Tower Block

How does the sniper shoot at people emerging from both sides of the hallway? As in they live at opposite sides of the tower block.... (I didn't how to post in Goofs...)

Despite having some potential, 'Tower Block' makes for a cringe watch.

The writing, in my opinion at least, is the problem here. There's a decent cast list and a respectable enough premise, but things fall apart when the characters act and talk - the dialogue is iffy, while some of the character decisions are very odd.

Sheridan Smith (Becky) and Jack O'Connell (Kurtis) are two capable leads and give solid performances, though their roles are average - especially Kurtis, who is so over-the-top at times it's painful to see.

As noted, the plot is alright - the way it's written isn't. The ending is rather poor, especially with the 'twist' (?). I wanted to enjoy this, and in a few minor moments I did, but all the negative parts unfortunately weigh it down tremendously.

If you want a story regarding this type of building, then I'd recommend 2011's 'Attack the Block'. This one, though not atrocious, isn't all that good sadly.

This is a fantastic movie and even more so given it's a low budget indie entirely filmed in one small location! I have great admiration for a team that can put together something with the quality of this movie particularly with those obstacles.

The direction is top notch, building suspense throughout, delivering unpredictable shocks & events and developing some lovely relationships between the people trapped in the building. The cinematography and music score are spot on lending a hand to the overall gritty industrial mood of the environment and sense of impending doom & hopelessness. But it's not at all a depressing movie. It's actually quite uplifting. I loved the characters and their believable and interesting interactions. There was some top notch acting from several people and the character of one in particular was so well acted & developed I wanted to see more of him!! Several other characters were also very likable and engaging while others were infuriating but you still didn't want them to get hurt. It's a fine movie indeed that makes you care so much for the people they've invented that you feel sad when the movie ends and they've gone.

Yeah the plot had some holes here and there but they are not that significant in the context of how incredibly well this movie is put together. Most of the time it hung together well, people behaved as anyone would in the situation and it was mostly unpredictable. Special marks for having a strong female character, for not pulling punches about who "bites the bullet" and who doesn't and for the interesting side story of the alcoholic lad. And of course for the thoroughly fascinating stand-over guy. (I'll be looking for more movies with that young actor in them!!)

The "reveal" and final scene could possibly have been handled better, but I've seen a lot worse and I was happy enough with it. In any case, the journey to get there was so engrossing and enjoyable it really didn't matter.

The only truly (wholly) negative reviews I've read about this movie have focused on very trivial details (nit picking) &/or a couple of plot holes to proclaim this pretty much the worst movie in the history of the Universe. This seems a little petty & extreme to say the least. It's most certainly NOT the worst movie, nor is it the best but it's definitely one of the better ones, regardless of any flaws it may have. I say, you show me a movie totally without flaws and I'll find at least one anyway! :)

I thoroughly enjoyed every moment and recommend it unreservedly for people who enjoy good drama, thriller, suspense, action movies etc and for those who like to see how a movie can be brilliant without the need for a huge budget and fancy effects.

Derivative and largely formulaic thriller, but nevertheless one that remains suspenseful and compelling throughout the entire running time thanks to the raw & gritty atmosphere and a handful of extremely brutal shock-moments. Reminiscent to the other recent British flick "Attack the Block" in terms of tone & social setting, "Tower Block" takes place in a pauperized and crime-infested big city suburb where people abandoned all hope for prosperity long time ago already and desperately avoid every type of contact with fellow human beings. The film entirely takes place in a large apartment complex that is scheduled for destruction and only the residents of the top floor still live there. One Saturday morning, they are rudely awakened by a relentless psycho killer with a sniper rifle. He – or she – fires at everything that moves and placed booby-traps across the building. There's a obvious link with an unsolved murder committed in the block a few months earlier and now the asocial tenants are forced to rely on each other for survival. The biggest trumps for a film such as "Tower Block" are surprise and unpredictability. All the residents are equally insignificant, meaning that literally anyone of them could be next. And they could be next at any random and possible moment, too. Writers/directors duo James Nunn and Ronnie Thompson aptly play with these trumps, as the characters definitely don't die in the order you'd expect. Sniper murders can perhaps get a bit monotonous after a while, but there's enough diversity in killing methods and circumstances. Obviously there's quite a large number of holes and irrationality in the plot and the climax (as in: revelation of the sniper's identity) is weak and disappointing. The acting performances vary between adequate and amateurish, with good roles for tough blond gal Sheridan Smith and "Alien³" veteran Ralph Brown. In case you want to seek out more "serial sniper-killer" movies after this, I warmly recommended the almighty "Dirty Harry" but also the more obscure "Two-Minute Warning", "Targets" and "The Deadly Tower"

Tower Block is a lesson in how to make fine films in single locations with tiny budgets that are character driven, effects-light and based on sharply written simple premises, which are blackly funny but still suspenseful. That Tower Block marks the feature directorial debuts for James Nunn & Ronnie Thompson, is astounding. What a way to start! 1950's Britain saw the birth of high-rise blocks as a solution to the post-war population boom. For a while they were popular for their views and originality. Then we grew up, realized how bad they were for morale, how quickly they became havens for crime and we started demolishing them.

Fast forward to preset day London. The residents on the top floor of one such tower block have stubbornly remained in their flats until the council can rehouse them, despite threats from the developer who has acquired the land and to being victims of extortion by number one grunt of the block, Kurtis. When a resident is beaten to death in a vicious attack, all but one of the other tenants bolt their doors and hope the trouble will go away. But Becky's heroics count for nothing and her bruises cause her to withdraw, too. Then, one morning several months later, a sniper starts executing them.

The stylized title sequence sets the tone of the film with muted colours, camera angles that make heads tilt and an intensity that puts the viewer on edge from the outset. We know there'll be a shot fired sooner or later, but it's still a jolt when the initial shot happens. It certainly makes an impact… We're given only the briefest introductions to the characters before the dying commences in style. It's ruthless when it happens and the 90-minute running time ensures the pace is tightened for maximum impact. But, though the journey is swift, Tower Block is far from being only about action and brutality. Each character who survives the initial onslaught is given (some) time to breathe and relationships are hastily forged where previously there has been barely a glance shared on the top floor.

The closest Tower Block comes to a star is Sheridan Smith, an actress who made her name in TV (Eyes Down, Two Pints of Lager and a Packet of Crisps) and has earned plaudits and gongs on the stage in Legally Blonde and Hedda Gabler. In Tower Block, Smith states her intention to conquer the big screen, too, with a strong performance as a determined woman forced to lead a clutch of neighbours fighting for survival despite dwindling options and rising tempers.

Excellent as she is, Smith shares ownership of the limelight with Jack O'Connell (Eden Lake, Harry Brown) as Kurtis. Though Kurtis is utterly detestable from the moment we meet him, O'Connell subtly unravels him to reveal insecurities and fears that have been shrouded in a flapping cloak of aggression for years. Deep within this morally corrupt monster lies a code of conduct and a pragmatism that one can't help, well, if not liking then at least enjoying. And screenwriter James Moran has gifted him some of the funnies quips of the film.

The supporting cast forms a who's who of council estate characters and there's a certain amount of pleasure to be gained from guessing who's destined to become the next splatter of pulp across the wall. And when it inevitably arrives, each demise brings its own cocktail of wince and smile.

Moran, who is given a moment of glory with the presence of his Cockneys Versus Zombies poster, writes from within each character with the same tone he set in 2006's Severance. There are no pointless monologues of exposition, just beautiful, jagged and bitterly funny snatches of conversation that reflect each character's evolution from their reticence to reveal too much, to the spewing of emotion when their mortality is callously close. If this is anything to go by, next year's Silent Night of the Living Dead could be stunning.

Though last night's audience was woefully small, it was a preview screening and the buzz with which the viewers left was palpable and Tower Block is likely to be a film that steadily builds an audience via word of mouth. And so it should. It's an exciting, gritty, funny film and, in the current batch of 'films in towers', though it falls short of the virtually flawless The Raid, I suspect it ranks higher than Dredd and positively towers above Man on Ledge and Tower Heist.

Tower Block misses perfection for some silly mistakes it is impossible to point out here without giving away plot lines other than to say the final act of violence was three inches the wrong side of cheesy and when a certain character improvises with 'armour', only in the worst moments of Hollywood would it be adequate. But these are but silly errors of judgment in an otherwise riveting film that'll have you thinking twice before you thrown open the curtains.

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