked moon landing. It's just insane.
Also, all the different theories just turn into one big mess because there's so many of them, so it's hard to understand what they are actually trying to say.
However, big ups for making this type of movie. I just wish there were way more solid arguments and not all these extremely far-fetched ideas that don't really make sense. The creators might have some things correct (we'll never know) but for me it's just way too over ambitious and messy.
Last night i finally watched it, and man was i ever disappointed. Like i said, I'm always opened minded when it comes to this kind of stuff, but the theories the creators of this film has come up with are so far- fetched it's almost embarrassing. They find a hidden meaning in every little thing and they never really seem to stop to question their own theories. Everything is taken for granted, and in my opinion, most of the claims are ridiculous; it holds no water.
To give you an example of just how ridiculous some of the theories are: If you watched Finding Nemo right now in the same state of mind as the creators of this movie watched The Shining, you too would find subliminal messages about everything from The Holocaust to the faked moon landing. It's just insane.
Also, all the different theories just turn into one big mess because there's so many of them, so it's hard to understand what they are actually trying to say.
However, big ups for making this type of movie. I just wish there were way more solid arguments and not all these extremely far-fetched ideas that don't really make sense. The creators might have some things correct (we'll never know) but for me it's just way too over ambitious and messy.
An exploration of various interpretations of Stanley Kubrick's horror film, "The Shining" (1980).
What this film is not: a reveal of any deeper symbolism in "The Shining". The theories here rely on personal interpretations, and in some cases they are not relying on very much fact to build such opinions. The minotaur section in particular is a bit nutty, because it has us build a vision off of a minotaur that is not even there.
What this film is: a look at the theories of some very brilliant but clearly eccentric people. Despite the connections these people see in random numbers and images, Kubrick was not making a statement about American Indians, the Holocaust or the Apollo program, nor was he using "minotaur imagery".
So, if you are looking to find out more about the deeper meaning of the now-classic film, this might not be the place for that. Ask Jack Nicholson, or Vivian Kubrick, or someone who was actually on the set.
What this film is not: a reveal of any deeper symbolism in "The Shining". The theories here rely on personal interpretations, and in some cases they are not relying on very much fact to build such opinions. The minotaur section in particular is a bit nutty, because it has us build a vision off of a minotaur that is not even there.
What this film is: a look at the theories of some very brilliant but clearly eccentric people. Despite the connections these people see in random numbers and images, Kubrick was not making a statement about American Indians, the Holocaust or the Apollo program, nor was he using "minotaur imagery".
So, if you are looking to find out more about the deeper meaning of the now-classic film, this might not be the place for that. Ask Jack Nicholson, or Vivian Kubrick, or someone who was actually on the set.
This film is essentially people who are obsessed with Stanley Kubrick's The Shining spinning out their theories about what the film means. It reveals little about Kubrick's vision or intent and everything about their specific and sometimes downright crazy views about the world as expressed through their interpretations of Kubrick's movie. Room 237 demonstrates the deep impact a film can have when something about it resonates with the particular psychology or beliefs of members of its audience. The real brilliance of The Shining is that it created an almost palpable atmosphere of dread while remaining enigmatic and opaque. It's a Rorschach test to be freely interpreted by its audience.
Being an avid Kubrick fan, I could not wait to see this film even though The Shining is one of my least favorite of his movies. I did enjoy Room 237; it's a fun movie. Like Kubrick himself you never know whether it's being serious or poking fun at the viewer. Some of the "hidden messages" that Kubrich is supposed to have put into The Shining are patently ridiculous but some others will make you want to go & watch The Shining again, and again! The masterstroke here is when someone states that Kubrick was meticulous about arranging every frame in his movies (which every Kubrick fan knows to be true) and no object appears in any frame by accident. Of course the film makers then take this to an extreme but it does make for a quite funny and entertaining time.
Você sabia?
- CuriosidadesLeon Vitali, former assistant to Stanley Kubrick, dismissed the theories in this film as "gibberish," saying they are entirely without merit.
- Erros de gravaçãoBill Blakemore mistakenly attributes a literary quotation. "History is a nightmare from which I'm trying to awake" is from James Joyce's Ulysses, not from anything by T. S. Eliot.
- Cenas durante ou pós-créditosThe end credits scroll downward.
- ConexõesFeatured in Minty Comedic Arts: 10 Things - The Shining: The Lost Version (2022)
- Trilhas sonorasWe Cannot Escape the Past from the album 'A Stairway to the Stars'
Composed and Performed by The Caretaker
By Arrangement with History Always Favours the Winners
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- How long is Room 237?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Room 237
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 296.359
- Fim de semana de estreia nos EUA e Canadá
- US$ 29.693
- 31 de mar. de 2013
- Faturamento bruto mundial
- US$ 367.406
- Tempo de duração
- 1 h 42 min(102 min)
- Cor
- Proporção
- 1.78 : 1
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