Assassino por Acaso

I watched it at home while sipping mojitos one lazy night and it was what I was looking for. Nothing special but good acting and directing. Intresting plot to just keep my attention. Not too predictable too. Also I dont think the script was too bad either. If you are looking to relax and watch a movie, dont overthink it just hit Play!.

Nevertheless, its not perfect but it exceeded my expectations. The problem is that people are not really considerate with what they consume especially in movies. You cant expect a perfect burger in McDonalds, but you will get your moneys worth, if you know what you desire.

Enjoy!!

First thing's first: Glen Powell is incredible in this movie. He transforms across the spectrum of characters incredibly well. He's dynamic and believable in this role that boarders on absurdity and keeps it in bounds.

The premise of the story was entertaining and engaging, with an enjoyable secondary cast.

Adria Arjona was also fun, but her character could've better developed. The high octane romance tag transpires feels entirely too surface for how emotionally involved it becomes in the end. There were no flashes of actual connection beyond sexual intensity and discussion about murder. It would've been nice to see them have at least one "get to know you" interaction outside of the sex-murder dichotomy.

The ending is also.... Unnecessary. Maybe for laughs amongst the people who knew the real Gary Johnson, but for storytelling purposes it was a little too campy.

An entertaining watch, one of Netflix's better recent films. But it does fall a little flat in a couple places.

Glen Powell was blah in his last "big" movie, "Anyone But You". Here, things don't improve, although this time his female costar is just as extravangantly luscious as Sydney Sweeney, only brunette. His character, Gary Johnson dresses up in wigs and hats and costumes and assumes accents and personas to convince qould-be criminals that's he's a real hit man, but only they believe him - the audience certainly doesn't. One critic, Jason Fraley, describes the rom-com arc of the plot as "Fifty Shades Of Gary". The film is emotionless and gutless and packs zero punches. I kept waiting to laugh or be intrigued or moved or something... but nope, nothing/

The premise is very good: a mashup of romcom and noirish thriller in the vein of Notting Hill meets Double Indemnity. It should provide all sorts of setups for dark comedy and the means to upend both genres. Unfortunately this movie skews too far in the direction of romcom. There's a funny prelude in which Glen Powell showcases his comedic chops under the guise of various personas. After that the the movie becomes an extended one-note joke in which the gag is simply that it's a romcom with horrible people as the protagonists. The idea wears out its welcome long before the movie ends and otherwise not a whole lot happens.

This was billed as a quirky, clever Rom-Com by both its trailers and critics. The trailers looked fantastic, like a spirited passion project between Linklater and Powell that would parody the whole Rom-Com genre in witty fashion. The reality is this is just another Rom-Com film with critics falling head-over-heels with Linklater (as they always do). The most interesting part of the film is actually the first act, when Glen Powell gets to shine in a diverse portfolio of characters, including a long, gritty dialogue exchange. By the time the love interest appears in the second act, the film has already fallen into just another collage of good cop/good person/bad circumstance entanglement. Unfortunately the film never really redeems itself, nor its characters in unforgiveable acts. Its story feels mundane and outcome certain. While I had hoped for more, it was at least an easy viewing.