AVALIAÇÃO DA IMDb
7,5/10
11 mil
SUA AVALIAÇÃO
Na década de 1860, um veterano da Guerra Civil Irlandesa-Americana junta-se à força policial de Nova Iorque.Na década de 1860, um veterano da Guerra Civil Irlandesa-Americana junta-se à força policial de Nova Iorque.Na década de 1860, um veterano da Guerra Civil Irlandesa-Americana junta-se à força policial de Nova Iorque.
- Indicado para 1 Primetime Emmy
- 2 vitórias e 10 indicações no total
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I was hooked by the promos. Although I like period dramas, usually my preferences tend more toward much earlier times. The atmosphere, the setting, even the costumes on "Copper," however, bespoke something unusual.
The actors are spot-on. Their characterizations are very human, making them both likable and unlikeable. Justice is often dispensed based on situational ethics rather than word of law. This is refreshing, since we don't have to root for every one, every time.
The writing, production values, even the editing make the show compelling and the unanswered questions persuade me to come back each episode to see how the plot is furthered. While we still don't have the larger answers, there is enough going on in the foreground so that this is not a drawback. It makes the denouement worth waiting for.
I have favorites among the characters, of course, but have a couple of unfavorites, as well: Eva, the friends-with-benefits "businesswoman" who, apparently doesn't mind snuffing out any potential rivals for someone who, in the end, will never be hers, anyway (she's quite awful: who would want to be?) and the evil child we've seen in so many horror movies that I, for one, can't muster up even a modicum of sympathy for. They and a smattering of others simply elicit the "Can't wait for this one to buy it" response.
It's outstanding in the current field. This, alas, means it probably will have a short shelf-life, as so many imaginative, non-generic shows do. I sincerely hope, however, that this proves the exception.
The actors are spot-on. Their characterizations are very human, making them both likable and unlikeable. Justice is often dispensed based on situational ethics rather than word of law. This is refreshing, since we don't have to root for every one, every time.
The writing, production values, even the editing make the show compelling and the unanswered questions persuade me to come back each episode to see how the plot is furthered. While we still don't have the larger answers, there is enough going on in the foreground so that this is not a drawback. It makes the denouement worth waiting for.
I have favorites among the characters, of course, but have a couple of unfavorites, as well: Eva, the friends-with-benefits "businesswoman" who, apparently doesn't mind snuffing out any potential rivals for someone who, in the end, will never be hers, anyway (she's quite awful: who would want to be?) and the evil child we've seen in so many horror movies that I, for one, can't muster up even a modicum of sympathy for. They and a smattering of others simply elicit the "Can't wait for this one to buy it" response.
It's outstanding in the current field. This, alas, means it probably will have a short shelf-life, as so many imaginative, non-generic shows do. I sincerely hope, however, that this proves the exception.
Copper may not be the greatest show on earth but it is damned good. Every time I start and episode I am put off by it for a few minutes, into it for a few more. Then straight up Enthrawled in it as the plot gains weight and momentum.
The show has exception gripping scenes of violence when it has them though it usually doesn't, but when they are their they fully justify the TVMA rating (which is hard to get considering the stuff that hell on wheels does only manages them a tv14).
The acting is superb, the setting well done despite a few quirks with some virtual backgrounds, though totally understandable given the small budget. all in all the people seem rough dirty and brutal.
Most of the show consists of a our main character corky navigating up and down the lines of inner and upper class as he searches for criminals. sick, petty. and vial criminals. that are intertwined in both.
The mellow drama isn't up to par with some other shows other but its not trying too hard and its also not trying to rip off these shows. In that the echos of deadwood are seen, if only they could make this like that, but that wouldn't happen, never the less the spirit in deadwoods creation is in this, just with less articulate melodrama.
The characters are interesting and engaging, the violence brutal and bloody and the way the plot snowballs in mini stories is great.
Its also a touch relaxing to watch, for all its brutality, its very comfortable. you trust the characters to behave as they should and in that kinda in a bit of a trip./
The show has exception gripping scenes of violence when it has them though it usually doesn't, but when they are their they fully justify the TVMA rating (which is hard to get considering the stuff that hell on wheels does only manages them a tv14).
The acting is superb, the setting well done despite a few quirks with some virtual backgrounds, though totally understandable given the small budget. all in all the people seem rough dirty and brutal.
Most of the show consists of a our main character corky navigating up and down the lines of inner and upper class as he searches for criminals. sick, petty. and vial criminals. that are intertwined in both.
The mellow drama isn't up to par with some other shows other but its not trying too hard and its also not trying to rip off these shows. In that the echos of deadwood are seen, if only they could make this like that, but that wouldn't happen, never the less the spirit in deadwoods creation is in this, just with less articulate melodrama.
The characters are interesting and engaging, the violence brutal and bloody and the way the plot snowballs in mini stories is great.
Its also a touch relaxing to watch, for all its brutality, its very comfortable. you trust the characters to behave as they should and in that kinda in a bit of a trip./
I love this show it has absolutely fascinated me with the story. I want to know what happened to Ellen, what will happen to everyone in it.
Everything that you think you know, you have to just throw it out when the next show comes on and it all changes. There is something so wonderful about watching it unfold.
The characters are so interesting; dark and deep. I cannot begin to know what will happen and that cannot be said for much that is on television. I love the unique flavour of this show,the gritty reality. So often people have romanticized the roles of saloon girls and cops and this show does not do that at all, sure some might find that too explicit but they can go watch the regular formula stuff on the bland networks.I find this whole series absolutely perfect. Can't wait to see it each week.
Everything that you think you know, you have to just throw it out when the next show comes on and it all changes. There is something so wonderful about watching it unfold.
The characters are so interesting; dark and deep. I cannot begin to know what will happen and that cannot be said for much that is on television. I love the unique flavour of this show,the gritty reality. So often people have romanticized the roles of saloon girls and cops and this show does not do that at all, sure some might find that too explicit but they can go watch the regular formula stuff on the bland networks.I find this whole series absolutely perfect. Can't wait to see it each week.
When I first saw the trailer for Copper, I figured it would be like a continuation of 'Gangs of New York.' How wrong I was. Though the setting of Copper mimics that of 'Gangs,' it goes further beyond into the seedy underbelly of the Five Points. It focuses not on revenge or the Civil War, but rather what problems plagued the detectives that tried to keep order in a lawless town.
On its own, Copper is a unique perspective on how justice was done in America. Essentially, the show is about Kevin Corcoran, a detective in the Five Points who stops at nothing to get his man, even the ones that think they are above the law. He relies heavily on his partner, Francis Maguire, during the inevitable trouble that follows them wherever they go. Kevin also invokes the help of a black doctor, Matthew Freeman, whose brilliant mind helps the detectives identify certain characteristics of victims that will lead to the killer. But their relationship is tricky due to the fresh wounds that are present from a recovering nation after the Civil War.
This show is not at all shy or subtle in its approach as to how things were back then. From the issues of race, class, peer pressure, and the common practice of child prostitution, nothing is left untouched by Copper. This show is certainly not afraid of offending people and you know what? That's what makes it so good to watch.
Tom Weston-Jones commands the screen from the first glance and refuses to let go as we are introduced to more characters. He gives an air of mystery and respectability to his role as Kevin Corcoran. He and his co-stars are able to carry the load of heavy scenes that might otherwise make viewers uncomfortable in an understated way. The fact that the bulk of them are complete unknowns (at least in America) allows the audience to watch without any preconceived notions about what to expect.
Overall, I really liked the pilot. It has serious potential as it was able to balance a certain number of characters with intertwining story lines that make sense. It would be easy for the writers to back away from the uncomfortable situations that the characters get into, but I hope they don't. The raw talk and bold themes are what make this show unique.
On its own, Copper is a unique perspective on how justice was done in America. Essentially, the show is about Kevin Corcoran, a detective in the Five Points who stops at nothing to get his man, even the ones that think they are above the law. He relies heavily on his partner, Francis Maguire, during the inevitable trouble that follows them wherever they go. Kevin also invokes the help of a black doctor, Matthew Freeman, whose brilliant mind helps the detectives identify certain characteristics of victims that will lead to the killer. But their relationship is tricky due to the fresh wounds that are present from a recovering nation after the Civil War.
This show is not at all shy or subtle in its approach as to how things were back then. From the issues of race, class, peer pressure, and the common practice of child prostitution, nothing is left untouched by Copper. This show is certainly not afraid of offending people and you know what? That's what makes it so good to watch.
Tom Weston-Jones commands the screen from the first glance and refuses to let go as we are introduced to more characters. He gives an air of mystery and respectability to his role as Kevin Corcoran. He and his co-stars are able to carry the load of heavy scenes that might otherwise make viewers uncomfortable in an understated way. The fact that the bulk of them are complete unknowns (at least in America) allows the audience to watch without any preconceived notions about what to expect.
Overall, I really liked the pilot. It has serious potential as it was able to balance a certain number of characters with intertwining story lines that make sense. It would be easy for the writers to back away from the uncomfortable situations that the characters get into, but I hope they don't. The raw talk and bold themes are what make this show unique.
And it delivered. I was not expecting much from this show, not because of the relatively unknown actors, but because there's a lot of "back in the day" shows coming out the last couple of years (Deadwood, Hell On Wheels, Boardwalk Empire etc) though this show has certain hints from other shows, it has it's own gritty feel about it.
The characters are great, and you never know who is doing what or who they are doing it for, there's no "Oh I know what's about to happen" and even if you get that thought process, it's a very unlikely chance you'll have guessed it right.
As stated in a previous review it's not the greatest show on earth, but just when you're about to give up on it, you get smacked in the face with the next scene which leaves you hanging for the next season, I do recommend watching this if you are a fan of Deadwood/Hell On Wheels.
The characters are great, and you never know who is doing what or who they are doing it for, there's no "Oh I know what's about to happen" and even if you get that thought process, it's a very unlikely chance you'll have guessed it right.
As stated in a previous review it's not the greatest show on earth, but just when you're about to give up on it, you get smacked in the face with the next scene which leaves you hanging for the next season, I do recommend watching this if you are a fan of Deadwood/Hell On Wheels.
Você sabia?
- CuriosidadesCopper (2012) is filmed in Canada, and, to mimic the iconic 'Five Points' of New York, the show runners created an entire replica in an old car factory.
- Erros de gravaçãoCorcoran and company are Irish immigrants working for the Metropolitan Police. The Metropolitan Police was formed by the state in 1857 as a counter to the pre-existing municipal police, and they were rival agencies. Irish immigrants worked almost exclusively for the municipal police rather than the Metropolitan Police, so it is highly unlikely that a Metropolitan Police precinct would would have been manned mainly by Irish.
- Citações
Detective Kevin Corcoran: I have a favor to ask.
Elizabeth Haverford: Well that's fortunate. I've brought you here to ask a favor of my own.
Detective Kevin Corcoran: [pulls out Elizabeth's letter] Next time, could you ease up on the rose water? I will not hear the end of it at the precinct-house.
Elizabeth Haverford: Embarrassing you was not my intention. It's just the way I smell.
- Cenas durante ou pós-créditosIn the opening credits, there is a map showing the Five Points as it stood in the show's time period.
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- How many seasons does Copper have?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Лягавий
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 42 min
- Cor
- Mixagem de som
- Proporção
- 16:9 HD
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