Sai de ke · ba lai: Tai yang qi

well, for whom doesn't have time to read my full review, let's say that if you loved both LAST OF THE MOHICANS and APOCALYPTO,then i'm pretty sure you will love this movie. This is a great movie about war strategy, tribes, honor,hope.Off course there is a plenty scene of blood because it is war, but the bloody effect is not so over than Spartacus TV series. Points of view of several scene are great, many aerial, of camera-handed run... No doubt, it is a modern war movie. if you got boring during Narnia or Lord of Rings, then you will get what you want here. There is mass-fighting scene, uncut real fight, very captivating. i did not give the max evaluation because women in the movie, are very 'platonic', linear role and 'too much respected' (which was not during a real war). I guess the director wanted to keep a part of his audience (and not sexual scene either of course).

I wont say much about this film, but what I will say is this.... I am from England, but I have a huge interest in world cinema as well as action movies from the far East, I have been watching both for over 30 years, so I somewhat understand myths and traditions and folklore from that part of the world. Pretty much on all these accounts the film delivers in bundles, it wont be to everyones tastes, but considering where this film comes from, and what the Director has done it is incredible. You would not get a film like this anymore from Hollywood, the last film I can remember that it really reminded me of is GLORY (for those of you that know it), although that is Hollywood, and this is Taiwanese. They were both unrelenting though. This motion picture saga has...Great landscapes, beautiful haunting tribal folksongs in the soundtrack, and authentic wardrobe and sets, obviously some of the other comments that detract from the film might be fair, but this is a moving and unforgiving four and a half hour epic, where else are you gonna get to see a film like this ?

Red Cliff parts 1 and 2 maybe....but this is a Nobel and Splendid film.

If you are looking for an epic sized film look no further than the Asian film market. They have cornered the market on delivering huge scale movies on a regular basis like no other. Warriors of the Rainbow: Seediq Bale is not only an epic film it is the most expensive film to ever come out of Taiwan. Produced by John Woo, the film was originally released in Taiwan as two films running at over 4 and a half hours, but released in a single US version at about 2 and a half hours. Can this much be trimmed from a movie a still work clearly enough to keep the film's epic story in-tact and capture audiences? Warriors of the Rainbow is based on the 20th Century history of two warring tribes that not only clashed over the land they inhabited, but also a bigger war against the Japanese as they begin to colonize the island and wipe them out. Forging an alliance with the other tribes, they took the Japanese by surprise only to have to face an unstoppable force as they are attacked by aircraft and poison gas. This is not only a truly epic film; it is one that will leave you with some sort of emotional response. Whether its sadness, anger, or just awe, you cannot walk away from this movie without it affecting you in some way. This is an extremely violent and graphic movie, but is necessary to really convey this little known time in Taiwan history. At first this film feels a bit like Apocalypto then takes a turn to something like Last of the Mohicans, but with a way more violent and deep emotional story. It's hard to believe the amount of action that is crammed into this film and still have such a powerful story. This is a well-made, well-executed film that is hard to watch at times due to the content. Besides the war violence, there is a heavy amount of gore as well as suicide and children being killed that may be hard to watch for some people.

This is easily one of the most emotionally charge epic war like movies to come out in a long time. With the amount of content that is included in this film, you can only imagine what else could have been cut out for this condensed US release. If you love Asian cinema, war films, or just great filmmaking, this is a must see film. Just be warned as mentioned before that there are some pretty heavy visuals.

http://www.examiner.com/movie-in-dallas/bobby-blakey

I agree too. I did some wiki research when I first learn about this film and it is really helpful to get a fuller sense of the theme given a basic historical context. Disclaimer: I have seen the first part only (the second part is in theaters today in HK).

Similar to previous comment, this movie reminds me of the situation in Tibet right now. How the "Han-ization" is happening when the culture and religion in Tibet is slowing disappearing. What would I do if I were one of the young men in the tribes in the movie?

And is this that much different to the change happening to our very own culture (both Eastern and Western) in the face of globalization and extreme consumerism? This is how much the film has provoked me into contemplating.

Also with all the head chopping and fighting scenes the director has successfully illustrates the values and beliefs of life of the tribes without a taint of violence. Yes it's bloody but not violent. Wonder how that is possible right? (This is refreshing in the midst of our media culture on big screens and on TV).

I would not use the word entertaining for this movie but nonetheless it is not as serious/"boring" as the topic and plot might sound. And 144 minutes just flew by without my notice and my 60+ years old parents were actually hoping to watch the second half right after the first.

Definitely a not-to-miss for this year!

I walked out of the cinema with both surprise and worry. I'm worried because maybe this is not a very good film, especially not a good "commercial film" to make both ends meet, but I'm really glad to see that Te-Sheng Wei can still insist on his idea even in such a big production.

Before going to the theater, my first concern was whether it would become a stereotypical nationalism or humanism film, because The Wushe Incident had been represented so many times in our history class in Taiwan that it seemed to be too difficult to make this film without compromising on political correctness, but Te-Sheng Wei made it！

Sàidékè balái presented a mass of killing and death, not in a humanism or Han Chinese Nationalism way, but from the aspect of the Seediq. I have heard people arguing if it is necessary to have so much violence in this film, but I have to say that the value of peace or anti-war is the main stream nowadays but not so to the traditional Seediq that time. Therefore, I think the director is not a moral relativist, he just chose not to judge the past with today's value, and resisted the mainstream that drowned the voice of the minority.

It impressed me that there was little Chinese or Taiwanese through out this film. Instead, the film is composed of Seediq language and Japanese. We should cherish it that 80 years after the The Wushe Incident, we can finally see a film which represents historical event not based on the authority opinion but on people who didn't lead the history, i.e. the native.