Vírus Letal

This is another typical action movie from HK that will be loved by those who watch with their right-sided brain but not those with left-sided brain. Better still if watch without working on the brains.Anyway, you have no time for the brain. Scenes are fast, action start right from the beginning till end, mostly well filmed, fast paced but the whole story, main plots and sub-plots right to the action details are full of multi-layered coincidental happenings or actions and events all in the nick time that the audience will find it unconvincing and unbelievable. If only they have paid more attention to the script instead of the action. Revealing the characters or more of the story will spoil the fun, there are also too many loose ends. One important role's mum actually got lost in the middle of the action. Most of the acting are good except for Jay Chou who look lost throughout the movie but it's OK considering his "problem". The location of KL(Kuala Lumpur) made the movie better; instead of usual HK.

well, 3 stars is for the nice action stunt carried out seamlessly. 7 stars minus is for the lousy casting job and the moronic screenplay that messed up the whole nine yards.

here are the problems:

1) if the small pox bio-virus so important, why use ground transportation instead of air lift? 2) why the scene is originated from Jordain? Jordain is not war-torn country, it's Iraq, stupid. 3) a bullet resided in the brain where is non-operable and the nerve center would be totally messed up within 2 weeks, after the guy stayed in the hospital for 3 months, and the guy was able to walk out the jordanian hospital, went back to china. well, that journey would have wasted how many days? the math was somewhat confusing a lot, dude. 4) if the young son (the one who carried a bullet in his brain) was brought up by his mother, why his mandarin pu-tong-wha with an Taiwanese accent? if the mother's hometown was Beijing, why her accent was without any Beijing tone? 4) so the younger brother was a police, what country's police force he belonged to? 5) then again, same problem happened again. the female bio-chem doctor spoken a common mandarin pu-tong-wha, her mother spoke typical Cantonese. why her daughter could speak the mandarin Chinese pu-tong-wha without any Cantonese dialect accent? no Cantonese could speak mandarin without any localized Cantonese accent. absolutely impossible! 6) so the brother was a dangerous criminal, in Malaysia? so, the father had migrated from Beijing(?) or hongkong(?) or canton (?) to Malaysia? the elder son became a local criminal. and the younger brother would be so accidentally got involved in his caper right after he landed in the twin-tower city? how convenient, dude.

this is a movie typically treated viewers as brainless morons without any reasoning logic. but after all the criticism been said, lets sit back and enjoy the nicely shot exotic locations this movie's lens carried around and also try to appreciate the well managed stunts and special effect of the fighting scenes, the flying bullets, the nicely done explosions, the car jack and so on.

this is an action movie full of heavily flawed scenarios and plot twists, some way too shallow, some way over the top. strongly recommend to watch but you must turn off your i.q. reasoning function first.

One of Hong Kong's rising film directors, Dante Lam has gained prominence over the last few years for his lavishly produced, hard hitting cop action thrillers underlined by thick melodrama between the main characters. His latest film The Viral Factor is obvious in having Lam's signature plastered all over, that this could be Dante's spiritual interpretation of John Woo's A Better Tomorrow with brothers on opposite sides of the law having to put aside their obvious differences to work together against a common enemy and goal.

The story bore some shades of intention from Woo's Mission: Impossible 2, where a virus got created to hold the world ransom at the breakout of an epidemic. In The Viral Factor, this comes in the form of weaponizing a variant of the smallpox virus, where a corrupt pharmaceutical company had employed thugs to obtain one of the last remnants of the virus, and to fund both its viral nature, and to come up with the medicine and the vaccine, thereby earning itself billions in profits, and adulation from the world for its cures. Talk about being both the devil and angel at the same time, and making tons of money from it.

With Dante Lam and Ng Wai Lun sharing screenplay responsibilities from a Candy Leung story, The Viral Factor soon has this premise put on the back-burner as it focused instead on the brotherly bonds or the lack thereof between international cop Jon Wan Fei (Jay Chou), introduced through his dream of getting yanked out of trouble by an invisible hand, and that of perennial robber Wan Yang (Nicholas Tse), a consistently wanted man in Malaysia who commits the largest of crime, and with the backing of corrupt cops, almost always finds a way out of either the court house or the jail. With the Beijing based cop learning from his Mother (Elaine Jin) about her wanting to seek forgiveness from his dad (Liu Kai-chi) and brother for walking out on them, Jon makes the trip to Malaysia to track them down, despite nursing a "bullet-in-the-head" injury that decided to rear its ugly head only during flights (for product placement purposes), or when it's plot convenient.

And it is in Kuala Lumpur that the film spends significant time in, with Jon finally reconciling with his dad, his brother amidst under testy situations since both come from different sides of the law, and getting themselves in the way of the villains led by Andy On in full typecast, who are all after a scientist Rachel (Lin Peng) who has the skillset to weaponize the virus, and Wan Yang's daughter who gets captured as collateral. The two brothers have little time to get to know each other since a number of tasks get put in their way that requires plenty of shoot- em-ups to complete, but given this is a Dante Lam film, he'll craft enough emotional scenes in between for the building of camaraderie, and one of the better dramatic moments come when both brothers have to hide at an abandoned construction site and open themselves up, one who's brought up in Malaysia thus very fluent in Cantonese (thankfully and curiously the censors here allowed this to be in full and without dubbing), and the other conversing in Mandarin only. Some may find this a little bit unbelievable, but trust me I'd just appreciate that Nicholas Tse wasn't dubbed over.

I would liken Dante Lam to Hollywood's Michael Bay for his penchant of blowing things up, and almost always featuring some of the latest toys in weaponry for their characters to gear up and use. From the get go in Jay Chou's scene in Jordan where his extradition of a doctor and his family goes awry no thanks to an ambush, it's full on military mode and precision as he tackles this sequence, and every other action sequence later, with craft to rival the best of the West. No doubt some scenes may be overly long and indulgent just to showcase what Lam can do, repetitive even, but amongst his filmography The Viral Factor demonstrates just how Lam has continued to improve upon his action delivery. And what makes him stand out is the insistence to focus on the human emotion, so that his characters don't pass off as one dimensional and having an emotional void.

Jay Chou has come out to proclaim that this would be his final action film, but to that I'd say never say never. He's more of a singer than actor, although I have to admit he does have screen charisma and have progressed quite nicely from his rather wooden outing in Curse of the Golden Flower. Nicholas Tse on the other hand shows why he's top dog now, with that ability to balance the more dramatic moments and holding his own during the action sequences. His acting has developed from when he first started out, relying on his "idol" looks and poser attitude then, to grow into a bona fide actor now, with some of his best work done under the watch of Dante Lam.

It's a surprise to have lined this up for the Lunar New Year since this is a period for comedies and family friendly entertainment, but if you're in the mood for some action, The Viral Factor lives up to expectation despite minor plot quibbles and loopholes and underlines Dante Lam's ambition and capability to helm large action spectacles, with the promise of more to come.

The plot is all over the place and you shouldn't worry about it, because it will pull the fun out of your viewing pleasure (if you can call it that). It doesn't make much sense most of the time too, so just try to get on that ride and enjoy it while it lasts. While I do like Asian action cinema in all its variety (be it from Hong Kong, South Korea or Japan), this one does not have the strength other movies do. It is too simple (though it tries to be complicated) and light for its own good most of the time.

The actors are actually good, but I can't shake the feeling that they weren't comfortable with the script either. But the action scenes do not disappoint, which is why I gave it that rating. Still with a bit of emotional power behind it, it could have been even better.

Having just sat down to watch the 2012 action thriller "Jik Zin" (aka "The Viral Factor") for the first time ever here in 2022, I will have to say that the narrative in the movie was somewhat confusing and chaotic. It felt like writers Dante Lam, Candy Leung and Wai Lun Ng were writing independently of one another and the end result was a mash of random scenes filmed and put together.

The storyline in "Jik Zin" was simplistic enough, but there simply were too many things being crammed into the storyline, which cluttered up the narrative flow unnecessarily. And the end result was a somewhat botched narrative that felt incomplete and in disarray. Running at 122 minutes, the movie is long, so very, very long to sit through, especially with all the things crammed into the storyline. When the movie was about to come to an end, I checked the run time, and I was only 55 minutes into the ordeal, but at that time it felt like I had been spoon-fed enough contents to fill up two movies.

There is a lot of action in "Jik Zin", and it is definitely that action that keeps the movie afloat and keeps it being a watchable movie. So if you enjoy fighting, chases, gun fights, etc. Then director Dante Lam doesn't disappoint with "Jik Zin". If you are looking for a properly enjoyable action thriller storyline, then "Jik Zin" is not the best of choices.

The movie has a good cast ensemble to help make the movie stay afloat as well, with the likes of Jay Chou, Nicholas Tse, Andy On and Kai-Chi Liu.

Sure, "Jik Zin" was watchable, but it was by no means an outstanding movie experience. I doubt that I will ever return to watch this movie a second time.

My rating of "Jik Zin" lands on a mediocre five out of ten stars. If the movie had a more focused storyline and narrative, and they had trimmed out all the cluttering elements, the movie would have been a far more enjoyable one.