Meu Filho, Nosso Mundo

Sometimes people think I'm a fool for not answering them, but I do respond internally, often with quotes from my favorite books and movies... just like Ezra.

Ezra is a film that beautifully weaves together the story of three generations of autism within a single family. It's brought to life by the masterful direction of Tony Goldwyn, whose talent never fails to impress me, and written by Tony Spiridakis, who is himself a parent of an autistic child.

Tony Goldwyn has assembled an incredible cast. It was heartwarming to see him reunite with Whoopi Goldberg after "Ghost," along with the brilliant Vera Farmiga, Rainn Wilson, and the always-reliable Robert De Niro in supporting roles.

But the true magic of the film lies in the performances of Bobby Cannavale, who proves what a remarkable actor he can be when given the chance, his real-life partner Rose Byrne, and the astonishing William Fitzgerald.

Director Tony Goldwyn insisted on casting an autistic actor to play Ezra, which was no easy feat, as Hollywood tends to shy away from decisions that increase legal liability. The film's co-producer, Alex Plank, is also on the autism spectrum. The goal was not only to make an authentic film but also to create an accessible film set for neurodivergent actors and crew members. Under Plank's guidance, everyone on set participated in autism training sessions throughout the production.

The film's cinematography, handled by Daniel Moder, is a visual treat with its story-driven use of color and camera work.

Unlike the usual (and frankly offensive/misleading) autism-centric films, "Ezra" takes a more accurate path, embracing neurodiversity, and has deepened my respect for Tony Goldwyn. The film avoids the common tropes and stereotypes associated with autism, instead offering a nuanced and authentic portrayal of the challenges and joys of living with autism. It celebrates the unique strengths and perspectives of neurodivergent individuals, while also acknowledging the difficulties they face in a world that often misunderstands and stigmatizes them.

In conclusion, "Ezra" is a heartwarming and thought-provoking film that sheds light on the complexities of autism with sensitivity and compassion. It is a must-see for anyone who wants to gain a deeper understanding of neurodiversity and the importance of acceptance and inclusion.

I'm a fan of sweet, simple stories with memorable characters and I found all of that in Ezra. Bobby Cannavale turns in a magnificent performance in the role of Max, a struggling standup comic co-parenting his autistic 11-year-old son Ezra with his ex-wife Jenna played by the always fabulous Rose Byrne. When Ezra's outbursts spin out of control at school, a doctor suggests putting him on a special medication. Jenna is receptive to the idea, but Max is having none of it and flees with Ezra, taking him on a cross-country road trip with hopes of appearing on Jimmy Kimmel Live. It's a trip that proves life-changing for both Max and Ezra.

Ezra, directed by Tony Goldwyn, stars Bobby Cannavale as Max Bernal, with Robert De Niro, Rose Byrne, and William Fitzgerald in key roles, and has a runtime of 105 minutes. The film tells the story of a father navigating the challenges of co-parenting his autistic son, Ezra, through a heartfelt cross-country road trip.

Initially, the movie threw me off with a somewhat cliché start. The plot was set into motion by decisions that felt irrational and not entirely believable, making it difficult to get fully immersed right away. However, as the story unfolded, Ezra managed to win me over. The narrative gradually moved away from the typical setup and developed into a more nuanced exploration of family, connection, and personal struggles.

One of the film's biggest strengths is the performances from the entire cast. Bobby Cannavale and William Fitzgerald lead the charge with compelling portrayals, and you can feel every emotion emanating from their characters. Robert De Niro and Rose Byrne add depth to the supporting cast, and all the actors bring a sincerity to their roles that makes the story engaging. Each scene is given room to breathe, allowing the characters' emotions to resonate without feeling rushed.

The film's pacing is another highlight, as it never felt hurried or forced. This careful approach allowed Ezra to evoke some truly heartfelt emotions, making the viewer feel invested in the journey of Max and his son. It's clear that Tony Goldwyn's direction and Tony Spiridakis's writing aimed to capture the raw and tender moments of parenting, and for the most part, they succeeded.

In conclusion, despite a rocky start, Ezra finds its footing and delivers a touching, emotional journey. The strong performances and well-paced storytelling make it a movie worth watching. I give it a 7 out of 10.

It must be challenging to tell a fictional story about a boy with autism and make it authentic. Director Tony Goldwyn and writer Tony Spiridakis (who drew on his own experience as a parent of a child with autism) have done that with Ezra. Max (Bobby Cannavale) is a standup comedian who struggles to raise his autistic son, Ezra (William A. Fitzgerald). Max has very different views with his ex-wife, Jenna (Rose Byrne), on parenting Ezra. Additionally, Max and his father (played by Robert De Niro) have a tense relationship. And when Ezra is placed in a "special" school, Max illegally takes Ezra on a road trip on his way to an audition for a comedy gig. And, of course, a great deal of drama ensues.

The family dynamics, the challenge of parenting a child with autism, and the demands of personal growth are explored with sensitivity and compassion. Many people have praised Ezra as an accurate portrayal of autism. The performance by the young Fitzgerald in his acting debut is stunningly good. Cannavale and De Niro are also excellent in their roles. It's great to see De Niro in one of his best performances for some time. And Rose Byrne does a good job as Ezra's mother, although her character does seem to be underutilised.

Goldwyn's direction balances emotional depth with personal story telling, but sometimes, some of the plot seems to be a bit extraneous to the central story. And the narrative occasionally ventures into cliche. But, overall, it's a warm and heartfelt story that moves along at a good pace, although the final act of the film does feel a bit drawn out.

There have been other movies similar to Ezra, such as The Peanut Butter Falcon. But what makes this one stand out is its feeling of authenticity. If you're interested in family dramas, and particularly if you are interested in neurodiversity, you will find this a compelling watch. Despite some of its narrative flaws, its sincerity and depth make this one worth checking out.

I was pleasantly surprised to find actual comedians here. I actually watch Emma Willmann's stuff, and it seems like she even wrote her own material here. The movie convincingly portrays its themes, highlighting the struggles of parenting, especially in the context of divorce and a child with mental health issues. We also see the valid reasons behind the parents' disagreements. They both wanted what was best.

The film exceeded my expectations. The conflicts felt realistic, and the acting was good, particularly from William A. Fitzgerald in his first movie role. He was so good that I hope he doesn't get typecast like the dude from The Good Doctor. Overall, the cast did well. Robert De Niro's introduction was funny, and he had some great moments. He's excellent at playing father roles, as I noticed in Silver Linings Playbook.

The humor was well-balanced, with the best laughs coming from moments outside the stand-up comedy bits. I'm glad the movie didn't overdo the jokes, even though one of the main characters is a comedian. It balances out with the dramatic moments without overshadowing them.

While the movie didn't leave a lasting impact, I still think it's worth watching. It was a pleasant surprise since I expected it to be overly sentimental, but it turned out much better. One of the cool things about mystery movie screenings is discovering unexpectedly good films, even if they're not ones I was eagerly anticipating. I'm a bit conflicted about giving it 3 or 3½ stars.