Banshee Chapter

I'd never heard of this film, (and only recognised two of the cast) but found it while channel hopping last night.

The blurb sounded promising so I thought I'd give it a go… and I was glad I did.

The film felt very "indie", a simple (if somewhat odd) idea nicely executed. Other reviews have described it as "Lovecraftian", and that description works well (there is even mention of Lovecraft at one point).

The mood is one of hidden lurking menace, never fully seen, only glimpsed. There were several excellent "jump out of your seat" scares, but even those were tastefully done. The acting is low key and the roles well cast.

I'm not going to say much more as I'd love people to discover this underrated little gem for themselves.

BANSHEE CHAPTER is a weird little horror flick that offers something different to the usual ghost or stalk-'n'-slash thrills. The plot incorporates government mind-testing, a 'ghost' radio station, government conspiracy, an anarchist writer modelled on Hunter S. Thompson, and aliens, alongside some traditional ghostly spirits designed to pop up in scare scenes and spook the viewer.

It's not really all that successful because the plot ingredients are all over the place. At times this strives to be a found footage flick and at other times it just plays out normally. I did like Katia Winter's protagonist, who's more intelligent and less of a screamer than the usual horror heroine, but the real stand-out performance here comes from an unrecognisable Ted Levine (SILENCE OF THE LAMBS) as the boozy, washed-up writer who gets drawn into a sinister conspiracy. BANSHEE CHAPTER is a weird little film all right and fans looking for something different might just find something to tempt them here as the creepy atmosphere is spot on.

Journalist Anne Roland explores the disturbing links behind her friend's sudden disappearance, an ominous government research chemical, and a disturbing radio broadcast of unknown origin.

This film has some good things going for it. With using MK-ULTRA as the background, they are able to blend fact and fiction, and certainly horror stories resulting from government experiments exist. This was a clever idea, even if not always done to its full potential.

There is also a very clear reference to Hunter S. Thompson, and that will make lots of people smile. Perhaps actually making the character Thompson and having this re-imagined as a bizarre pseudo-historical film might have helped.

I'm not a fan of jump scares. I think they're cheap, sometimes manipulative, and they rarely imbue dread. Rather, they can ruin a movie's atmosphere if used incorrectly. Having said that, The Banshee Chapter has the best use of jump scares I've seen in a long, long time. You can sense them coming from a mile away, yet they can still make you crap your pants. I credit this to the director who clearly has a grasp on how to utilize atmosphere and build-ups effectively. These scares don't seem cheap; well, some of them do, but the tone is set by the creepy music, the static, and the robotic voices which really holds the movie together. And the imagery itself is creepy. If I saw one of those things near me, I would freak the f*** out too.

Now, you probably noticed by now that I haven't even hinted at a narrative in this movie, and that's because it's so flimsy it's hardly worth mentioning. It's basically about MK Ultra and the government testing drugs on people, then things start to go horribly wrong. The premise is good, but the actual story - the execution - is hollow and lazy. I didn't care what has happening half the time. I was too busy peeking through my eyes (kidding, but not really) waiting for the damn thing to come out from somewhere. Almost every scene is crafted this way - light on substance, heavy on scares.

Thankfully, horror is about the scares so I have to give The Banshee Chapter credit. Even though it stands for everything I hate in horror movies, this one actually gets it right, and for that alone, bravo.

Low budget and creepy as all hell. The budget and aesthetic of Paranormal Activity (2007) with the otherworldly broadcasting of Videodrome (1983), set in the location of Fear and Loathing in Las Vegas (1998) with references to Hunter S. Thompson and Timothy Leary crossed with H. P. Lovecraft and Stephen King. Writer/director Blair Erickson has only helmed this single movie, a studio needs to give him budget to make more, he could be the next David Cronenberg. Part found footage, part fake documentary, this fictional story begins with real historical events explained in the beginning of the movie. What if this bioengineered mind altering drug the United States government really created could still be found and what would it be like for the people who take it? As we see, it's horrifying. As the audience learns the history of what was done, we realize the characters are in even greater peril than they know.