Emmanuelle

This is a decidedly darker take in style and substance than the original. The cinematography is darker; where the original was mostly outdoors in the lush yellow sunshine of Bangkok, this version is all shadows and dark interiors. The characters are darker, too, more silent and secretive.

Noémie Merlant, while lovely, is sharper and more angular than Sylvia Kristel, and lacking in Kristel's pure, innocent beauty. She tends to play the part much less open and expressive, adding to the mystery.

The secondary and peripheral characters are mostly undeveloped. Naomi Watts is totally wasted in a very minor role, and no one else seems up to the task of becoming an important part of the story. This version also lacks the other beautiful bodies that populated the original. The nudity, such as it is, is far less copious and quite a bit less explicit, making the sexuality of the character almost a sidelight of her personality, rather than an important feature of the story.

For my taste, there's a whole lot more to like in the original, from Sylvia Kristel's stunning beauty, to the lush tropical scenery, to the beautiful bodies filling so many of the scenes. If you aren't going to make it better, why bother to remake it?

What an embarassment to the Emmannuelle collection of movies throughout history.

Anyone who has ever watched an Emmanuelle movie knows that it is about sensuality and eroticness above all.

This movie was filmed like it was some new advertisement for a women's perfume. Make of that what you will.

The biggest sin of all is the main casting. Unfortunately, Noémie Merlant while appears sexy and sultry at first, she just doesn't have the physical beauty to live up to the legendary Silvia Kristel.

The movie becomes more and more drab and boring as each scene comes and goes without much excitement.

Overall, for fans of T n A, this was also a colossal disappointment.

Why did this production come into being?

I read the books when they were written and, I saw the movies in Ireland, when censorship was rampent.

Whomever came up with the idea of bringing the stories into the 21st century, should never be involved in cinematopraghy, ever again.

They denigrated the books, the movies, and the memory of Sylvia Krystel. I am so very surprised that Namoi Watts would lend herself to this travesty.

The books were erotic for the '70's, and were ripe for European art movies, which were not always available to us Irish "children".

I read all the books, saw all the movies, and this is a disgrace. Even the Black Emmanual movies that were later produced, are better than this piece of crap.

Avoid, Avoid, Avoid.

Whoever decided to let Audrey Diwan direct and destroy this nostaligic franchise needs to rather donate the production money to animal welfare.

This movie has nothing in common with the other movies in the franchise and labors on and on with infinite reels of redundant dialogue.

I am happy the franchise has been rebooted but please can they hand the movie back into the hands of a man to make and Audrey Diwan is better suited to directing " Grass is green let's watch it grow" Perhaps the moviemakers should spend some time watching the original movies to better understand what made this franchise actually premiere in movie theatres at one point.

Noemie Merlant was not badly cast, she did her best to bring sexuality into the movie but there was nothing to work with.

No idea what Naomi Watts was doing in this movie.

"Emmanuelle 2024" is a deeply disappointing film that fails to deliver on every level. The plot is painfully slow and directionless, leaving the viewer struggling to find meaning or purpose in the story. Events seem to happen without any coherence or build-up, making it hard to stay invested. The acting is lackluster, with performances that feel uninspired and disconnected. Dialogue is riddled with clichés, adding to the overall sense of mediocrity. Even the visuals, which could have been a saving grace, feel uninspired and fail to make a lasting impression. Watching this movie felt like a complete waste of time and money. I would not recommend it to anyone seeking an engaging or meaningful experience at the cinema.