Até o Fim

Redford is great and this film shows how such a simple idea with one actor can work. As a filmmaker, it was interesting to see how a dialogue-free movie can work visually with a story that reminded me of Hemingway's "The Old Man and the Sea." For me, the story was a metaphor or allegory for life and our struggles. Cinematography was good, shot on the Arri Alexa, one of the hot cameras at the moment. The lack of dialogue and having only one actor made it a meditation for me on the visual elements. I hope Redford gets Oscar nomination. I'm inspired that a veteran like Redford had confidence in Chandor to go on this experimental film journey together.

Here we follow a solo sailor who experiences an extraordinary run of bad luck. We follow in detail his attempts to extricate himself. Right from the beginning, the life-threatening accidents that befall him seem insurmountable, but he is a tough man who attempts to deal with them one after the other. It becomes a grim battle for survival.

You do not need to be a sailor to enjoy this movie. And indeed if you are a sailor, apparently you won't enjoy it, as shown by the numerous wealthy reviewers lambasting the film because of the technical sailing details. Apparently a lot of rich old guys think they could have done better than the character in this film.

If you're not much of a sailor (like me), you'll spend a good deal of time wondering what he's doing and marveling at his self reliance. I don't know whether the sailing part was realistic. To enjoy the movie, it doesn't matter. It all seemed bone-crunchingly realistic, although at one point I did wonder whether an exhausted 77-year-old has the strength to haul himself up the side of a sailboat like that.

This is an unusual film for several reasons.

First, there is almost no dialogue. You can watch it with the sound off.

Second, it is set completely on two vessels in the Indian Ocean, but the camera almost never scans the horizon. We rarely actually see the sea or the entire boat. Sometimes there are several astonishing shots of the boat from underneath. All this gives the film a strangely claustrophobic feel, despite its maritime setting.

Third, the protagonist is a taciturn, very competent sailor who also happens to be a man in his late 70s. The movie has nothing to say, but yet much to say, about old age.

This movie is like "Gravity" in that it depicts a human being in extremis. The main character is not the sailor, but Fate. The sea represents a brutal and uncaring universe. Like "Gravity", the ultimate message is: when sh*t happens you can lie down and give up, or you can deal with it. The choice is up to you. Most of us have a hard time with that because it's easier to curse Fate and condemn the universe as unfair.

Ocean sailing that went sour. Man wakes up in the middle of absolute oceanic nowhere to find he had collided with a container, causing damage to his boat as well as rendering communications totally ineffective.

The film is made as a series of events aiming for this man to fail. Once restoration and improvement of conditions is achieved, a setback occurs. He is exposed, unprotected and threatened once again. Death is constantly around the corner.

The sequences are very realistic, accurately depicting the inherent risk of sea adventure. The calm is followed by a storm which is succeeded by another calm.

The success of this film lies in the fact that it is held well together, despite the complete absence of dialogue and this why only an actor of the stature of Robert Redford could pull this off and is in terrific shape despite his 77 years.

Ultimately, it is a tale of triumph of the human spirit that will not yield in the face of adversity and will fight to the very end to survive.

"The rules of survival never change, whether you're in a desert or in an arena." Bear Grylls

No need to be stranded in the Indian Ocean in your sailboat because writer/director J.C. Chandor has masterfully provided the experience for you in All is Lost. In fact, you can be an Ancient Mariner retelling your story and never have starved or cursed an albatross. It's that good, that authentic a feeling, that pared down to the basics of survival.

"Our Man" (read "Everyman"), played with his signature cool by Robert Redford, is a rich, handsome, aging, expert sailor (he is probably a professional something when not sailing), whose back-story is unknown except for a few bits such as his voice over at the beginning lamenting he has not been all he should to his family and does not look at a gift card in a box for a new sextant, which he is reduced to using after almost all is lost in the storm.

The special effects are as fine as you might expect from such a high-end production—shots from depths upward to the boat are lyrically contradictory to the danger he is experiencing topside. The tumult inside the boat feels real as water takes its inevitable toll.

All is Lost serves as appropriate metaphor, among others, for the commercial forces that interfere in one's life and the end of life fight to survive in the face of inevitable death. The dignity Our Man displays, his resourcefulness, mostly lack of resentment, and his rare moments of anger at himself are how I hope I would react and probably wouldn't (I'd be a big baby because I don't favor the idea of leaving this beautiful world).

Redford's well-known minimalism lends just the right touch of gravity and loneliness to a role Hemingway wrote for his Old Man and Joseph Conrad could have fashioned for one of his brooding narrators. The New York Times' A.O. Scott reminds us you can hope to gain a Conradian truth from this vicarious adventure, "that glimpse of truth for which you have forgotten to ask" (Conrad's "Nigger of the 'Narcissus'," 1897). The other truth is, Redford is so believable as to deserve an Oscar nomination, his finest role on screen in a career for which he has constantly underplayed. He's still doing it, but this time he has no one else to distract us.

All is Lost leaves me with a small dissatisfaction because I'd like to know what his life has been so I can understand his possible death. Of course, Chandor seems to wish we would generalize the story to all men, and he's right to demand it. For me, surviving is what I always want to do—this film puts me right there:

"The ultimate value of life depends upon awareness and the power of contemplation rather than upon mere survival." Aristotle

This is one to watch, especially if you have watched and enjoyed Cast Away. To be honest I did not expect to like it so much, knowing the type of movie this is. It is really fascinating though to realise how well this movie goes on based purely on one man's resourcefulness. The pace of the film is great with the action scenes keeping me on the edge of my seat. Redford in his late 70s gives a truly solid performance confronting his misadventures with extreme calmness and pure dignity. The character gives real time lessons on how to survive under such dire circumstances. A film dedicated to mortality. Quite different from what you may have seen in related films. I definitely recommend it!