O Fantasma da Ópera no Royal Albert Hall

I just this version of Phantom of the Opera last night with one of my dearest friends and I have to say I thoroughly enjoyed it! Pretty much this is the best version I have seen so far! Everyone did a fabulous job at portraying their characters especially Ramin and Sierra. Towards the end of the show, my friend and I completely lost it because of the intense emotions that the two literally put into their characters so well that their performance will tug on your heartstrings. Ramin is by far the best Phantom in my opinion. He blew me away by not just his voice but the emotions he put into his character, showing his character's sensitive side and vulnerability with just a dose of sexuality. I do put him as my favorite above Gerard Butler's Phantom (Gerard was very good in the 2004 movie version, but he didn't have that intense emotion that Ramin has). Sierra was excellent and the best Christine I have seen so far (Emmy Rossum was also very good in the 2004 version, but sounded more classical than operatic to me). Towards the end, Sierra's emotions got the best of me and I did see she fought really hard to stay in character when she sang one last time to the Phantom. I have always been not a fan of Raoul and I still am not,but the guy who played him in this version has an amazing voice and played his character well! I think he exaggerated his performance just a tiny bit, but at least he didn't have an emotional breakdown on stage. For the lady who played Carlotta was hilarious and she is right up there next to Minnie Driver's 2004 version. It was great having Carlotta as the snobbish but sort of comedy reliever that makes the story less intense. All in all, like I said everyone on the stage performed well into their characters and I truly want to see them perform in other Broadway roles as well. Well worth watching on Netflix and be sure to have a box of tissues near you...just in case.

A fantastic show very much diminished by the amateurish and highly distracting video direction. This video production suffers from the impulse of "we paid to have all these cameras and operators on site so we better damn well use them, even if it means ruining the home viewing experience".

Director Nick Morris' shot selection was weak, the frenetic tempo of his camera-to-camera takes overshadows the stage direction. He manages to miss key actor entrances because he has a close-up on another actor. Other times he goes immediately to a close-up for what should be a subtle entrance. This is most obvious with the Phantom's entrance after Wishing You Were Here Again. Morris commits other unforgivable shot selections like fast cutting close-ups of the destruction of the chandelier rather than giving us the more awe-inspiring audience perspective.

And don't get me started on his coverage of "Masquerade". One of my favorite scenes on the show is completely ruined by Morris' quick cutting between medium and close-ups of actors, rarely showing us the stage-wide view of the choreography, which is so essential to the power of the scene.

The action on Angel of Music is almost impossible to follow, and so on. As I said, abysmal. I've seen better directing of local cable channel dramatic productions.

This is a stage play that is meant to be seen from farther away than the 6" from the Phantom's face this director felt we needed. Most certainly someone should have realized that close-ups of actors that included the LED scenic backdrop was just a bad idea. It looks terrible.

I've seen this show live 3 times but never from the most expensive seats. This video production could have given us the best seats in the house but instead chose to cut quickly between various odd angles that the audience would and should never see.

10 stars for the stage production and 3 for the video production.

I have loved "The Phantom of the Opera" for many years and listen to the soundtrack album with Michael Crawford and Sarah Brightman almost religiously. I began watching this with great worry, remembering how underwhelmed and disappointed I felt with the 2004 film adaptation. Imagine my delight when I discovered this even better than the original cast!

Ramin Karimloo and Sierra Bogges are both incredible actors and singers and are absolute magic together, as well as individually. Ramin has the passion and soul the Phantom needs and Sierra has the voice of an angel and makes feel every note she sings.

For years, I have had to put up with people telling me that Joel Schumacher's utterly redundant 2004 adaptation was actually brilliant; or that they cannot afford to see the real show. Well, the 25th anniversary concert exposes the 2004 adaptation for the diabolical mess that it is, with it's far superior singing, acting and set. And the fact that it is available on DVD means the 2004 film can shoved into the deep hole it belongs in.

Simply perfect, there is no excuse to miss this. Watch it and let it's music caress your soul.

I've been an IMDb user for a few years now, but this title is the reason for which I write my first review here. This first review, as well as the 10 stars I give, I hope these will somehow (highest rated search, etc) attract at least one more person to this title, which is essentially flawless.

It's hard to review a title which is not really a movie. It combines the best of the cinema, theater and opera. The cinema, as after all it's still a movie. Secondly, as it's an opera, the actors and the crew perform live and you get most of their talent this way. The combining element is the emotion which you do not see without the close-ups in the traditional theater. The actors' play is simply excellent. Scenes depicting relationships between the main characters are played by them so perfectly, that simply cause tears in eyes (vide the final one of the first part).

It's just incredible, that this masterpiece remains so little-known.

The Phantom of the Opera is one of my personal favourites, and for me easily Andrew Lloyd Webber's best musical(though I do have a soft spot for Joseph). Anybody who loves The Phantom of the Opera will fall in love with this Royal Albert Hall performance, and while I didn't hate the 2004 film as much as others did this performance is a huge improvement. The costumes and sets are sumptuous and exquisite to look at. The camera work allows you to admire the production design and does so unobtrusively, often it has a very cinematic look which I loved without feeling overblown. The sound is resonant and clear, giving the feeling that you are actually there at the ROH watching it live. The orchestra give the score the powerful sweep it should have, a great thing in itself as it is one of those musicals where every song works. The chorus enunciate clearly and have a vibrant and carefully-blended sound. The stage direction is hugely compelling all the way, you are thrilled, terrified and moved to tears throughout and you do empathise with the characters and are fully engaged in Phantom and Christine's love-hate relationship. Nothing feels overdone or stillborn, you do miss the falling chandelier set-piece but at the same time you can understand considering the venue why it wasn't done. The singing is fantastic, embracing the somewhat exposed- from my experience having performed at ROH with various choruses at 3 Christmas concerts, one concert as a guest choir and 2 prom performances- acoustic.

Ramin Karimloo is an incredibly powerful Phantom, imposing in stature, somewhat scary, somewhat seductive and very affecting, and he has a gorgeous voice, one of the most beautiful of anybody in the role in my opinion. His make-up is genuinely hideous, and Music of the Night is really heartfelt. Sierra Boggess' Christine is alluring, charming and her stage presence is as moving as Karimloo's. Her soprano voice is bright and lyrical with no breathy sound(despite some of her breathing having a gasping quality), and I personally prefer her high notes to Sarah Brightman's finding them much clearer. Wishing You Were Somehow Here Again had me weeping buckets. Raoul is I agree more abrasive than usual, but Hadley Fraser still sings beautifully- especially in All I Ask of You- and doesn't forget to act. All the supporting roles are filled solidly, but I want to really credit Kiera Duffy, she is every bit the Prima-Donna diva Carlotta ought to be but displays also a sympathetic and vulnerable side that I have rarely if ever seen from past Carlottas, most of which are basically caricatures. We are also given the bonus of having the likes of Sarah Brightman, John Owen Jones, Anthony Warlow and Colm Wilkinson performing, Michael Crawford doesn't sing but it was still a pleasure to see him. I was less taken by Peter Joback, it is a rather a lightweight sound and sounds rather nasal, a sound that is not very easy to warm to. But he isn't enough to bring down the performance in any way because everything else is so good. The appearance also of Andrew Lloyd Webber himself was also very touching. In conclusion, amazing, if you love The Phantom of the Opera this is everything you could possibly want and more.

10/10 Bethany Cox