A Lição

A film of two halves, if you like.

Is it a drama? Yes, kind of. Is it a thriller? It tries to be.

The first half sets everything up nicely and with plenty of dramatic tension, inner familial strife and forebodings about the water, sexual temptation and especially, plagiarism. So far so good.

Then we have the turning point about an hour in, and after that, all reason takes a holiday.

Are we to believe that Liam can remember the contents of a whole book?

Are we to believe that all this was planned from the start? Was the butler in on it?

I am sure that IT consultants everywhere were shouting at the screen about the 'deletion' scene.

Having said all this, it was well acted even though all the characters are quite reprehensible, and relatively well made with a decent first hour.

Revered novelist JM Sinclair hires tutor Liam Somers to help his son Bertie gain a place at Oxford. Liam learns of a death at the family home, and sets about discovering the truth of what happened.

First of all, I have to comment about how poorly supported this film seems to have been, the trailer had me interested, seeing it has been tough, after just three nights, it's vanished, such a shame.

Sold as a thriller, I'm not sure that's the tagline I'd use, let's be honest it takes a long time to open up, and to move through the gears, it's a slow burner, but ultimately it's rewarding, it's well worth a few hours of your time.

The film does peak, and there's an unexpected twist, it's well worth waiting for, until then you have some lovely scenery, and some incredible acting, Richard E. Grant does of course deliver a phenomenal performance, but the whole cast are excellent, Daryl McCormack is currently featuring in The Woman in The Wall, but he's arguably best known for Peaky Blinders, a real talent.

Alice Troughton, a name that will be familiar to some, she's done a lot of TV workz, I will always be a fan, because of her direction on Doctor Who episode Midnight, for me that's hands down one of the best pieces of television of all time.

Some interesting nature shots throughout, great shots of the coypu.

8/10.

In supposed thriller "The Lesson" aspiring writer Daryl McCormack (future huge star pending the right BIG role) is an English Lit tutor to Stephen McMillan, son of Julie Delpy & Richard E Grant (terrific) - whose other son killed himself two years prior. The domineering Grant's a once acclaimed author who's close to finishing his comeback novel, but in staying with the family at their beautiful, isolated home McCormack unearths secrets beneath their tension. Debut director Alice Troughton & debut writer Alex MacKeith tick the boxes, albeit with some clichés, to deliver a passable Brit-drama... that's sadly a tad too mild & predictable to be considered a true 'thriller'.

This movie is a seven. Oddly enough, with better writing, maybe a stronger plot with the right twists and turns, this could've easily been a nine maybe even a rock solid ten.

The performances here are some of the very best of 2023.

Richard E. Grant. Has he been knighted yet? He needs to be. I have never seen him give less than one hundred percent in every role he's ever occupied. Even Spice World. Yup. Spice World. The last film that I saw him in, Can You Ever Forgive Me?, he was spectacular. In The Lesson, he again ascends to great heights. He shows the depth, maturity and wisdom to play a highly-respected author of contemporary English literature.

His gorgeous wife, played by the elegant Julie Delpy.

Delpy in Killing Zoe was a career defining and most memorable performance.

Not surprisingly In The Lesson, she is the petrol to the fire.

She and her husband, the brilliant writer share a massive and secluded home on a beautiful, rolling, presumably English (though it's Germany - I looked into it) country side.

They live with their youngest, university-bound son, Bertie, who is currently prepping for his college admissions.

Bertie is played by Stephen McMillan, and he is maybe the biggest, brightest star of the entire film.

Bertie lives in the cold shadows of his famous father and his recently deceased older brother. The only real warmth he receives is from his mother.

And so she has hired a tutor to assist in this lengthy and intense college admissions process.

The tutor, an aspiring writer with great admiration for the work of Grant's character and his process towards the craft. He's played by Daryl McCormack. A solid portrayal by a solid up and coming talent who has snagged a part in the upcoming 2024 sequel to Twister, Twisters.

And off we go!

Tutor and tutee grinding away on the reading, writing and interviewing aspects of the admissions process.

Deliciously presented dinners with the family by candlelight. Wining and dining. Rachmaninoff playing gently in the background.

The estate is breathtaking. Monet's Giverny it seems. Study sessions out in the fresh air off the garden.

Who wouldn't want this gig?

We soon find out, somewhat mysteriously, many.

Beware jobs with a high turnover rate.

Questions start to surface.

What exactly happened to the older brother, Felix?

And what happens to all of the tutors?

This is where the story should've really blasted off.

But it doesn't.

Punches are pulled.

It gives in and makes it easy.

This movie gets a seven because of all the incredible performances from all of the ensemble.

All of them.

Richard E. Grant is his generation's Ian McKellen.

It's true.

And one of King Charles' first acts should be to knight this fine actor.

This movie isn't a thriller, so don't go in expecting big twists or action; it's a quiet, slow-paced drama with a mysterious edge. Some are rating the movie low because the mystery isn't hard to figure out, but I feel like that is not the point. The movie is meant to be a commentary on grief, ego, and control. It's not so much "what happens" but more "why" and "how" it unfolds.

The setting is absolutely beautiful: a big manor by a lake, surrounded by greenery. Calm but eerie atmosphere. Acting is top notch, everyone is great, they really managed to get a great cast. The writing is smart, with lots of foreshadowing, symbolism, and literary references and devices that fit the movie's theme.

That said, I wouldn't give it a perfect score. The slow pacing is not for me, and a few character decisions felt off or hard to believe. It's not a movie I'd probably rewatch, but I was definitely intrigued the whole time and impressed by the actors' performances.