Um Banquete de Halloween

A Halloween Feast might be more of a comedy for sickos than it is a horror film, and that's perfectly fine with me! While it's clearly low budget and narratively chaotic (the latter seems intentional), it is competently crafted and makes the most of what it has to work with, ultimately serving up a spooky-flavored John Waters-esque campfest. Well, I'm not sure if even Mr. Waters could have come up with a twist quite as, um, depraved as the final revelation of Feast, but I'm sure it would meet with his approval!

At its best, this is hilarious in both its outrageous, gory set pieces and in its more lowkey jokes- I'm not a gorehound, so a major LOL for me was when the main character tells a drunk Nietzche-quoting man who wears a dinosaur costume for a living that "it's nice to meet someone so normal"- the dating pool is rough, ladies. But then there's Lynn Lowry's absolutely unhinged lead performance, which is honestly iconic, and when she's front-and-center the movie really sings (not unlike Kathleen Turner's work in Serial Mom). "THESE FEET HAVE DANCED AROUND THE WORLD" is destined to become a popular quote in the cult horror movie crowd.

If you're down for indie horror and you get a kick out of Waters and co's brand of camp, or if you're an appreciator of the pitch-black humor amidst the spurting blood in Leone's Terrifier films (you freaky weirdo), you'll probably vibe with this one. Maybe don't watch it with your family, though.

Looks like Angela Long is acting strange, she retires from teaching - but was formerly a dancer) and suddenly starts to kill pets. (trigger warning). Her family deals with it the best they can until on a family dinner Angela cuts off her husbands finger and feeds it down his throat. This is within the first 5 minutes folks.

It goes from there to worse. A psychiatrist is hired to oversee her release back home (why? Why? Why?) played by the brilliant Lou D'Amato as Dr. Park and soon it's blatantly obvious it's a huge mistake.

I could keep going, but this film is the most unpredictable film I have ever seen. ... It's definitely not as good as Bonafide Hollywood movies (looks like this had a real low budget) - but I really enjoyed this a bit more than "Serial Mom", the 1994 Kathleen Turner starrer, because the story has so many layers. I could keep going but...

I'd say give this a shot!

Every now and then, a horror-comedy comes along that feels like a potluck party: it's got a little of everything, some hits and some misses, but overall, you're glad you showed up. A Halloween Feast, directed by Guile Branco, is exactly that. It blends campy scares with quirky humor, dishes out nostalgia with every frame, and tops it all off with seasoned performances from genre veterans like Lynn Lowry. It's not the scariest horror-comedy you'll ever see, but it's certainly a tasty treat worth savoring.

What begins as a Halloween dinner soon turns into a nightmare, with blood, laughs, and an otherworldly twist. The movie is self-aware without being too meta, relying on horror tropes but giving them a lighthearted twist.

Branco seems to understand that the magic of horror-comedies lies in striking the right balance between absurdity and genuine tension. He leans into the absurd, which helps A Halloween Feast stand out. Instead of pushing too heavy on the jump scares, he plays with audience expectations, keeping things just unpredictable enough to be engaging. It's more "creepy chuckles" than "scream-your-face-off" horror, but that's exactly where the movie shines.

The Main Course: Performances that Hit the Spot

One of the film's main ingredients for success is its cast, with Lynn Lowry delivering a standout performance. For those who remember her iconic roles in 70s horror cult classics (Shivers, The Crazies), she brings a delicious mix of menace and charm. Lowry is fully in her element here, her expressive eyes and icy calm making even the most ludicrous lines feel grounded in something real. She knows how to play the dark humor, expertly walking the line between creepy and campy.

The rest of the cast, in contrast, brings a more straightforward comedic energy, caught in increasingly bizarre situations. The timing is sharp, and the chemistry off-kilter that keeps the movie moving.

Side Dishes: Humor and Horror in Unequal Measure

The film's humor is its strongest asset, the comedic elements are hit!

The Halloween Feast is what happens when someone throws a party, forgets the food, but serves chaos on silver platters. It's stylish, self-aware, and surprisingly fun - even when it's tripping over its own atmosphere like a final girl in platform boots.

Visually? A treat. The lighting team deserves a raise.

Narratively? A little undercooked. Some characters feel like horror archetypes fresh out the shrink wrap - disposable, dramatic, and conveniently dumb.

The kills? Creative. The pacing? Snappy enough to hide the soft spots.

But the real MVP is the tone: somewhere between Clue, Goosebumps after dark, and your weird cousin's haunted house party that actually slaps.

It's not reinventing horror - but it is confidently crashing the genre buffet and licking all the knives.

Rating: 7 out of 10 bloodstained party favors.

Don't be mid. Bring a sharper script next time.

I went to see this movie even though it was way out of my comfort zone. The cast was excellent and played off each other well. It was like a bunch of talented friends got together and created a "feast for viewing." The use of comic relief in the midst of tragedy was brilliant. Shakespeare himself would have been proud of the writers for scenes such as the one where three tough guys had to take a city bus to go rough up someone who owed them money. And if you like irony, Mark, the character who spouts Nietzsche hoping to help others find fulfillment, experiences what it is really like to live in a world where "God is dead."