Ved

Movie with true Love Story Movie is best and way better than Bollywood movies.

Everything is good just our beloved Genelia Vahini need to work on her Marathi accent. Otherwise movie is too good.

If you connect your love story with movie you will have tears in eyes for sure.

After long time watching Ashok Saraf sir in satyas dad role with his unique comedy style is tremendous.

Child actor Kushi had done her role very nicely. All the best for her future.

Last but not the least Siddharth Jadhav and Jitendra Joshi achoring was too funny and full of timepass.

Marathi film industry needs this type of movies more.

The story is amazing as it is already renowned as ' Majili ' movie , so for those who have seen it will find this version a little bit dull. The overall acting of cast is decent attempt we can say. Satya (Ritesh D) tries too hard sometimes but misses the mark because of unnecessary over dramatic dialogues which seems to be forced in the act. The music is obvious fantastic as it is ajay-atul. Title track is mesmerizing. The movie will surely roar in Maharashtra as it is Marathi film . The duo of Ritesh & Geni is already famous and will enjoy the support of their fanbase for sure. An overall good attempt but nothing extraordinary as it is a remake.

Ved is a Marathi romantic movie that will leave you with a lot of feelings. The movie is filled with emotion and humour. The story revolves around two people who fall in love but find their relationship difficult due to their different backgrounds. The performances of the lead actors are really good, and the direction of the movie is excellent. The background score and music add to the overall mood of the movie and makes it even more enjoyable. Overall, Ved is a good movie to watch, and it is worth a watch for all those who love romantic movies.

Congratulations Ritesh Dada and Vahini you did it.

I haven't seen the original Telugu romance drama film "Majili," which this is a remake of.

The direction surprised me the most, it was "Ritesh Deshmukh's" first time directing, and he did an excellent job. We jumped effortlessly between past and present while still being able to follow the plot. Whether it's the ariel views, the songs, or the rain shots, the cinematography is good. Overall, film editing is effective, but occasionally, when switching from one scene to another, the transition has an abrupt cut and could have been more seamless. I liked the way how director revealed "Sharvani's" constant presence with flash back and how she was always there in the earlier scenes between "Satya" and "Nisha". The Scene where "Shravani" was playing with soap bubble and camera follow that bubble with POV of "Shravani" and the colourful bubble burst as she sees "Satya" and "Neesha", it was gorgeously symbolic of the situation.

As always, the songs and overall score are excellent thanks to "Ajay-Atul" music. I like the string and percussion instrument choices in the orchestral music.

Although story is not exclusive to Indian romantic dramas, the manner they are presented does takes you on an emotional journey.

The script writer deserves praise for maintaining humorous dialog-driven sequences between emotionally charged ones. The relationship between "Shravani" and her father-in-law "Dinkar" played by Marathi cinema's legendary actor "Ashok Saraf" is developed so well that you feel every emotion of their interaction.

Overall casting is good, child actress "Khushi" also done a good job. "Genelia Deshmukh" who played "Shravani" is a weak link, not because of her acting but rather because of her Marathi accent. Dubbing her for Marathi was an option as its already dubbed in "Hindi".

Sometimes you will feel strange and unable to comprehend why a character makes a choice that is unquestionably foolish, but no one is able to comprehend why people do what they do out of love.

There are some drawbacks, such as the overuse of cliched scenes that are done many times in Indian movies and predictable endings, but sometimes audience prefer straightforward yet moving stories with cliched conclusions that leave us with teary eye and feeling satisfied.

There are some drawbacks, such as the overuse of cliched scenes that are done many times in Indian movies and predictable endings, but as viewers, sometimes we prefer straightforward yet moving stories with cliched conclusions that leave us with teary eye and feeling satisfied.

Ved may have multiple shortcomings. In fact, there is a high probability that many viewers will be offended by the movie's underlying messaging; however, the manner in which it expressed human emotions and represented distinct characters and their dynamics is, at the very least, praiseworthy.

Regarding praises, Genelia D'Souza deserves the lion's share, in my humble viewpoint. She is unquestionably the heart and soul of the entire thing. Screenplay, storytelling; she immediately elevated everything upon her introduction. Not to mention, the score composed by Ajay-Atul helped her immensely towards accomplishing her objectives. It is difficult not to fall in love with the music, the character of Shravani and Genelia's almost flawless performance.

P. S. That little kid, Khushi, leaves an impression. She's a special talent, if given proper guidance, she could make a big name for herself in this field, I wish her the best.