Grandes Hits

This film has taken a good idea already used in Press Play and made an awful film. I watched them promote this on The One Show who clearly didn't do any research as they said what a great unique idea! The music used which is supposed to be the greatest hits are bad in my opinion. It feels like you never care about the main female character as it always feels like the film starts half way through which means you never care about any of the characters or the relationship with the dead boyfriend which you know nothing about. Watch Press Play it's loads better I actually read a review that said the opposite which I clearly don't agree with.

Everybody has songs which bring them back to specific times in their lives. For Harriet Gibbons (Lucy Boynton), it happens literally as she travels back in time. She is trying to save her boyfriend Max Enders (David Corenswet) from a deadly crash. She meets David Park (Justin H. Min) at her self-help group.

This has an intriguing elevator pitch from filmmaker Ned Benson. He has a few good ideas in this movie, but the premise needs more work. There are basic problems stemming from the concept. First, she needs to keep going back to the death moment. It only makes sense. It also doesn't help that Max is forced by the story to dismiss her at every turn. It makes him look bad as a boyfriend. The whole movie gets dragged down by many minor issues.

And, to overuse a delicious quote from SEINFELD, not that there is anything wrong with that. The most interesting thing about this quite adequate film is the odd way reviewers approach it. It is as if no two pundits can agree on what they just saw? Some see a time travel film along the lines of THE TIME TRAVELOR's WIFE. Some see a deconstruction of the role of music in modern society. Some simply see a useful vehicle to move along the career of the always photogenic Boynton (who, for example, is all most of us can recall from the otherwise tedious IPCRESS FILE). Some even suggest that the film's auteur created this ambiguity deliberately to hold the attention. Which is, after all, the primary purpose of any film. Entertainment. Holding one's gaze. This reviewer, like Boynton's own character, sees all the possibilities at once, and each has merit.. But, unlike that character, will not attempt to change or alter any of them. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

Greetings again from the darkness. If you are one for whom hearing a particular song, no matter how many times over however many years, brings back vivid memories of a person close to you or a memorable event, then you will likely relate to Harriet, the lead character in this film from writer-director Ned Benson (THE DISAPPEARANCE OF ELEANOR RIGBY, 2014). Additionally, if you have tragically lost someone special to you and find yourself cloaked in unshakeable grief, then you will also likely find common ground with Harriet.

Harriet (Lucy Boynton, so good in SING STREET, 2016) wears noise-cancelling headphones whenever she is in public. She is so concerned with controlling the songs she hears, that she now works in a library for the serenity that silence brings. These steps are for a good reason ... they protect her from instantaneously being transported back in time to a specific moment with her beloved boyfriend Max (David Corenswet, "Hollywood" mini-series, and he's the new Superman). For Harriet, these aren't merely flashbacks or memories - she is physically transported back in time when she hears a song. Rather than HOT TUB TIME MACHINE, she's living "Hi-Fidelity Time Machine". Her trip only lasts as long as the song is playing, yet she has no control. Once back in real time, she is viewed as having had a seizure. It's frightening stuff for her. However, instead of being concerned about her health, she is intent on finding the song that takes her back to the moment she can change the past and prevent the accident that cost Max his life.

Harriet's BFF Morris (Austin Crute, BOOKSMART, 2019), a local DJ, has been very supportive of her grief, but it's been two years since Max died, and Morris wants his friend to move on with life. Hope springs when Harriet meets David (a terrific Justin Min, "Beef") at a grief counseling group event. The two are understandable tentative around each other, yet it's obvious David is a good dude with the necessary patience to allow her to work through her grief. Harriet's case of déjà vu with David comes full circle, and adds a nice touch to the delicate situation they find themselves locked in.

Wanting to change the past is something we have all thought of at one time or another, yet the physical transformations that Harriet experiences feel like something beyond science fiction, and bordering on psychological torture. Filmmaker Benson has delivered a film that is simultaneously relatable, while also landing pretty far outside the box. There is a throwback feeling here, despite the characters feeling very much of this day. As you might expect, the soundtrack is quite varied with some deep cuts ... with Roxy Music being a key. Although there may not be any big surprises in how the story unfolds, the characters are so relatable, and it's so well acted, that we find ourselves pulling for each of them to have a happy ending.

Opens in theaters beginning April 5, 2024.

The Greatest Hits is an emotional comedy, drama, and fantasy film that highlights the impact of music. The cute yet sentimental storyline is unique, and I especially love how this film uses music as a metaphor to depict grief, and the stages people go through processing it.

The film introduces Harriet (Lucy Boynton) who loses her boyfriend in a car accident. The tragedy leaves Harriet with trauma and also the ability to go back in time. When she hears a song that's connected with a memory, the ability to time travel is triggered, and Harriet goes back to that time. Harriet tries to bring Max back, and faces many life-challenge obstacles that don't allow her to recover from his death. Two years later, Harriet remembers the accident like it happened yesterday-she visits a support group where she meets David (Justin H. Min). And so Harriet must "face the music" and make some very tough decisions.

This film is authentic, heartbreaking, and very relatable. I love the soundtrack and connected with it so much as I constantly listen to music, and I love how music symbolizes different stages of life. Throughout the film, Harriet is desperately looking for ways to bring Max back. While this makes Harriet relatable, I also found this to be the film's biggest flaw. That being said I did find the plot to be very cute and romantic. The story is about overcoming grief, and I like how the film represents what that means to Harriet. However, the acting and script aren't as strong as I wished. Lucy Boynton does deliver a very good performance as she shows how grief can harshly impact one's life. And I liked Austin Crute's performance as Harriet's best friend-their chemistry is refreshing as he supports Harriet through her grieving process. Finally, I enjoy the aesthetic of this film-the warm cinematography is pleasing to the eye.

The message of this film is that sometimes we need to let go of the past to move forward with the present.

I give The Greatest Hits 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Zoe C., KIDS FIRST!